THE COMPLETE SHORT STORIES OF NATHANIEL HAWTHORNE (Illustrated). Nathaniel Hawthorne

her as the maid, the wife, the widow; now we see her in a separate and insulated character: she was in all her attributes Nurse Toothaker. And Nurse Toothaker alone, with her own shrivelled lips, could make known her experience in that capacity. What a history might she record of the great sicknesses in which she has gone hand in hand with the exterminating angel! She remembers when the smallpox hoisted a red banner on almost every house along the street. She has witnessed when the typhus fever swept off a whole household, young and old, all but a lonely mother, who vainly shrieked to follow her last loved one. Where would be Death’s triumph if none lived to weep? She can speak of strange maladies that have broken out as if spontaneously, but were found to have been imported from foreign lands with rich silks and other merchandise, the costliest portion of the cargo. And once, she recollects, the people died of what was considered a new pestilence, till the doctors traced it to the ancient grave of a young girl who thus caused many deaths a hundred years after her own burial. Strange that such black mischief should lurk in a maiden’s grave! She loves to tell how strong men fight with fiery fevers, utterly refusing to give up their breath, and how consumptive virgins fade out of the world, scarcely reluctant, as if their lovers were wooing them to a far country. — Tell us, thou fearful woman; tell us the death-secrets. Fain would I search out the meaning of words faintly gasped with intermingled sobs and broken sentences half-audibly spoken between earth and the judgment-seat.

      An awful woman! She is the patron-saint of young physicians and the bosom-friend of old ones. In the mansions where she enters the inmates provide themselves black garments; the coffin-maker follows her, and the bell tolls as she comes away from the threshold. Death himself has met her at so many a bedside that he puts forth his bony hand to greet Nurse Toothaker. She is an awful woman. And oh, is it conceivable that this handmaid of human infirmity and affliction — so darkly stained, so thoroughly imbued with all that is saddest in the doom of mortals — can ever again be bright and gladsome even though bathed in the sunshine of eternity? By her long communion with woe has she not forfeited her inheritance of immortal joy? Does any germ of bliss survive within her?

      Hark! an eager knocking st Nurse Toothaker’s door. She starts from her drowsy reverie, sets aside the empty tumbler and teaspoon, and lights a lamp at the dim embers of the fire. “Rap, rap, rap!” again, and she hurries adown the staircase, wondering which of her friends can be at death’s door now, since there is such an earnest messenger at Nurse Toothaker’s. Again the peal resounds just as her hand is on the lock. “Be quick, Nurse Toothaker!” cries a man on the doorstep. “Old General Fane is taken with the gout in his stomach and has sent for you to watch by his deathbed. Make haste, for there is no time to lose.” — ”Fane! Edward Fane! And has he sent for me at last? I am ready. I will get on my cloak and begone. So,” adds the sable-gowned, ashen-visaged, funereal old figure, “Edward Fane remembers his Rosebud.”

      Our question is answered. There is a germ of bliss within her. Her long-hoarded constancy, her memory of the bliss that was remaining amid the gloom of her after-life like a sweet-smelling flower in a coffin, is a symbol that all may be renewed. In some happier clime the Rosebud may revive again with all the dewdrops in its bosom.

      THE THREEFOLD DESTINY

       Table of Contents

      A FAËRY LEGEND

      I have sometimes produced a singular and not unpleasing effect, so far as my own mind was concerned, by imagining a train of incidents in which the spirit and mechanism of the faëry legend should be combined with the characters and manners of familiar life. In the little tale which follows a subdued tinge of the wild and wonderful is thrown over a sketch of New England personages and scenery, yet, it is hoped, without entirely obliterating the sober hues of nature. Rather than a story of events claiming to be real, it may be considered as an allegory such as the writers of the last century would have expressed in the shape of an Eastern tale, but to which I have endeavored to give a more lifelike warmth than could be infused into those fanciful productions.

      In the twilight of a summer eve a tall dark figure over which long and remote travel had thrown an outlandish aspect was entering a village not in “faëry londe,” but within our own familiar boundaries. The staff on which this traveller leaned had been his companion from the spot where it grew in the jungles of Hindostan; the hat that overshadowed his sombre brow, had shielded him from the suns of Spain; but his cheek had been blackened by the red-hot wind of an Arabian desert and had felt the frozen breath of an Arctic region. Long sojourning amid wild and dangerous men, he still wore beneath his vest the ataghan which he had once struck into the throat of a Turkish robber. In every foreign clime he had lost something of his New England characteristics, and perhaps from every people he had unconsciously borrowed a new peculiarity; so that when the world-wanderer again trod the street of his native village it is no wonder that he passed unrecognized, though exciting the gaze and curiosity of all. Yet, as his arm casually touched that of a young woman who was wending her way to an evening lecture, she started and almost uttered a cry.

      “Ralph Cranfield!” was the name that she half articulated.

      “Can that be my old playmate Faith Egerton?” thought the traveller, looking round at her figure, but without pausing.

      Ralph Cranfield from his youth upward had felt himself marked out for a high destiny. He had imbibed the idea — we say not whether it were revealed to him by witchcraft or in a dream of prophecy, or that his brooding fancy had palmed its own dictates upon him as the oracles of a sybil, but he had imbibed the idea, and held it firmest among his articles of faith — that three marvellous events of his life were to be confirmed to him by three signs.

      The first of these three fatalities, and perhaps the one on which his youthful imagination had dwelt most fondly, was the discovery of the maid who alone of all the maids on earth could make him happy by her love. He was to roam around the world till he should meet a beautiful woman wearing on her bosom a jewel in the shape of a heart — whether of pearl or ruby or emerald or carbuncle or a changeful opal, or perhaps a priceless diamond, Ralph Cranfield little cared, so long as it were a heart of one peculiar shape. On encountering this lovely stranger he was bound to address her thus: “Maiden, I have brought you a heavy heart. May I rest its weight on you?” And if she were his fated bride — if their kindred souls were destined to form a union here below which all eternity should only bind more closely — she would reply, with her finger on the heart-shaped jewel, “This token which I have worn so long is the assurance that you may.”

      And, secondly, Ralph Cranfield had a firm belief that there was a mighty treasure hidden somewhere in the earth of which the burial-place would be revealed to none but him. When his feet should press upon the mysterious spot, there would be a hand before him pointing downward — whether carved of marble or hewn in gigantic dimensions on the side of a rocky precipice, or perchance a hand of flame in empty air, he could not tell, but at least he would discern a hand, the forefinger pointing downward, and beneath it the Latin word “Effode” — ”Dig!” And, digging thereabouts, the gold in coin or ingots, the precious stones, or of whatever else the treasure might consist, would be certain to reward his toil.

      The third and last of the miraculous events in the life of this high-destined man was to be the attainment of extensive influence and sway over his fellow-creatures. Whether he were to be a king and founder of a hereditary throne, or the victorious leader of a people contending for their freedom, or the apostle of a purified and regenerated faith, was left for futurity to show. As messengers of the sign by which Ralph Cranfield might recognize the summons, three venerable men were to claim audience of him. The chief among them — a dignified and majestic person arrayed, it may be supposed, in the flowing garments of an ancient sage — would be the bearer of a wand or prophet’s rod. With this wand or rod or staff the venerable sage would trace a certain figure in the air, and then proceed to make known his Heaven-instructed message, which, if obeyed, must lead to glorious results.

      With this proud fate before him, in the flush of his imaginative youth Ralph Cranfield had set forth to seek the maid, the treasure,