The Squire Quartet. Brian Aldiss

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Название The Squire Quartet
Автор произведения Brian Aldiss
Жанр Научная фантастика
Серия
Издательство Научная фантастика
Год выпуска 0
isbn 9780007488117



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this talk about your book and your television series … It’s not my thing, any more than your farm is. You address me as if I was one of your viewers. Oh, I can see how you think the series in some way squares you in your father’s eyes, eases that chip on your shoulder, makes you famous, as you discourse so cleverly about things you imagine he would have enjoyed. Really, at your age, it’s pathetic!’

      ‘Why pathetic? My father remains a strong influence. Why be ashamed of that? He’d understand that there is idealism still today, waiting to be freed—’

      ‘I’m sorry, I think that’s all rubbish. You see yourself as some sort of knight of old, a one-man crusader—’

      ‘But that’s not true—’

      ‘Tilting against nostalgia, or received values, or – I don’t know, and I didn’t want this conversation anyway. They’re always your bloody conversations, not mine. Damn and blast the art of today. God, if your father only knew … Your mother was lucky, she died just in time to escape the mess we’re in.’ She shook her head wildly, so that her hair flew. ‘It’s too late, Tom, it’s too late. I don’t know. You’ve hurt me, I do know that much.’

      He moved towards her. She moved away. A box of Silk Cut lay on Deirdre’s side of the bed. Squire slid a cigarette from the packet and lit it. He never smoked.

      ‘I’m trying to make amends, Tess. Just let me try. You know Laura is out of the picture.’

      ‘You’ll get cancer, smoking. Where did you catch that habit? I’ve warned Deirdre but she takes no notice of me. No, as a matter of fact it’s not Laura, it’s you. The way you are. Only three years ago, you were having a mad love affair with that dreadful art-historian woman, Sheila Lippard-Milne. I never told anyone about that, not even mother and father. That hurt me bitterly, but you didn’t care. How could I escape what I felt? How could I escape? And what am I supposed to do this time? If it’s not Sheila or Laura, it’ll be someone else. Am I supposed to be sorry for you because you won’t grow up? What’s the matter with you? No, don’t tell me, I know you’ll tell me. All I really want’s your silence from now on …’

      ‘You know that Sheila—’

      ‘Let’s not hear her name.’ Teresa raised a hand in caution. ‘I don’t intend to go into all that again. Your bloody sister downstairs and your uncle think that you’re at the male menopause. Did you ever hear anything so silly? I defy you to find that malady in a medical dictionary! They don’t know about Sheila Lippard-Milne. I never told anyone about you and precious Sheila Lippard-Milne. How long’s this male menopause supposed to go on for, eh, how many years? As long as it suits you? Till we’re all in our graves? My nerves are ruined, do you wonder I sought refuge with the first likely man who came along? I had to build up my dented self-esteem. No, don’t say it – I know he turned out a rascal, but you can laugh, my moral judgement was at zero, I paid in blood for every drop of pleasure I had.’

      ‘Yes, people do, you know.’

      Sighing, she went over to the window which opened on the front of the house. The lower part of the sash window had been pushed up to let in sea breezes, presumably in Deirdre’s desire to clear the house of its closed-up smell. Teresa leaned out with her forearms on the sill, as if she could not bear her husband’s proximity, and gazed towards the boat-filled harbour.

      She was wearing a flimsy summer dress, low-cut round the shoulders. Squire had a good view of her shoulder-blades. From behind, she looked slender and youthful, almost thin, for her cramped attitude made the shoulder-blades project. His fancy saw her as a member of a mutated species, developing wings and about to fly away from him.

      The tender bones, so functionally shaped, protruding under the flesh. The skin itself, clear and fair, roseate with a touch of the summer sun. The bumpy little tract of her backbone, leading down under the material of the dress, and there glimpsed in outline. The downy line of hairs following the track. The curve of her neck up into her dyed bright hair. At all these things Squire gazed during the silence, heavy with their frustration.

      And said to himself, ‘Whatever arguments I put up, however I attempt to reason, however unreasonable she is, she will win. Because she has that beautiful body.’ Biology was always going to win in the end.

      He walked round the room, and stubbed his cigarette out in Deirdre’s ashtray, hardly aware of what he was doing. Stuck into the side of Deirdre’s mirror, beside other treasures, was a card he had sent her from Tinjar Park in Sarawak, showing ancient supplicatory hands painted on a cave wall. He felt gratitude to his sister for caring enough to keep it.

      ‘Tess, I know how you must be distressed,’ he said to her back, moving unhappily behind her.

      She brought her torso in from the window and slowly drew the sash down.

      ‘Depressed! You’re joking.’

      ‘I said distressed. I’m trying to tell you that I understand. I won’t say what I think about Jarvis, but I have bought him off and paid the debt to your Italian packaging firm. I’ve settled all the financial side of things. Now I want to look after you and see you happy again. We are too old for this sort of emotional jag.’

      ‘Oh, Tom,’ she said wearily, brushing a curl of hair from her eyes. ‘You’re being superior again.’ She sat down on the foot of the bed; her back to him.

      ‘Well, I’m trying not to be superior. I’m trying to keep my temper. Perhaps you think I’m complacent – that’s simply because mainly I’m happy, most of the time. Despite the male menopause … Or perhaps I’m not …’

      ‘You’re only interested in yourself,’ she said feelingly. ‘That’s more to the point.’

      ‘Did you drive over from Grantham just to insult me? If you won’t make our quarrel up, then what more do you want from me?’

      She regarded the carpet, inspecting the grains of sand on it. ‘I want nothing more. Mother persuaded me we should look in here. I hoped … Oh, hell. I know I sponged off you, and that kept me quiet. I hate myself, it’s not just you. Life’s so bloody difficult. Everything’s gone wrong. Besides – you turned me out at New Year. A fine start to the year that was. Don’t deny it.’

      ‘You were with Jarvis, Tess. Don’t forget that. You were with Jarvis.’

      ‘That dreadful row. In front of the Broadwells … Now my business ruined on top of everything.’ She produced a handkerchief and wiped her nose. ‘You’ve paid up generously. I know. I’m supposed to be grateful and come creeping home. But you’re not really sorry. The truth is, you bought me. I’m another Squire acquisition, like the furniture. You just want me standing around while your life goes on.’

      He stood looking helplessly down at her, wondering what to do. ‘You needn’t stand around. Come back and start up your business again at the Hall.’

      She stole a glance at him. ‘Those dreams I used to have. A dark figure trying to break into the Hall … It was you all the time breaking into my life.’

      ‘Or Jarvis, disrupting our lives?’

      ‘You would think that …’

      ‘Actually, I don’t think it. It’s too glib. If you remember, I used the dark figure in the TV series …’ But it was no good trying to talk to her about that, no good trying to cool the temperature. Like God, the dark figure was a part of the lives of all men and women; sometimes it merely waited in the wings, idly; sometimes it came marching in boldly through the french windows. Like God, it lurked in the attic at the back of the skull, the space created by generations of blood and perception; the trick was to acknowledge its existence and yet manage to live sanely. At the moment, Teresa could not bear to live sanely; and that was still his responsibility, whether he wanted it or not.

      She stood up, confronting him with slightly downcast face, regarding him through her eyelashes, one hand resting pensively on the brass bed-end.

      ‘You know I’m