The Blithedale Romance. Nathaniel Hawthorne

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       Nathaniel Hawthorne

      The Blithedale Romance

      Published by Good Press, 2019

       [email protected]

      EAN 4057664112903

Table of Contents

       I. OLD MOODIE

       II. BLITHEDALE

       III. A KNOT OF DREAMERS

       IV. THE SUPPER-TABLE

       V. UNTIL BEDTIME

       VI. COVERDALE'S SICK-CHAMBER

       VII. THE CONVALESCENT

       VIII. A MODERN ARCADIA

       IX. HOLLINGSWORTH, ZENOBIA, PRISCILLA

       X. A VISITOR FROM TOWN

       XI. THE WOOD-PATH

       XII. COVERDALE'S HERMITAGE

       XIII. ZENOBIA'S LEGEND

       XIV. ELIOT'S PULPIT

       XV. A CRISIS

       XVI. LEAVE-TAKINGS

       XVII. THE HOTEL

       XVIII. THE BOARDING-HOUSE

       XIX. ZENOBIA'S DRAWING-ROOM

       XX. THEY VANISH

       XXI. AN OLD ACQUAINTANCE

       XXII. FAUNTLEROY

       XXIII. A VILLAGE HALL

       XXIV. THE MASQUERADERS

       XXV. THE THREE TOGETHER

       XXVI. ZENOBIA AND COVERDALE

       XXVII. MIDNIGHT

       XXVIII. BLITHEDALE PASTURE

       XXIX. MILES COVERDALE'S CONFESSION

I. OLD MOODIE

       Table of Contents

      The evening before my departure for Blithedale, I was returning to my bachelor apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly man of rather shabby appearance met me in an obscure part of the street.

      "Mr. Coverdale," said he softly, "can I speak with you a moment?"

      As I have casually alluded to the Veiled Lady, it may not be amiss to mention, for the benefit of such of my readers as are unacquainted with her now forgotten celebrity, that she was a phenomenon in the mesmeric line; one of the earliest that had indicated the birth of a new science, or the revival of an old humbug. Since those times her sisterhood have grown too numerous to attract much individual notice; nor, in fact, has any one of them come before the public under such skilfully contrived circumstances of stage effect as those which at once mystified and illuminated the remarkable performances of the lady in question. Nowadays, in the management of his "subject," "clairvoyant," or "medium," the exhibitor affects the simplicity and openness of scientific experiment; and even if he profess to tread a step or two across the boundaries of the spiritual world, yet carries with him the laws of our actual life and extends them over his preternatural conquests. Twelve or fifteen years ago, on the contrary, all the arts of mysterious arrangement, of picturesque disposition, and artistically contrasted light and shade, were made available, in order to set the apparent miracle in the strongest attitude of opposition to ordinary facts. In the case of the Veiled Lady, moreover, the interest of the spectator was further wrought up by the enigma of her identity, and an absurd rumor (probably set afloat by the exhibitor, and at one time very prevalent) that a beautiful young lady, of family and fortune, was enshrouded within the misty drapery of the veil. It was white, with somewhat of a subdued silver sheen, like the sunny side of a cloud; and, falling over the wearer from head to foot, was supposed to insulate her from the material world, from time and space, and to endow her with many of the privileges of a disembodied spirit.

      Her pretensions, however, whether miraculous or otherwise, have little to do with the present narrative—except, indeed, that I had propounded, for the Veiled Lady's prophetic solution, a query as to the success of our Blithedale enterprise. The response, by the bye, was of the true Sibylline stamp—nonsensical in its first aspect, yet on closer study unfolding a variety of interpretations, one of which has certainly accorded with the event. I was turning over this riddle in my mind, and trying to catch its slippery purport by the tail, when the old man above mentioned interrupted me.

      "Mr. Coverdale!—Mr. Coverdale!" said he, repeating my name twice, in order to make up for the hesitating and ineffectual way in which he uttered it. "I ask your pardon, sir, but I hear you are going to Blithedale tomorrow."

      I knew the pale, elderly face, with the red-tipt nose, and the patch over one eye; and likewise saw something characteristic in the old fellow's way of standing under the arch of a gate, only revealing enough of himself to make me recognize him as an acquaintance. He was a very shy personage, this Mr. Moodie; and the trait was the more singular, as his mode of getting his bread necessarily brought him into the stir and hubbub of the world more than the generality of men.

      "Yes, Mr. Moodie," I answered, wondering what interest he could take in the fact, "it is my intention to go to Blithedale to-morrow.