The White Moll. Frank L. Packard

work now, and we'll have old Hayden-Bond's necklace in another hour. Skeeny's got the Sparrow tied up in the old room behind Shluker's place, and once we're sure there's no back-fire anywhere, the Sparrow will chirp his last chirp." He laughed out suddenly, and, leaning forward, clapped Rhoda Gray exultantly on the shoulder. "It was like taking candy from a kid! The Sparrow and the old man fell for the sick-mother, needing-her-son-all-night stuff without batting a lid; but the Sparrow hasn't been holding the old lady's hand at the bedside yet. We took care of that."

      Again Rhoda Gray made no comment. She wondered, as she gripped at the rings and brooches in hand, so fiercely that the settings pricked into the flesh, if her face mirrored in any way the cold, sick misery that had suddenly taken possession of her soul. The Sparrow! She knew the Sparrow; she knew the Sparrow's sick mother. That part of it was true. The Sparrow did have an old mother who was sick. A fine old lady—finer than the son—Finch, her name was. Indirectly, she knew old Hayden-Bond, the millionaire, and—Almost subconsciously she was aware that Danglar was speaking again.

      "I guess luck's breaking our way again," he grinned. "The old boy paid a hundred thousand cold for that necklace. You know how long we've been waiting to get our hooks on it, and we've never had our eyes off his house for two months. Well, it pays to wait, and it pays to do things right. It broke our way at last to-night, all right, all right! To-day's Saturday—and the safety deposit vaults aren't open on Sunday. Mrs. Hayden-Bond's been away all week visiting, but she comes back to-morrow, and there's some swell society fuss fixed for to-morrow night, and she wants her necklace to make a splurge, so she writes Mr. H-hyphen-B, and out it comes from the safety deposit vault, and into the library safe. The old man isn't long on social stunts, and he's got pretty well set in his habits; one of those must-have-nine-hours'-sleep bugs, and he's always in bed by ten—when his wife'll let him. She being away to-night, the boys were able to get to work early. They ought to be able to crack that box without making any noise about it in an hour and a half at the outside." He pulled out his watch-and whistled low under his breath. "It's a quarter after eleven now," he said hurriedly, and moved abruptly toward the door. "I can't stick around here any longer. I've got to be on deck where they can slip me the 'white ones,' and then there's Skeeny waiting for the word to bump off the Sparrow." He jerked his hand suddenly toward the jewels in her lap. "Salt those away before any more adventurers blow in!" he said, half sharply, half jocularly. "And don't let the White Moll slip you—at any cost. Remember! She's bound to come to you again. Play her—and send out the call. You understand, don't you? There's never been a yip out of the police. Our methods are too good for that. Look at the Sparrow to-night. Where there's no chance taken of suspicion going anywhere except where we lead it, there's no chance of any trouble—for us! But this cursed she-fiend's another story. We're not planting plum trees for her to pick any more of the fruit. Understand?"

      She answered him mechanically.

      "Yes," she said.

      "All right, then; that end of it is up to you," he said significantly. "You're clever, clever as the devil, Bertha. Use your brains now—we need 'em. Good-night, old girl. See you later."

      "Good-night," said Rhoda Gray dully.

      The door closed. The short, ladder-like steps to the hallway below creaked once, and then all was still. Danglar did have on rubber-soled shoes. She sat upright, her hands, clenched now, pressed hard against her throbbing temples. It wasn't true! None of this was true—this hovel of a place, those jewels glinting like evil eyes in her lap; her existence itself wasn't true; it was only her brain now, sick like her soul, that conjured up these ugly phantoms with horrible, plausible ingenuity. And then an inner voice seemed to answer her with a calmness that was hideous in its finality. It was true. All of it was true. Those words of Danglar, and their bald meaning, were true. Men did such things; men made in the image of their Maker did such things. They were going to kill a man to-night—an innocent man whom they had made their pawn.

