The Peregrine: 50th Anniversary Edition: Afterword by Robert Macfarlane. Robert MacFarlane

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Название The Peregrine: 50th Anniversary Edition: Afterword by Robert Macfarlane
Автор произведения Robert MacFarlane
Жанр Природа и животные
Серия
Издательство Природа и животные
Год выпуска 0
isbn 9780008253189



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not glide till it saw starlings feeding in stubble, then it swept down and was hidden among them as they rose. A minute later it rushed overhead and was gone in a breath into the sunlit mist. It was flying much higher than before, flinging and darting forwards, with its sharp wings angled back and flicking like a snipe’s.

      This was my first peregrine. I have seen many since then, but none has excelled it for speed and fire of spirit. For ten years I spent all my winters searching for that restless brilliance, for the sudden passion and violence that peregrines flush from the sky. For ten years I have been looking upward for that cloud-biting anchor shape, that crossbow flinging through the air. The eye becomes insatiable for hawks. It clicks towards them with ecstatic fury, just as the hawk’s eye swings and dilates to the luring food-shapes of gull and pigeons.

      To be recognised and accepted by a peregrine you must wear the same clothes, travel by the same way, perform actions in the same order. Like all birds, it fears the unpredictable. Enter and leave the same fields at the same time each day, soothe the hawk from its wildness by a ritual of behaviour as invariable as its own. Hood the glare of the eyes, hide the white tremor of the hands, shade the stark reflecting face, assume the stillness of a tree. A peregrine fears nothing he can see clearly and far off. Approach him across open ground with a steady unfaltering movement. Let your shape grow in size but do not alter its outline. Never hide yourself unless concealment is complete. Be alone. Shun the furtive oddity of man, cringe from the hostile eyes of farms. Learn to fear. To share fear is the greatest bond of all. The hunter must become the thing he hunts. What is, is now, must have the quivering intensity of an arrow thudding into a tree. Yesterday is dim and monochrome. A week ago you were not born. Persist, endure, follow, watch.

      Hawk-hunting sharpens vision. Pouring away behind the moving bird, the land flows out from the eye in deltas of piercing colour. The angled eye strikes through the surface dross as the obliqued axe cuts to the heart of the tree. A vivid sense of place glows like another limb. Direction has colour and meaning. South is a bright, blocked place, opaque and stifling; West is a thickening of the earth into trees, a drawing together, the great beef side of England, the heavenly haunch; North is open, bleak, a way to nothing; East is a quickening in the sky, a beckoning of light, a storming suddenness of sea. Time is measured by a clock of blood. When one is active, close to the hawk, pursuing, the pulse races, time goes faster; when one is still, waiting, the pulse quietens, time is slow. Always, as one hunts for the hawk, one has an oppressive sense of time contracting inwards like a tightening spring. One hates the movement of the sun, the steady alteration of the light, the increase of hunger, the maddening metronome of the heart-beat. When one says ‘ten o’clock’ or ‘three o’clock,’ this is not the grey and shrunken time of towns; it is the memory of a certain fulmination or declension of light that was unique to that time and that place on that day, a memory as vivid to the hunter as burning magnesium. As soon as the hawk-hunter steps from his door he knows the way of the wind, he feels the weight of the air. Far within himself he seems to see the hawk’s day growing steadily towards the light of their first encounter. Time and the weather hold both hawk and watcher between their turning poles. When the hawk is found, the hunter can look lovingly back at all the tedium and misery of searching and waiting that went before. All is transfigured, as though the broken columns of a ruined temple had suddenly resumed their ancient splendour.

      I shall try to make plain the bloodiness of killing. Too often this has been slurred over by those who defend hawks. Flesh-eating man is in no way superior. It is so easy to love the dead. The word ‘predator’ is baggy with misuse. All birds eat living flesh at some time in their lives. Consider the cold-eyed thrush, that springy carnivore of lawns, worm stabber, basher to death of snails. We should not sentimentalise his song, and forget the killing that sustains it.

