Название | A Short History of England |
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Автор произведения | Гилберт Кит Честертон |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4057664140869 |
Now I will modestly maintain that I know more about English history than this; and that I have as much right to make a popular summary of it as the gentleman who made the crusader and the halberdier change hats. But the curious and arresting thing about the neglect, one might say the omission, of mediæval civilization in such histories as this, lies in the fact I have already noted. It is exactly the popular story that is left out of the popular history. For instance, even a working man, a carpenter or cooper or bricklayer, has been taught about the Great Charter, as something like the Great Auk, save that its almost monstrous solitude came from being before its time instead of after. He was not taught that the whole stuff of the Middle Ages was stiff with the parchment of charters; that society was once a system of charters, and of a kind much more interesting to him. The carpenter heard of one charter given to barons, and chiefly in the interest of barons; the carpenter did not hear of any of the charters given to carpenters, to coopers, to all the people like himself. Or, to take another instance, the boy and girl reading the stock simplified histories of the schools practically never heard of such a thing as a burgher, until he appears in a shirt with a noose round his neck. They certainly do not imagine anything of what he meant in the Middle Ages. And Victorian shopkeepers did not conceive themselves as taking part in any such romance as the adventure of Courtrai, where the mediæval shopkeepers more than won their spurs—for they won the spurs of their enemies.
I have a very simple motive and excuse for telling the little I know of this true tale. I have met in my wanderings a man brought up in the lower quarters of a great house, fed mainly on its leavings and burdened mostly with its labours. I know that his complaints are stilled, and his status justified, by a story that is told to him. It is about how his grandfather was a chimpanzee and his father a wild man of the woods, caught by hunters and tamed into something like intelligence. In the light of this, he may well be thankful for the almost human life that he enjoys; and may be content with the hope of leaving behind him a yet more evolved animal. Strangely enough, the calling of this story by the sacred name of Progress ceased to satisfy me when I began to suspect (and to discover) that it is not true. I know by now enough at least of his origin to know that he was not evolved, but simply disinherited. His family tree is not a monkey tree, save in the sense that no monkey could have climbed it; rather it is like that tree torn up by the roots and named "Dedischado," on the shield of the unknown knight.
II
THE PROVINCE OF BRITAIN
The land on which we live once had the highly poetic privilege of being the end of the world. Its extremity was ultima Thule, the other end of nowhere. When these islands, lost in a night of northern seas, were lit up at last by the long searchlights of Rome, it was felt that the remotest remnant of things had been touched; and more for pride than possession.
The sentiment was not unsuitable, even in geography. About these realms upon the edge of everything there was really something that can only be called edgy. Britain is not so much an island as an archipelago; it is at least a labyrinth of peninsulas. In few of the kindred countries can one so easily and so strangely find sea in the fields or fields in the sea. The great rivers seem not only to meet in the ocean, but barely to miss each other in the hills: the whole land, though low as a whole, leans towards the west in shouldering mountains; and a prehistoric tradition has taught it to look towards the sunset for islands yet dreamier than its own. The islanders are of a kind with their islands. Different as are the nations into which they are now divided, the Scots, the English, the Irish, the Welsh of the western uplands, have something altogether different from the humdrum docility of the inland Germans, or from the bon sens français which can be at will trenchant or trite. There is something common to all the Britons, which even Acts of Union have not torn asunder. The nearest name for it is insecurity, something fitting in men walking on cliffs and the verge of things. Adventure, a lonely taste in liberty, a humour without wit, perplex their critics and perplex themselves. Their souls are fretted like their coasts. They have an embarrassment, noted by all foreigners: it is expressed, perhaps, in the Irish by a confusion of speech and in the English by a confusion of thought. For the Irish bull is a license with the symbol of language. But Bull's own bull, the English bull, is "a dumb ox of thought"; a standing mystification in the mind. There is something double in the thoughts as of the soul mirrored in many waters. Of all peoples they are least attached to the purely classical; the imperial plainness which the French do finely and the Germans coarsely, but the Britons hardly at all. They are constantly colonists and emigrants; they have the name of being at home in every country. But they are in exile in their own country. They are torn between love of home and love of something else; of which the sea may be the explanation or may be only the symbol. It is also found in a nameless nursery rhyme which is the finest line in English literature and the dumb refrain of all English poems—"Over the hills and far away."
The great rationalist hero who first conquered Britain, whether or no he was the detached demigod of "Cæsar and Cleopatra," was certainly a Latin of the Latins, and described these islands when he found them with all the curt positivism of his pen of steel. But even Julius Cæsar's brief account of the Britons leaves on us something of this mystery, which is more than ignorance of fact. They were apparently ruled by that terrible thing, a pagan priesthood. Stones now shapeless yet arranged in symbolic shapes bear witness to the order and labour of those that lifted them. Their worship was probably Nature-worship; and while such a basis may count for something in the elemental quality that has always soaked the island arts, the collision between it and the tolerant Empire suggests the presence of something which generally grows out of Nature-worship—I mean the unnatural. But upon nearly all the matters of modern controversy Cæsar is silent. He is silent about whether the language was "Celtic"; and some of the place-names have even given rise to a suggestion that, in parts at least, it was already Teutonic. I am not capable of pronouncing upon the truth of such speculations, but I am of pronouncing upon their importance; at least, to my own very simple purpose. And indeed their importance has been very much exaggerated. Cæsar professed to give no more than the glimpse of a traveller; but when, some considerable time after, the Romans returned and turned Britain into a Roman province, they continued to display a singular indifference to questions that have excited so many professors. What they cared about was getting and giving in Britain what they had got and given in Gaul. We do not know whether the Britons then, or for that matter the Britons now, were Iberian or Cymric or Teutonic. We do know that in a short time they were Roman.
Every now and then there is discovered in modern England some fragment such as a Roman pavement. Such Roman antiquities rather diminish than increase the Roman reality. They make something seem distant which is still very near, and something seem dead that is still alive. It is like writing a man's epitaph on his front door. The epitaph would probably be a compliment, but hardly a personal introduction. The important thing about France and England is not that they have Roman remains. They are Roman remains. In truth they are not so much remains as relics; for they are still working miracles. A row of poplars is a more Roman relic than a row of pillars. Nearly all that we call the works of nature have but grown like fungoids upon this original work of man; and our woods are mosses on the bones of a giant. Under the seed of our harvests and the roots of our trees is a foundation of which the fragments of tile and brick are but emblems; and under the colours of our wildest flowers are the colours of a Roman pavement.
Britain