Женщины Девятой улицы. Том 1. Мэри Габриэль

Anxious Decades, 348. За время своего существования Управление общественных работ предоставило заработок 8 млн человек, или примерно одной пятой трудоспособного населения.

      105

      Levin, Lee Krasner, 91; Ellen G. Landau, “Lee Krasner’s Early Career, Part One”, 112.

      106

      Barbara Rose, “Life on the Project”, 76; Barbara Rose, Lee Krasner: A Retrospective, 34; Lee Krasner, interview by Betty Smith, November 3, 1973, courtesy PKHSC.

      107

      Англ.: College Art Association (CAA) – профессиональная ассоциация американских искусствоведов и арт-критиков.

      108

      Oral history interview with Harold Rosenberg, AAA-SI; O’Brien, “The Art Criticism of Harold Rosenberg”, 199–200; oral history interview with Irwing Block, AAA-SI.

      109

      McKinzie, The New Deal for Artists, 77.

      110

      McKinzie, The New Deal for Artists, 78–79; Ashton, The Life and Times of the New York School, 47.

      111

      McKinzie, The New Deal for Artists, 82; Gerald M. Monroe, “The Artists Union of New York”, 19.

      112

      McKinzie, The New Deal for Artists, 99.

      113

      McKinzie, The New Deal for Artists, 80; Alice Goldfarb Marquis, Alfred H. Barr, Jr., 139.

      114

      Monroe, “The Artists Union of New York”, 80, 149, 167.

      115

      Rose, “Life on the Project”, 74–75; Levin, Lee Krasner, 87; Rose, Lee Krasner, 35; Monroe, “The Artists Union of New York”, 73; Lee Krasner, interview by Barbara Novak, AAA-SI, 13; oral history interview with Max Spivak, AAA-SI; oral history interview with Harold Rosenberg, AAA-SI; Landau, Lee Krasner: A Catalogue Raisonné, 302–303.

      116

      Lee Krasner, interview by Barbara Novak, courtesy PKHSC; O’Brien, “The Art Criticism of Harold Rosenberg”, 203; oral history interview with Harold Rosenberg, AAA-SI; oral history interview with Max Spivak, AAA-SI; Ashton, The New York School, 53.

      117

      Robert Goldwater, “Reflections on the New York School”, 20; oral history interview with Burgoyne Diller, AAA-SI; Lee Krasner, interview by Barbara Novak, 1972, AAA-SI, 2; Lee Krasner, interview by Betty Smit Смит, courtesy PKHSC; Betty Smith, “Women on the Works Progress Administration / Federal Art Project”, courtesy PKHSC; Stahr, «The Social Relations of Abstract Expressionism”, 95; Clements, Prosperity, Depression and the New Deal, 209; Naifeh and Smith, Jackson Pollock, 269; David Sylvester, Interviews with Artists, 3; Giorgio Cavallon, interview by Jack Taylor. Каваллон рассказывал, что тогда можно было жить на три доллара в неделю. А значит, зарплаты для занятых в Проекте было более чем достаточно. Но, по словам Филиппа Густона, некоторым художникам было неудобно «работать на» правительство.

      118

      Oral history interview with Harold Rosenberg, AAA-SI; Lee Krasner, interview by Barbara Rose, 1972, AAA-SI, 2; Whitney Chadwick, Women, Art, and Society, 297.

      119

      Lee Krasner, interview by Barbara Rose, 1972, AAA-SI, 2; Munro, Originals, 108; Chadwick, Women, Art, and Society, 297; Lee Krasner, interview by Betty Smith, courtesy PKHSC; Stahr, “The Social Relations of Abstract Expressionism”, 95; Parrish , Anxious Decades, 348, 402, 405; William Henry Chafe, The American Woman, 39, 42; Clements, Prosperity, Depression and the New Deal, 209; Naifeh and Smith, Jackson Pollock, 269.

      120

      Jack Tworkov, interview by Anne Bowen Parsons, AAA-SI; Ann Eden Gibson, Abstract Expressionism: Other Politics, 10; Sylvester, Interviews with American Artists, 3; Lee Krasner, handwritten biographical notes, Series 2, Subseries 1, Box 7, Folder 14, Lee Krasner Papers, AAA-SI, 16; Harold Rosenberg, Art on the Edge, 196; Rose, Lee Krasner, 37–38.

      121

      Lee Krasner, interview by Barbara Novak, videotape courtesy of PKHSC; Lee Krasner, interview by Barbara Rose, 1975, GRI; Lee Krasner, interview by Barbara Rose, 1975, GRI; Lee Krasner, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World, 206; “Lee Krasner, Paintings, Drawings and Collages”, 7; Landau, Lee Krasner: A Catalogue Raisonné, 304.

      122

      Rose, Lee Krasner, 37–38; Monroe, “The Artists Union of New York”, 54. Художники были настолько эффективны в качестве протестующих, что их прозвали «пожарной командой» и приглашали участвовать в пикетах, организованных другими профсоюзами или объединениями.

      123

      Oral history interview with Max Spivak, AAA-SI; oral history interview with Irwing Block, AAA-SI; Monroe, “Artists as Militant Trade Union Workers”, 8. Спивак говорил, что женщины не могли оставлять своих детей дома одних и поэтому брали их везде с собой на протяжении всех этих шумных и эмоционально насыщенных событий.

      124

      Ellen G. Landau, Sandra Kraskin, Phyllis Braff, and Michael Zakian, Mercedes Matter, 26, 67n48; McKinzie, The New Deal for Artists, 96; Monroe, “Artists as Militant Trade Union Workers”, 8.

      125

      Oral history interview with Eugenie Gershoy, AAA-SI.

      126

      Landau et al., Mercedes Matter, 26, 67n48; Levin, Lee Krasner, 118–119; McKinzie, The New Deal for Artists, 96; oral history interview with Irwing Block, AAA-SI.

      127

      Schloss, “The Loft Generation”, Edith Schloss Burckhardt Papers, Columbia, 174; Mercedes Matter, interview by Sigmund Koch, Tape 1A, Aesthetics Research Archive; Landau et al., Mercedes Matter, 13.