Earl Derr Biggers: Complete 11 Novels in One Volume (Illustrated Edition). Earl Derr Biggers

and would be glad to grant our request. His letter was really most kind."

      The girl sat down on the edge of Holley's typewriter table. "I got to Eldorado two nights ago, and drove out to Madden's at once. And—well, it was rather queer—what happened. Do you want to hear all this?"

      "I certainly do," Bob Eden assured her.

      "The gate was open, and I drove into the yard. The lights of my car flashed suddenly on the barn door, and I saw a bent old man with a black beard and a pack on his back—evidently old-time prospector such as one meets occasionally, even today, in this desert country. It was his expression that startled me. He stood like a frightened rabbit in the spotlight, then darted away. I knocked at the ranch house door. There was a long delay, then finally a man came, a pale, excited-looking man—Madden's secretary, Thorn, he said he was. I give you my word—Will's heard this before—he was trembling all over. I told him my business with Madden, and he was very rude. He informed me that I positively could not see the great P.J. 'Come back in a week,' he said, over and over. I argued and pleaded—and he shut the door in my face."

      "You couldn't see Madden," repeated Bob Eden slowly. "Anything else?"

      "Not much. I drove back to town. A short distance down the road my lights picked up the little old prospector again. But when I got to where I thought he was, he'd disappeared utterly. I didn't investigate—I just stepped on the gas. My love for the desert isn't so keen after dark."

      Bob Eden took out a cigarette. "I'm awfully obliged," he said. "Mr. Holley, I must get out to Madden's at once. If you'll direct me to a garage—"

      "I'll do nothing of the sort," Holley replied. "An old flivver that answers to the name of Horace Greeley happens to be among my possessions at the moment, and I'm going to drive you out."

      "I couldn't think of taking you away from your work."

      "Oh, don't joke like that. You're breaking my heart. My work! Here I am, trying to string one good day's work along over all eternity, and you drift in and start to kid me—"

      "I'm sorry," said Eden. "Come to think of it, I did see your placard on the door."

      Holley shrugged. "I suppose that was just cheap cynicism. I try to steer clear of it. But sometimes—sometimes—"

      They went together out of the office, and Holley locked the door. The deserted, sad little street stretched off to nowhere in each direction. The editor waved his hand at the somnolent picture.

      "You'll find us all about out here," he said, "the exiles of the world. Of course, the desert is grand, and we love it—but once let a doctor say 'you can go' and you couldn't see us for the dust. I don't mind the daytime so much—the hot friendly day—but the nights—the cold lonely nights."

      "Oh, it isn't so bad, Will," said the girl gently.

      "Oh no, it isn't so bad," he admitted. "Not since the radio—and the pictures. Night after night I sit over there in that movie theater, and sometimes, in a newsreel or perhaps in a feature, I see Fifth Avenue again, Fifth Avenue at Forty-second, with the motors, and the lions in front of the library, and the women in furs. But I never see Park Row." The three of them walked along in silence through the sand. "If you love me, Paula," added Will Holley softly, "there's a location you'll find. A story about Park Row, with the crowds under the El, and the wagons backed up to the rear door of the post-office, and Perry's Drug Store and the gold dome of the World. Give me a film of that, and I'll sit in the Strand watching it over and over until these old eyes go blind."

      "I'd like to," said the girl. "But those crowds under the Elevated wouldn't care for it. What they want is the desert—the broad open spaces away from the roar of the town."

      Holley nodded. "I know. It's a feeling that's spread over America these past few years like some dread epidemic. I must write an editorial about it. The French have a proverb that describes it—'Wherever one is not, that is where the heart is.'"

      The girl held out her hand. "Mr. Eden, I'm leaving you here—leaving you for a happy night at the Desert Edge Hotel."

      "But I'll see you again," Bob Eden said quickly. "I must."

      "You surely will. I'm coming out to Madden's ranch tomorrow. I have that letter of his, and this time I'll see him—you bet I'll see him—if he's there."

      "If he's there," repeated Bob Eden thoughtfully. "Good night. But before you go—how do you like your steaks?"

      "Rare," she laughed.

      "Yes—I guess one was enough. However, I'm very grateful to that one."

      "It was a lovely steak," she said. "Good night."

      Will Holley led the way to an aged car parked before the hotel. "Jump in," he said. "It's only a short run."

      "Just a moment—I must get my bag," Eden replied. He entered the hotel and returned in a moment with his suitcase, which he tossed into the tonneau. "Horace Greeley's ready," Holley said. "Come west, young man."

      Eden climbed in and the little car clattered down Main Street. "This is mighty kind of you," the boy said.

      "It's a lot of fun," Holley answered. "You know, I've been thinking. Old P.J. never gives an interview, but you can't tell—I might be able to persuade him. These famous men sometimes let down a little when they get out here. It would be a big feather in my cap. They'd hear of me on Park Row again."

      "I'll do all I can to help," Bob Eden promised.

      "That's good of you," Holley answered. The faint yellow lights of Eldorado grew even fainter behind them. They ascended a rough road between two small hills—barren, unlovely piles of badly assorted rocks. "Well, I'm going to try it," the editor added. "But I hope I have more luck than the last time."

      "Oh—then you've seen Madden before?" Eden asked with interest.

      "Just once," Holley replied. "Twelve years ago, when I was a reporter in New York. I'd managed to get into a gambling house on Forty-fourth Street, a few doors east of Delmonico's. It didn't have a very good reputation, that joint, but there was the great P.J. Madden himself, all dolled up in evening clothes, betting his head off. They said that after he'd gambled all day in Wall Street, he couldn't let it alone—hung round the roulette wheels in that house every night."

      "And you tried to interview him?"

      "I did. I was a fool kid, with lots of nerve. He had a big railroad merger in the air at the time, and I decided to ask him about it. So I went up to him during a lull in the betting. I told him I was on a newspaper—and that was as far as I got. 'Get the hell out of here,' he roared. 'You know I never give interviews.'" Holley laughed. "That was my first and only meeting with P.J. Madden. It wasn't a very propitious beginning, but what I started that night on Forty-fourth Street I'm going to try to finish out here tonight."

      They reached the top of the grade, the rocky hills dropped behind them, and they were in a mammoth doorway leading to a strange new world. Up amid the platinum stars a thin slice of moon rode high, and far below in that meager light lay the great gray desert, lonely and mysterious.

      Chapter V. Madden's Ranch

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      Carefully Will Holley guided his car down the steep, rock-strewn grade. "Go easy, Horace," he murmured. Presently they were on the floor of the desert, the road but a pair of faint wheel tracks amid the creosote brush and mesquite. Once their headlights caught a jack-rabbit, sitting firmly on the right of way; the next instant he was gone forever.

      Bob Eden saw a brief stretch of palm trees back of a barbed-wire fence, and down the lane between the trees the glow of a lonely window.

      "Alfalfa ranch," Will Holley explained.

      "Why, in heaven's name, do people live out here?" Eden asked.

      "Some of them because they can't live anywhere else," the