The Complete Flying U Series – 24 Westerns in One Edition. B. M. Bower

stubs and burned matches innumerable upon the rough, board floor, and here in her hand—she turned the pages of her favorite abstractedly and a paper fluttered out and fell, face upward, on the floor. She stooped and recovered it, glanced and gasped.

      “Well!”

      It was only a pencil sketch done on cheap, unruled tablet paper, but her mind dissolved into a chaos of interrogation marks and exclamation points—with the latter predominating more and more the longer she looked.

      It showed blunt-topped hills and a shallow coulee which she remembered perfectly. In the foreground a young woman in a smart tailored costume, the accuracy of which was something amazing, stood proudly surveying a dead coyote at her feet. In a corner of the picture stood a weather-beaten stump with a long, thin splinter beside it on the ground. Underneath was written in characters beautifully symmetrical: “The old maid’s credential card.”

      There was no gainsaying the likeness; even the rakish tilt of the jaunty felt hat, caused by the wind and that wild dash across country, was painstakingly reproduced. And the fanciful tucks on the sleeve of the gown—“and I didn’t suppose he had deigned so much as a glance!” was her first coherent thought.

      Miss Whitmore’s soul burned with resentment. No woman, even at twenty-three, loves to be called “the old maid”—especially by a keen-witted young man with square chin and lips with a pronounced curve to them. And whoever supposed the fellow could draw like that—and notice every tiny little detail without really looking once? Of course, she knew her hat was crooked, with the wind blowing one’s head off, almost, but he had no business: “The old maid’s credential card!”—“Old maid,” indeed!

      “The audacity of him!”

      “Beg pardon?”

      Miss Whitmore wheeled quickly, her heart in the upper part of her throat, judging by the feel of it. Chip himself stood just inside the door, eying her coldly.

      “I was not speaking,” said Miss Whitmore, haughtily, in futile denial.

      To this surprising statement Chip had nothing to say. He went to one of the iron beds, stooped and drew out a bundle which, had Miss Whitmore asked him what it was, he would probably have called his “war sack.” She did not ask; she stood and watched him, though her conscience assured her it was a dreadfully rude thing to do, and that her place was up at the house. Miss Whitmore was frequently at odds with her conscience; at this time she stood her ground, backed by her pride, which was her chiefest ally in such emergencies.

      When he drew a huge, murderous-looking revolver from its scabbard and proceeded calmly to insert cartridge after cartridge, Miss Whitmore was constrained to speech.

      “Are you—going to—SHOOT something?”

      The question struck them both as particularly inane, in view of his actions.

      “I am,” replied he, without looking up. He whirled the cylinder into place, pushed the bundle back under the bed and rose, polishing the barrel of the gun with a silk handkerchief.

      Miss Whitmore hoped he wasn’t going to murder anyone; he looked keyed up to almost any desperate deed.

      “Who—what are you going to shoot?” Really, the question asked itself.

      Chip raised his eyes for a fleeting glance which took in the pencil sketch in her hand. Miss Whitmore observed that his eyes were much darker than hazel; they were almost black. And there was, strangely enough, not a particle of curve to his lips; they were thin, and straight, and stern.

      “Silver. He broke his leg.”

      “Oh!” There was real horror in her tone. Miss Whitmore knew all about Silver from garrulous Patsy. Chip had rescued a pretty, brown colt from starving on the range, had bought him of the owner, petted and cared for him until he was now one of the best saddle horses on the ranch. He was a dark chestnut, with beautiful white, crinkly mane and tail and white feet. Miss Whitmore had seen Chip riding him down the coulee trail only yesterday, and now—Her heart ached with the pity of it.

      “How did it happen?”

      “I don’t know. He was in the little pasture. Got kicked, maybe.” Chip jerked open the door with a force greatly in excess of the need of it.

      Miss Whitmore started impulsively toward him. Her eyes were not quite clear.

      “Don’t—not yet! Let me go. If it’s a straight break I can set the bone and save him.”

      Chip, savage in his misery, regarded her over one square shoulder.

      “Are you a veterinary surgeon, may I ask?”

      Miss Whitmore felt her cheeks grow hot, but she stood her ground.

      “I am not. But a broken bone is a broken bone, whether it belongs to a man—or some OTHER beast!”

      “Y—e-s?”

      Chip’s way of saying yes was one of his chief weapons of annihilation. He had a peculiar, taunting inflection which he could give to it, upon occasion, which caused prickles of flesh upon the victim. To say that Miss Whitmore was not utterly quenched argues well for her courage. She only gasped, as though treated to an unexpected dash of cold water, and went on.

      “I’m sure I might save him if you’d let me try. Or are you really eager to shoot him?”

      Chip’s muscles shrank. Eager to shoot him—Silver, the only thing that loved and understood him?

      “You may come and look at him, if you like,” he said, after a breath or two.

      Miss Whitmore overlooked the tolerance of the tone and stepped to his side, mechanically clutching the sketch in her fingers. It was Chip, looking down at her from his extra foot of height, who called her attention to it.

      “Are you thinking of using that for a plaster?”

      Miss Whitmore started and blushed, then, with an uptilt of chin:

      “If I need a strong irritant, yes!” She calmly rolled the paper into a tiny tube and thrust it into the front of her pink shirt-waist for want of a pocket—and Chip, watching her surreptitiously, felt a queer grip in his chest, which he thought it best to set down as anger.

      Silently they hurried down where Silver lay, his beautiful, gleaming mane brushing the tender green of the young grass blades. He lifted his head when he heard Chip’s step, and neighed wistfully. Chip bent over him, black agony in his eyes. Miss Whitmore, looking on, realized for the first time that the suffering of the horse was a mere trifle compared to that of his master. Her eyes wandered to the loaded revolver which bulged his pocket behind, and she shuddered—but not for Silver. She went closer and laid her hand upon the shimmery mane. The horse snorted nervously and struggled to rise.

      “He’s not used to a woman,” said Chip, with a certain accent of pride. “I guess this is the closest he’s ever been to one. You see, he’s never had any one handle him but me.”

      “Then he certainly is no lady’s horse,” said Miss Whitmore, good-naturedly. Somehow, in the last moment, her attitude toward Chip had changed considerably. “Try and make him let me feel the break.”

      With much coaxing and soothing words it was accomplished, and it did not take long, for it was a front leg, broken straight across, just above the fetlock. Miss Whitmore stood up and smiled into the young man’s eyes, conscious of a desire to bring the curve back into his lips.

      “It’s very simple,” she declared, cheerfully. “I know I can cure him. We had a colt at home with his leg broken the same way, and he was entirely cured—and doesn’t even limp. Of course,” she added, honestly, “Uncle John doctored him—but I helped.”

      Chip drew the back of his gloved hand quickly across his eyes and swallowed.

      “Miss Whitmore—if you could save old Silver—”

      Miss Whitmore, the self-contained young medical graduate, blinked rapidly and found urgent need