Saint Odd. Dean Koontz

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Название Saint Odd
Автор произведения Dean Koontz
Жанр Приключения: прочее
Серия
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Год выпуска 0
isbn 9780007520145



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before the crash of impact, the vehicle lights went out, and in the sudden darkness, the SUV shed pieces of itself, which rattled and clattered across the rocks.

      I said, “Wow,” which isn’t witty enough for movie dialogue, but it’s what I said. I’m no Tom Cruise.

      After a few seconds of darkness, the fire bloomed. It wasn’t an explosion, only low capering flames that quickly danced higher, brighter. The ravine proved to be a trap for tumbleweed that mounded along its bottom, and the spherical masses burst into flame faster to the west of the wreckage, apparently the direction in which gasoline spilled from the ruptured tank.

      The walls of the ravine were steep but navigable on foot. The stone shaled away treacherously as I quickly sidled down with all the grace of—I don’t know why this unlikely image occurred to me at the time—a penguin on stilts. Too many years of watching old Warner Bros. cartoons by Chuck Jones can instill in you a silliness gene by proxy.

      Perhaps equally silly—I was in my Good Samaritan mode. The driver had tried to kill me, sure, but his homicidal rage might have been the consequence of inebriation, and he might have been a peach of a guy when he was sober. I couldn’t let him bleed or burn to death just because of his idiocy behind the wheel of the SUV. Sometimes I am hampered by having a moral code, but I have it nonetheless, like a burr under the brain, with no way to pluck it out.

      Fire flared to both sides of the Escalade, and lesser flames crawled under it, but the interior wasn’t yet ablaze. There were so many tinder-dry tumbleweeds that the ravine would be aglow for quite a while.

      As I neared the vehicle, I saw painted on its tailgate neatly formed characters in a pictographic language reminiscent of ancient Egyptian hieroglyphics, white against the black paint. I halted and reconsidered the meaning of the encounter with the unknown driver.

      A couple of months earlier, on a mountain in Nevada, I had found it necessary to explore a well-guarded estate where, as it turned out, kidnapped children were being held for the purpose of ritual murder by a satanic cult. Before I found the kids, I discovered a stable filled with antique breakfronts instead of horses, and in those breakfronts had stood thick glass jars the size of crocks, filled with a clear preservative, the lids fused in place with an annealing torch. In those jars were souvenirs of previous human sacrifices: severed heads, wide-eyed and open-mouthed, as if in the grip of eternal shock and terror, and on every forehead a different line of a pictographic language exactly like that on the tailgate of the Escalade.

      Small-town boy meets big-time evil.

      The driver of the Escalade hadn’t encountered me by chance. He had learned what route I was taking, when I would take it, and he’d set out in pursuit of me, no doubt intending to avenge the damage I had done to the cult. I’d killed a number of them. But their resources were impressive—in fact otherworldly—and we were far from finished with each other.

      My code of conduct didn’t require me to save the lives of vicious murderers any more than it required me to feed myself to a shark just because the shark happened to be hungry. In fact, I felt obligated to kill murderous sociopaths if that was the only way to prevent them from slaughtering more innocents. Usually, that turned out to be the only way, because few of their kind responded well to reason or to stern warnings, or to the wisdom of the Beatles, which tells us that all we need is love.

      The doors of the Escalade had buckled but hadn’t popped open, and if anyone had clambered out of a shattered window, I had not seen him. The driver—and passenger, if there was one—were all but certainly still inside. Maybe dead. At least badly injured. Perhaps unconscious.

      As I retreated, the crackling fire under the vehicle abruptly found its way inside, and with a whoosh, the interior filled with flames. I saw no thrashing shadows in the Escalade and heard no screams.

      I couldn’t imagine how they had known I was going home to Pico Mundo or when I would make the trip, or what I would be driving. But as I had unusual talents, abilities, and connections, so did they. I might never learn how they had located me. What mattered now was that they were looking for me; and if they had found me once, they could find me again.

      They wouldn’t have tried to find me and kill me en route, however, if they had known where I would be staying when I got to Pico Mundo. Instead, they would have waited for me there and cut me down when I arrived. The safe house waiting for me was still safe.

      Climbing the shale slope proved more difficult than the descent had been. I kept glancing behind me, half expecting to discover a pursuer, some grotesque nemesis with hair afire and smoke seething from his twisted mouth.

      At the top, I looked back and saw that the flames, a bright contagion, had spread maybe sixty yards to the west, from one crisp tumbleweed to another. The shale must have been veined with pyrite, for in the walls of the ravine, in the throbbing firelight, ribbons of yellow glimmered brighter than the surrounding stone. The burning Escalade screaked and twanged. As its metallic protests echoed and re-echoed along the crevasse, they were distorted, changed, until I could almost believe that I was hearing human voices, a suffering multitude crying out below.

      I had not seen their faces. I had not killed them, only given them the chance to kill themselves. But still it seemed wrong that I should not know the faces of those I allowed to die.

      The noise and the blaze must have disturbed a colony of bats. Just then, no doubt having recently returned to their cave in a ravine wall after a night of feeding, they burst into agitated flight, shrieking as they soared on rising thermals, many hundreds of them, perhaps thousands, their membranous wings snapping in accompaniment to the crackle of the flames. They rose to the top of the ravine, then descended, only to rise again, surged east and then west and then east again, as if confused and seeking something and failing to find it, their shrill cries both angry and despairing.

      Life had taught me to believe in omens.

      I knew one when I saw it.

      The bats were an omen, and whatever they might portend, it would not be an event marked by benevolence, harmony, and joy.

       Two

      I CAME HOME TO DIE AND TO LIVE IN DEATH. MY life had begun in the desert town of Pico Mundo, California, and I had remained there until I was twenty, when I lost what mattered most to me. During the twenty-one months since then, I had traveled in search of my purpose, and I had learned by going where I had to go. That I had come full circle shouldn’t have surprised me, for we are born into time only to be born out of it, after living through the cycles of the seasons, under stars that turn because the world turns, born into ignorance and acquiring knowledge that ultimately reveals to us our enduring ignorance: The circle is the essential pattern of our existence.

      The Green Moon Mall stood along Green Moon Road, smack between old-town Pico Mundo and its more modern neighborhoods. The structure was immense because it was intended to serve not just our town but others in the area that were too small to support a mall of their own. With sand-colored walls and curved planes and rounded corners, the architect meant to suggest adobe construction. In recognition of the Mojave heat, there were few windows, and the most glass to be seen was at the several entrances, where pneumatic doors once whisked aside to welcome shoppers.

      The mall had been closed for a long time, contaminated by its history of mass murder. Many feared that to reopen it would invite some unhinged person to attempt to rack up a larger kill than the nineteen who were murdered on that day. Of the forty-one wounded, several were disabled for life. Starbucks, Crate & Barrel, Donna Karan, and other retailers had bailed on their leases, having no desire to be associated with a place of such horror. The mall owners, with common sense that was rare in modern America, had taken no tenants to court, instead announcing that the building eventually would be torn down and the land repurposed for upscale apartments.

      After parking the Big Dog bike on a nearby residential street, I visited the mall more than an hour before dawn, carrying a pillowcase in which were a bolt cutter, a crowbar, and a sixteen-ounce hammer with