Out of Time. Miranda Sawyer

joined internet forums about midlife crisis where men – it was mostly men – lamented their mistakes.

      ‘I could have done more, been more successful, been a better person,’ said one. ‘I used to be someone but now I’m just part of the crowd.’

      ‘Maybe,’ said another, ‘I should just resign myself to the fact that I’m not what I used to be. But, see, this is my problem, I can’t …’

      Women talked too. A friend’s Facebook status: ‘… the slow realization over the past year that I’ve messed it up. I’ve had a crap start in life and I went on to make a series of poor decisions, so now I’ve made my bed, I’ve got to lie in it. I could be so much more than a fat, grey, toothless, 44-year-old harpy living in a fucking council house with one child who despises me, another who will never live independently, and a marriage that will forever be in recovery … I know it’s up to me to change things. What’s not entirely clear is how to choose the right path. Because I don’t know where I’m going …’

      I spoke to a friend who said: ‘I wonder if we messed it up for ourselves, having such a good time when we were young.’

      We are each of our age. We share a culture, whether The Clangers, or Withnail, or ‘Voodoo Ray’. Our heroes are communal, our references the same. Everyone has their own story, but it’s shaped by the time in which it’s told.

      I’ve always enjoyed being part of something bigger. In the late 80s, I believed in rave and the power of the collective. Even now I like crowds, especially when music is playing; I love gigs, clubbing, festivals, marches, football matches, firework displays. I’m not mad about the hassle of getting to those places, but once I’m there, I’m fully in. As long as it isn’t too mediated, so that you can feel in and of an experience or an audience, so you are there, singly, but also consumed within a whole other entity, the crowd. The crowd has its own emotions, its own rhythm.

      It’s good to lose yourself in that. I find it comforting to feel as others do, to share a moment; to know that I’m unique, but not that special. I like to know that what I’m going through, while personal to me, is also part of a pattern.

      I thought about the 90s. I was very social. Always out, usually with other people. Most of my twenties took place then, in that time when youth was celebrated, where youth culture came in from the side, where the mainstream was altered by the upstart outsiders. And we – me, my friends, the crowd of us all – felt the rush of it, the need for speed. There was an up-and-out head-fuck that we searched for, constantly. Was that still within us, even now? That weird hyperactivity, the hunt for the high, a hatred of slowing up? A desire to escape the mundane, to be busy and crazed with endorphins. Even now?

      In the 90s, drugs were involved in this, of course, and I thought about the people I know who have continued their hedonism into their forties. There were others who waited until middle age to start what used to be called dabbling. Others had given up everything – no booze, no drugs – but seemed driven to find other highs, through exercise: running, cycling, triathlons. Or they turned their drug obsessiveness into a new delight in food. Tracking down the most exclusive, carefully sourced ingredients from an expert, then taking such trouble over the preparation and timing that the moment of ingestion dominated their whole week … I noticed that all the new gadgets had names like ecstasy tablets. The Spiralizer. The Thermomix. The Mirage. The Nutribullet, made by a company called the Magic Bullet.

      If you were young in the 90s, how does that affect your middle age?

      I tried to think about this as I got up in the mornings, laid the table, helped small limbs in and out of uniforms, checked homework. S was away a lot, at this time, and I was alone with the kids. That was okay. Once you’ve had a child, and that child goes to nursery, or school, or a child-minder, you become plugged into a system. I had numbers to call, in case my arrangements fell through. And F was still little. Until she started crawling, I took her to meetings, showed her off like a new handbag. She was a good distractor.

      My thoughts came and went. They mostly turned into questions.

      Music was one, of course. I don’t think I know anyone who doesn’t believe in music, in what it can do. I’m of a generation that knows that music can save your life, give your life meaning, express the inexpressible, alter your course. People came into nightclubs while on a train track to normality and left believing they could be anything they liked. Their minds were opened up to a different way of living, a new way to work. They rejected the norm, the factory job, the lawyer training. Freelance creativity was their way out.

      But what does music mean when you’re older? How does freelance feel when you’ve reached your forties, when you’re in a position where other people – your children – are relying on your work being stable, on the regular pay cheque that comes in every month? The internet had changed most of the creative jobs: journalism, media, photography, books, film-making, acting, fashion, comedy, music. There were fewer jobs and they paid less. All the work that seemed like an escape when we were young wasn’t proving to be so now.

      Music, creativity, community, getting out of it. These were more than the habits of a generation: they were – they are – our touchstones. They had been how we got through life, what we had used to help us negotiate its pitfalls and terrors. It could be that part of my midlife angst was concerned with whether the old ways – our old beliefs – were effective any more. And what I could do if they weren’t having the same effect. If they don’t work, if they make it worse, then what?

      In Bristol I gave a talk at a Festival of Ideas. I wasn’t sure I had any ideas worth festivalizing, but as what I’d been thinking about was midlife, I talked about that. I brought up death maths, and expensive bikes, drinking too much, and mourning the rush, and middle-aged sex lives. I made jokes about spiralizers.

      Afterwards, there were questions from the audience. One man in his early 40s put his hand up and said, ‘I still feel 22.’ (‘Feelings aren’t facts!’ I didn’t say.) He had recently bought a skateboard. He didn’t know whether to learn skateboarding or hammer the skateboard to the wall, as a decoration.

      How can we make our minds, which insist that we’re still 22, match up with our bodies, which are twice that age? How do we get rid of the sense of having missed out? How can we stop worrying about looking silly, because of our age? What should we do with our old MA1 jackets, or 12-inch remixes, or twisted Levi’s jeans? Does it matter if we don’t like new pop music? Is it okay to go to all-nighters if we go with our kids? What if we haven’t had kids?

      I did my best with the questions. But I hadn’t studied mindfulness or sociology. I’m not a self-help guru. I can never tell if a new moisturizer makes any difference at all to my wrinkles. I was uncertain about many things, including time and consciousness and whether my mood (which was upbeat) was due to the warmth of the hall or the peri-menopause.

      I wondered, what is an adult? We stretch our youth so far, so tight. We pull it up over our ageing bodies, like a pair of Lycra tights. We all do it to a certain extent, and yet we’re cruel to those who seem to hold on too hard for too long. We laugh about MAMILS (middle-aged men in Lycra) and cougars (middle-aged women sleeping with younger men). We mock women who have Botox and surgery, even as we urge them to stay as young-looking as they can. We giggle at dad-dancing, post up patronizing ‘Go on, my son!’ clips of grey-haired ravers on Facebook.

      But it’s double standards. Because didn’t we, in our hearts, believe that youth is better than middle age? I think we did. I think we do. And our youthful ideals were clashing with our ideas of adulthood. There was a fight going on, inside and out. We take our children to festivals and get more trashed than they do.

      ‘What do you do in nightclubs?’ asked P. ‘I know you dance, but how long for? Can you choose the music? Why does everyone drink alcohol if it makes them ill?’

      P once had a severe dancing-and-sugar comedown after a wedding. He danced for hours, fuelled on Coca-Cola and sweets. In the morning, he woke, white as a sheet, was sick, and had to go back to bed. He actually said, ‘I’m never doing that again, Mum. Never.’ His hangover was textbook, even though he didn’t drink.

      I