Bloodline. Сидни Шелдон

to be born with those qualities; they could not be created. But Rhys did it. He became the image he had envisaged.

      He travelled around the country, selling the firm’s products, talking and listening. He would return to London full of practical suggestions, and he quickly began to move up the ladder.

      Three years after he had joined the company, Rhys was made general sales manager. Under his skilful guidance the company began to expand.

      And four years later, Sam Roffe had come into his life. He had recognized the hunger in Rhys.

      ‘You’re like me,’ Sam Roffe had said. ‘We want to own the world. I’m going to show you how.’ And he had.

      Sam Roffe had been a brilliant mentor. Over the next nine years under Sam Roffe’s tutelage Rhys Williams had become invaluable to the company. As time went on, he was given more and more responsibility, reorganizing various divisions, troubleshooting in whatever part of the world he was needed, coordinating the different branches of Roffe and Sons, creating new concepts. In the end Rhys knew more about running the company than anyone except Sam Roffe himself. Rhys Williams was the logical successor to the presidency. One morning, when Rhys and Sam Roffe were returning from Caracas in a company jet, a luxurious converted Boeing 707–320, one of a fleet of eight planes, Sam Roffe had complimented Rhys on a lucrative deal that he had concluded with the Venezuelan government.

      ‘There’ll be a fat bonus in this for you, Rhys.’

      Rhys had replied quietly, ‘I don’t want a bonus, Sam. I’d prefer some stock and a place on your board of directors.’

      He had earned it, and both men were aware of it. But Sam had said, ‘I’m sorry. I can’t change the rules, even for you. Roffe and Sons is a privately held company. No one outside the family can sit on the board or hold stock.’

      Rhys had known that, of course. He attended all board meetings, but not as a member. He was an outsider. Sam Roffe was the last male in the Roffe bloodline. The other Roffes, Sam’s cousins, were females. The men they had married sat on the board of the company. Walther Gassner, who had married Anna Roffe; Ivo Palazzi, married to Simonetta Roffe; Charles Martel, married to Hélène Roffe. And Sir Alec Nichols, whose mother had been a Roffe.

      So Rhys had been forced to make a decision. He knew that he deserved to be on the board, that one day he should be running the company. Present circumstances prevented it, but circumstances had a way of changing. Rhys had decided to stay, to wait and see what happened. Sam had taught him patience. And now Sam was dead.

      The office lights blazed on again, and Hajib Kafir stood in the doorway. Kafir was the Turkish sales manager for Roffe and Sons. He was a short, swarthy man who wore diamonds and his fat belly like proud ornaments. He had the dishevelled air of a man who had dressed hastily. So Sophie had not found him in a nightclub. Ah, well, Rhys thought. A side-effect of Sam Roffe’s death. Coitus interruptus.

      ‘Rhys!’ Kafir was exclaiming. ‘My dear fellow, forgive me! I had no idea you were still in Istanbul! You were on your way to catch a plane, and I had some urgent business to –’

      ‘Sit down, Hajib. Listen carefully. I want you to send four cables in company code. They’re going to different countries. I want them hand-delivered by our own messengers. Do you understand?’

      ‘Of course,’ Kafir said, bewildered. ‘Perfectly.’

      Rhys glanced at the thin, gold Baume & Mercier watch on his wrist. ‘The New City Post Office will be closed. Send the cables from Yeni Posthane Cad. I want them on their way within thirty minutes.’ He handed Kafir a copy of the cable he had written out. ‘Anyone who discusses this will be instantly discharged.’

      Kafir glanced at the cable and his eyes widened. ‘My God!’ he said. ‘Oh, my God!’ He looked up at Rhys’s dark face. ‘How – how did this terrible thing happen?’

      ‘Sam Roffe died in an accident,’ Rhys said.

      Now, for the first time, Rhys allowed his thoughts to go to what he had been pushing away from his consciousness, what he had been trying to avoid thinking about: Elizabeth Roffe, Sam’s daughter. She was twenty-four now. When Rhys had first met her she had been a fifteen-year-old girl with braces on her teeth, fiercely shy and overweight, a lonely rebel. Over the years Rhys had watched Elizabeth develop into a very special young woman, with her mother’s beauty and her father’s intelligence and spirit. She had become close to Sam. Rhys knew how deeply the news would affect her. He would have to tell her himself.

      Two hours later, Rhys Williams was over the Mediterranean on a company jet, headed for New York.

       Chapter Two

       Berlin Monday, September 7 10 a.m.

      Anna Roffe Gassner knew that she must not let herself scream again or Walther would return and kill her. She crouched in a corner of her bedroom, her body trembling uncontrollably, waiting for death. What had started out as a beautiful fairy-tale had ended in terror, unspeakable horror. It had taken her too long to face the truth: the man she had married was a homicidal maniac.

      Anna Roffe had never loved anyone before she met Walther Gassner, including her mother, her father and herself. Anna had been a frail, sickly child who suffered from fainting spells. She could not remember a time when she had been free of hospitals, nurses, or specialists flown in from far-off places. Because her father was Anton Roffe, of Roffe and Sons, the top medical experts flew to Anna’s bedside in Berlin. But when they had examined her and tested her and finally departed, they knew no more than they had known before. They could not diagnose her condition.

      Anna was unable to go to school like other children, and in time she had become withdrawn, creating a world of her own, full of dreams and fantasies, where no one else was allowed to enter. She painted her own pictures of life, because the colours of reality were too harsh for her to accept. When Anna was eighteen, her dizziness and fainting spells disappeared as mysteriously as they had started. But they had marred her life. At an age when most girls were getting engaged or married, Anna had never even been kissed by a boy. She insisted to herself that she did not mind. She was content to live her own dream life, apart from everything and everyone. In her middle twenties suitors came calling, for Anna Roffe was an heiress who bore one of the most prestigious names in the world, and many men were eager to share her fortune. She received proposals from a Swedish count, an Italian poet and half a dozen princes from indigent countries. Anna refused them all. On his daughter’s thirtieth birthday, Anton Roffe moaned, ‘I’m going to die without leaving any grandchildren.’

      On her thirty-fifth birthday Anna had gone to Kitzhübel, in Austria, and there she had met Walther Gassner, a ski instructor thirteen years younger than herself.

      The first time Anna had seen Walther the sight of him had literally taken her breath away. He was skiing down the Hahnenkamm, the steep racing slope, and it was the most beautiful sight Anna had ever seen. She had moved closer to the bottom of the ski run to get a better look at him. He was like a young god, and Anna had been satisfied to do nothing but watch him. He had caught her staring at him.

      ‘Aren’t you skiing, gnädiges Fräulein?’

      She had shaken her head, not trusting her voice, and he had smiled and said, ‘Then let me buy you lunch.’

      Anna had fled in a panic, like a schoolgirl. From then on, Walther Gassner had pursued her. Anna Roffe was not a fool. She was aware that she was neither pretty nor brilliant, that she was a plain woman, and that, aside from her name, she had seemingly very little to offer a man. But Anna knew that trapped within that ordinary façade was a beautiful, sensitive girl filled with love and poetry and music.

      Perhaps because Anna was not beautiful, she had a deep reverence for beauty. She would go to the great museums and spend hours staring at the paintings and the statues. When she had seen Walther Gassner it was as though all the gods had come