CUT DEAD: A DI Charlotte Savage Novel. Mark Sennen

Acknowledgements

       About the Author

       Also by Mark Sennen

       About the Publisher

       Prologue

       Back Then

       The song ends and Mummy and Daddy clap. The candles on the cake flicker in the draught and Mummy tells you to blow them out. You lean forward and purse your lips, your brother moving alongside you to help, and you both puff with all your might. One, two, three, four, five, six. All out. The room plunges into darkness and you feel a sudden fear.

       ‘Lights on!’ Mummy says and Daddy switches the light on and marches forward, the big knife in his hand, the blade shiny, sharp, ready for cutting.

       The big knife lives in the kitchen, stuck to the wall above the cooker by magic. At least that’s what Daddy calls it. The knife winks at you every time you pass by, a flash of light reflecting off the stainless steel, the glare mesmerising. You don’t like being in the kitchen alone with the knife, especially not at night.

       Because that’s when the big knife talks to you.

       ‘I am temptation,’ it says. ‘I am the explorer. I am the light.’

       You’ve heard someone else speak like that too, in the cold of the church, but although the words are similar you don’t think they can mean the same thing.

       ‘OK, so who’s going to have the first piece?’ Daddy says and for a moment you forget about the knife and instead concentrate on Daddy’s words, knowing he is trying to trick you. You mustn’t be greedy, must always be polite; if you aren’t, you’ll get hit. You point to your brother. He smiles and claps his hands.

       ‘Can I, Daddy, can I?’

       ‘Of course you can, here, let’s see.’

       Daddy takes the knife and rests it on the white icing, using his other hand to push the blade down into the cake. He cuts again and then slides the knife under the cake and withdraws the slice. He stops. Doesn’t give the piece to your brother after all. Daddy frowns. The inside doesn’t look right, the yellow sponge is soft and mushy, not cooked properly. Daddy doesn’t like that. He turns to Mummy and sneers at her.

       ‘What’s this?’ Daddy’s face reddens. ‘I’m out working all day and you can’t prepare a cake on this, of all days. Our special day. What do you think, boys?’

       ‘Naughty Mummy, bad Mummy, naughty Mummy, bad Mummy.’ You and your brother start the chant, the chant your Daddy has taught you. You hate singing the words, but if you don’t there’ll be trouble. There’s been a lot of trouble in recent months because Daddy’s changed in some way. You don’t understand why, but you wonder if it’s your fault, something you’ve done.

       ‘Yes, boys. Naughty Mummy.’

       Daddy steps forwards and slaps Mummy in the face. She raises her hands, but it’s too late. The blow catches her and knocks her sideways. Then Daddy has her by the hair. He is dragging her out of the room into the hall, pulling her up the stairs. Mummy is screaming and Daddy is shouting. They are upstairs now, the door to their bedroom slamming shut. You know what’s going on up there because once you peeked through the keyhole. Daddy is doing something to Mummy and she doesn’t like it. Afterwards Daddy will be sorry and Mummy will say everything is going to be alright, but this time you wonder if Mummy’s words will come true because the big knife has gone. Daddy has taken it with him. You wonder how you will be able to cut the cake without it, but then you remember the cake is bad.

       Your brother is crying and you tell him to pull himself together. You whisper the words Mummy says about everything being OK, but even as you say them you know they are lies. Parents lie to their children all the time. They tell them things called white lies. But there are other types of lies as well, other colours. You’ve learnt that.

       ‘It’s OK.’ You repeat the words to your brother as you touch him on the shoulder, but you know something has changed today and nothing is ever going to be OK again.

       Now

      ‘Evening, Charlotte,’ someone says as she climbs from the car. Another person nods. Not a greeting, just a simple recognition that she’s here to share the load. The dirty work.

      She walks across the field. Except it isn’t a field, the mud more sludge than earth, pools of water in footprints showing her the way from the gate to the tent. Not a tent for camping. Not sleeping bags to slip into at night, snuggle down, cool air on face, stars above visible through the opening of the tent.

      No, there are no stars tonight, only cloud from which rain tumbles in streams, as if from a million hosepipes. There are bags, yes, although these ones are black, the tent white, vertical sides flapping in the breeze, and inside, the light comes not from a weak torch but from halogens. The people here aren’t on holiday, not smiling, not laughing apart from one joke about the weather, the incessant rain. Even then the laughter is nervous, not genuine, as if the banter which preceded the joke was merely to take minds off the task in hand, away from the hole in the ground which the tent covers. But words can’t do that, can’t take her thoughts away from the horror down in the pit where a pump thrums, slurping water up a hose to discharge it a few metres away. A generator chugs somewhere in the background and every now and then the halogens dim for a moment as the engine misses a beat.

      She wonders who set this all up, who coordinated everything, who the hell is in charge of this nightmare. But really, those details don’t matter at the moment. The only thing which matters is that she doesn’t throw up, doesn’t cry, that she keeps her mind on the job.

      Job, what a laugh. They don’t pay her enough for this; couldn’t. Nothing is worth this. Staring down into the hole, seeing the pitiful sight within, smelling the decomposing flesh, thinking about her own little girl, dead years now. Thinking about her other children too, knowing she loves them more than anything. Knowing nothing can be worse than this for a mother, for a parent, for anyone with an ounce of humanity inside them.

      And while the others are talking, making comments, offering suggestions, she’s letting her mind go blank, allowing just one thought through: a promise to the three souls dissolving down there in the mud that she will find who did this. A promise she will do more than just find them.

       Chapter One

       Bere Ferrers, Devon. Saturday 14th June. 11.20 a.m.

      Joanne Black had managed the farm for more than half a dozen years, ever since her husband had run off and left her for a younger model. At first it had been a real struggle, a steep learning curve for a woman who had never even liked gardening and who used to get squeamish if the cat brought in a mouse. Needs must, though, and within a couple of years she was looking after the five hundred acres as if she had been born to the task. Help had come from a neighbouring farmer and from her farmworker and if either had been sceptical at first, they’d never showed it.

      Joanne had inherited the farm from an uncle who had no other relatives. At first the plan had been to sell the place and do something with the money, but somewhere down inside Joanne had felt that was wrong. As a child she’d often visited Uncle Johnny. She remembered one occasion when she helped him