      In my diary of a single winter I have tried to preserve a unity, binding together the bird, the watcher, and the place that holds them both. Everything I describe took place while I was watching it, but I do not believe that honest observation is enough. The emotions and behaviour of the watcher are also facts, and they must be truthfully recorded.

      For ten years I followed the peregrine. I was possessed by it. It was a grail to me. Now it has gone. The long pursuit is over. Few peregrines are left, there will be fewer, they may not survive. Many die on their backs, clutching insanely at the sky in their last convulsions, withered and burnt away by the filthy, insidious pollen of farm chemicals. Before it is too late, I have tried to recapture the extraordinary beauty of this bird and to convey the wonder of the land he lived in, a land to me as profuse and glorious as Africa. It is a dying world, like Mars, but glowing still.

      The hardest thing of all to see is what is really there. Books about birds show pictures of the peregrine, and the text is full of information. Large and isolated in the gleaming whiteness of the page, the hawk stares back at you, bold, statuesque, brightly coloured. But when you have shut the book, you will never see that bird again. Compared with the close and static image, the reality will seem dull and disappointing. The living bird will never be so large, so shiny-bright. It will be deep in landscape, and always sinking farther back, always at the point of being lost. Pictures are waxworks beside the passionate mobility of the living bird.

      Female peregrines, known as falcons, are between seventeen and twenty inches long; roughly the length of a man’s arm from elbow to fingertip. Males, or tiercels, are three to four inches shorter, fourteen to sixteen inches long. Weights also vary: falcons from 1¾ to 2½ pounds, tiercels from 1¼ to 1¾ pounds. Everything about peregrines varies: colour, size, weight, personality, style: everything.

      Adults are blue, blue-black, or grey, above; whitish below, barred crosswise with grey. During their first year of life, and often for much of their second year also, the younger birds are brown above, and buff below – streaked vertically with brown. This brown colour ranges from foxy red to sepia, the buff from pale cream to pale yellow. Peregrines are born between April and June. They do not begin to moult their juvenile feathers till the following March; many do not begin till they are more than a year old. Some may remain in brown plumage throughout their second winter, though they usually begin to show some adult feathers from January onwards. The moult may take as long as six months to complete. Warmth speeds it, cold retards it. Peregrines do not breed till they are two years old, but one-year birds may select an eyrie and defend territory.

      The peregrine is adapted to the pursuit and killing of birds in flight. Its shape is streamlined. The rounded head and wide chest taper smoothly back to the narrow wedge-shaped tail. The wings are long and pointed; the primaries long and slender for speed, the secondaries long and broad to give strength for the lifting and carrying of heavy prey. The hooked bill can pull flesh from bones. It has a tooth on the upper mandible, which fits into a notch in the lower one. This tooth can be inserted between the neck vertebrae of a bird so that, by pressing and twisting, the peregrine is able to snap the spinal cord. The legs are thick and muscular, the toes long and powerful. The toes have bumpy pads on their undersides that help in the gripping of prey. The bird-killing hind toe is the longest of the four, and it can be used separately for striking prey to the ground. The huge pectoral muscles give power and endurance in flight. The dark feathering around the eyes absorbs light and reduces glare. The contrasting facial pattern of brown and white may also have the effect of startling prey into sudden flight. To some extent it also camouflages the large, light-reflecting eyes.

      The speed of the peregrine’s wing-beat has been recorded as 4.4 beats per second. Comparative figures are: jackdaw 4.3, crow 4.2, lapwing 4.8, woodpigeon 5.2. In level flapping flight the peregrine looks rather pigeon-like, but its wings are longer and more flexible than a pigeon’s and they curl higher above the back. The typical flight has been described as a succession of quick wing-beats, broken at regular intervals by long glides with wings extended. In fact, gliding is far from regular, and at least half the peregrine flights I have seen have contained few, if any, glides. When the hawk is not hunting, the flight may seem slow and undulating, but it is always faster than it looks. I have timed it at between thirty and forty miles an hour, and it is seldom less than that. Level pursuit of prey has reached speeds of fifty to sixty miles an hour