      She swept the jewels from her lap to the blanket, and rising, seized the candle, went to the door, looked out, and, holding the candle high above her head, peered down the stairs. Yes, he was gone. There was no one there.

      She locked the door again, returned to the bed, set the candle down upon the chair, and stood there, her face white and drawn, staring with wide, tormented eyes about her. Murder. Danglar had spoken of it with inhuman callousness—and had laughed at it. They were going to take a man's life. And there was only herself, already driven to extremity, already with her own back against the wall in an effort to save herself, only herself to carry the burden of the responsibility of doing something-to save a man's life.

      It seemed to plumb the depths of irony and mockery. She could not make a move as Gypsy Nan. It would only result in their turning upon her, of the discovery that she was not Gypsy Nan at all, of the almost certainty that it would cost her her own life without saving the Sparrow's. That way was closed to her from the start. As the White Moll, then? Outside there in the great city, every plain-clothes man, every policeman on every beat, was staring into every woman's face he met—searching for the White Moll.

      She wrung her hands in cruel desperation. Even to her own problem she had found no solution, though she had wrestled with it all last night, and all through the day; no solution save the negative one of clinging to this one refuge that remained to her, such as it was, temporarily. She had found no solution to that; what solution was there to this! She had thought of leaving the city as Gypsy Nan, and then somewhere far away, of sloughing off the character of Gypsy Nan, and of resuming her own personality again under an assumed name. But that would have meant the loss of everything she had in life, her little patrimony, the irredeemable stamp of shame upon the name she once had owned; and also the constant fear and dread that at any moment the police net, wide as the continent was wide, would close around her, as, sooner or later, it was almost inevitable that it would close around her. It had seemed that her only chance was to keep on striving to play the role of Gypsy Nan, because it was these associates of Gypsy Nan who were at the bottom of the crime of which she, Rhoda Gray, was held guilty, and because there was always the hope that in this way, through confidences to a supposed confederate, she could find the evidence that would convict those actually guilty, and so prove her own innocence. But in holding to the role of Gypsy Nan for the purpose of receiving those criminal confidences, she had not thought of this—that upon her would rest the moral responsibility of other crimes of which she would have knowledge, and, least of all, that she should be faced with what lay before her now, to-night, at the first contact with those who had been Gypsy Nan's confederates.

      What was she to do? Upon her, and upon her alone, depended a man's life, and, adding to her distraction, she knew the man—the Sparrow, who had already done time; that was the vile ingenuity of it all. And there would le corroborative evidence, of course; they would have seen to that. If the Sparrow disappeared and was never heard of again, even a child would deduce the assumption that the proceeds of the robbery had disappeared with him.

      Her brain seemed to grow panicky. She was standing here helplessly. And time, the one precious ally that she possessed, was slipping away from her. She could not go to the police as Gypsy Nan—and, much less, as the White Moll! She could not go to the police in any case, for the "corroborative" evidence, that obviously must exist, unless Danglar and those with him were fools, would indubitably damn the Sparrow to another prison term, even supposing that through the intervention of the police his life were saved. What was she to do?

      And then, for a moment, her eyes lighted in relief. The Adventurer! She thrust her hand into the pocket of her skirt, and drew out the torn piece of paper, and studied the telephone number upon it—and slowly the hurt and misery came back into her eyes again. Who was he? He had told her. An adventurer. He had given her to understand that he, if she had not been just a few minutes ahead of him, would have taken that money from Skarbolov's escritoire last night. Therefore he was a crook. Danglar had said that some one had been getting in ahead of them lately and snatching the plunder from under their noses; and Danglar now believed that it had been the White Moll. A wan smile came to her lips. Instead of the White Moll, it appeared to be quite obvious that it was the Adventurer. It therefore appeared to be quite as obvious that the man was a professional thief, and an extremely clever one, at that. She dared not trust him. To enlist his aid she would have to explain the gang's plot; and while the