OF TIME AND THE RIVER. Thomas Wolfe

again, and smelled the early morning breakfast smells, the smoking wheat cakes, and the pungent sausages, the steaks, biscuits, grits, and fried green apples, and the brains and eggs. It may have been the coil of pungent smoke upcurling from his father’s chimney, the clean sweet gardens and the peach-bloom, apples, crinkled lettuce wet with dew, bloom and cherry bloom down-drifting in their magic snow within his father’s orchard, and his father’s giant figure awake now and astir, and moving in his house!

      Oh, ever to wake at morning knowing he was there! To feel the fire-full chimney-throat roar up a-tremble with the blast of his terrific fires, to hear the first fire crackling in the kitchen range, to hear the sounds of morning in the house, the smells of breakfast and the feeling of security never to be changed! Oh, to hear him prowling like a wakened lion below, the stertorous hoarse frenzy of his furious breath; to hear the ominous muttering mounting to faint howls as with infuriated relish he prepared the roaring invective of the morning’s tirade, to hear him muttering as the coal went rattling out upon the fire, to hear him growling as savagely the flame shot up the trembling chimney-throat, to hear him muttering back and forth now like a raging beast, finally to hear his giant stride racing through the house prepared now, storming to the charge, and the well-remembered howl of his awakened fury as springing to the door-way of the back-room stairs he flung it open, yelling at them to awake.

      Was it in such a way, one time as he awoke, and heard below his father’s lion-ramp of morning that fury came? He never knew, no more than one could weave the great web of his life back through the brutal chaos of ten thousand furious days, unwind the great vexed pattern of his life to silence, peace, and certitude in the magic land of new beginnings, no return.

      He never knew if fury had lain dormant all those years, had worked secret, silent, like a madness in the blood. But later it would seem to him that fury had first filled his life, exploded, conquered, and possessed him, that he first felt it, saw it, knew the dark illimitable madness of its power, one night years later on a train across Virginia.

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      It was a little before midnight when the youth entered the smoking room of the Pullman where, despite the lateness of the hour, several men still sat. At just this moment the train had entered the State of Virginia, although, of course, none of the men who sat there talking knew this.

      It is true that some of them might have known, had their interest and attention been directed toward this geographic fact, had they been looking for it. Just at this moment, indeed, as the train, scarcely slackening its speed, was running through the last of the Catawba towns, one of the men glanced up suddenly from the conversation in which he and the others were earnestly engaged, which was exclusively concerned with the fascinating, ever-mounting prices of their property and the tempting profits undoubtedly to be derived from real-estate speculation in their native town. He had looked up quickly, casually, and absently, with that staggering indifference of prosperous men who have been so far, so often, on such splendid trains, that a trip across the continent at night toward the terrific city is no longer a grand adventure of their lives, but just a thing of custom, need, and even weariness, and who, therefore, rarely look out of windows any more:

      “What is this?” he said quickly. “Oh, Maysville, probably. Yes, I guess this must be Maysville,” and had then returned vigorously from his brief inspection of the continent of night, a few lights, and a little town, to the enticing topic which had for several hours absorbed the interests of the group.

      Nor was there any good reason why this traveller who had glanced so swiftly and indifferently from the window of the train should feel any greater interest than he showed. Certainly the briefest and most casual inspection would have convinced the observer that, in Baedeker’s celebrated phrase, there was “little here that need detain the tourist.” What the man saw in the few seconds of his observation was the quiet, dusty and sparsely lighted street of a little town in the upper South. The street was shaded by large trees and there were some level lawns, more trees, and some white frame-houses with spacious porches, gables, occasionally the wooden magnificence of Georgian columns.

      On everything — trees, houses, foliage, yards, and street — there was a curious loneliness of departure and October, an attentive almost mournful waiting. And yet this dark and dusty street of the tall trees left a haunting, curiously pleasant feeling of strangeness and familiarity. One viewed it with a queer sudden ache in the heart, a feeling of friendship and farewell, and this feeling was probably intensified by the swift and powerful movement of the train which seemed to slide past the town almost noiselessly, its wheels turning without friction, sound, or vibrancy on the pressed steel ribbons of the rails, giving to a traveller, and particularly to a youth who was going into the secret North for the first time, a feeling of illimitable and exultant power, evoking for him the huge mystery of the night and darkness, and the image of ten thousand lonely little towns like this across the continent.

      Then the train slides by the darkened vacant-looking little station and for a moment one has a glimpse of the town’s chief square and business centre. And as he sees it he is filled again with the same feeling of loneliness, instant familiarity, and departure. The square is one of those anomalous, shabby-ornate, inept, and pitifully pretentious places that one finds in little towns like these. But once seen, if only for this fraction of a moment, from the windows of a train, the memory of it will haunt one for ever after.

      And this haunting and lonely memory is due probably to the combination of two things: the ghastly imitation of swarming life and metropolitan gaiety in the scene, and the almost total absence of life itself. The impression one gets, in fact, from that brief vision is one of frozen cataleptic silence in a world from which all life has recently been extinguished by some appalling catastrophe. The lights burn, the electric signs wink and flash, the place is still horribly intact in all its bleak prognathous newness, but all the people are dead, gone, vanished. The place is a tomb of frozen silence, as terrifying in its empty bleakness as those advertising backdrops one saw formerly in theatres, where the splendid buildings, stores, and shops of a great street are painted in the richest and most flattering colours, and where there is no sign of life whatever.

      So was it here, save that here the illusion of the dead world gained a hideous physical reality by its stark, staring, nakedly concrete dimensions.

      All this the boy had seen, or rather sensed, in the wink of an eye, a moment’s vision of a dusty little street, a fleeting glimpse of a silent little square, a few hard lights, and then the darkness of the earth again — these half-splintered glimpses were all the boy could really see in the eye-wink that it took the train to pass the town. And yet, all these fragmentary things belonged so completely to all the life of little towns which he had known, that it was not as if he had seen only a few splintered images, but rather as if the whole nocturnal picture of the town was instantly whole and living in his mind.

      Beyond the station, parked in a line against the curb, is a row of empty motor cars, and he knows instantly that they have been left there by the patrons of the little moving-picture theatre which explodes out of the cataleptic silence of the left-hand side of the square into a blaze of hard white and flaming posters which seem to cover the entire façade. Even here, no movement of life is visible, but one who has lived and known towns like these feels for the first time an emotion of warmth and life as he looks at the gaudy, blazing bill-beplastered silence of that front.

      For suddenly he seems to see the bluish blaze of carbon light that comes from the small slit-like vent-hole cut into the wall and can hear again — one of the loneliest and most haunting of all sounds — the rapid shuttering sound of the projection camera late at night, a sound lonely, hurried, unforgettable, coming out into those cataleptic squares of silence in the little towns — as if the operator is fairly racing through the last performance of the night like a weary and exhausted creature whose stale, over-driven life can find no joy in what is giving so much joy to others, and who is pressing desperately ahead toward the merciful rewards of food, sleep, and oblivion which are already almost in his grasp.

      And as he remembers this, he also suddenly sees and