Nightmare Abbey. Thomas Love Peacock

with the truth of his Ahrimanic philosophy,4 and being altogether as gloomy and antithalian a young lady as Mr Glowry himself could desire for the future mistress of Nightmare Abbey. She had a great fortune in her own right, which was not, as we have seen, without its weight in inducing Mr Glowry to set his heart upon her as his daughter-in-law that was to be; he was therefore very much disturbed by Scythrop's untoward attachment to Marionetta. He condoled on the occasion with Mr Toobad; who said, that he had been too long accustomed to the intermeddling of the devil in all his affairs, to be astonished at this new trace of his cloven claw; but that he hoped to outwit him yet, for he was sure there could be no comparison between his daughter and Marionetta in the mind of any one who had a proper perception of the fact, that, the world being a great theatre of evil, seriousness and solemnity are the characteristics of wisdom, and laughter and merriment make a human being no better than a baboon. Mr Glowry comforted himself with this view of the subject, and urged Mr Toobad to expedite his daughter's return from Germany. Mr Toobad said he was in daily expectation of her arrival in London, and would set off immediately to meet her, that he might lose no time in bringing her to Nightmare Abbey. 'Then,' he added, 'we shall see whether Thalia or Melpomene—whether the Allegra or the Penserosa—will carry off the symbol of victory.'—'There can be no doubt,' said Mr Glowry, 'which way the scale will incline, or Scythrop is no true scion of the venerable stem of the Glowries.'

      * * * * *

      CHAPTER V

      Marionetta felt secure of Scythrop's heart; and notwithstanding the difficulties that surrounded her, she could not debar herself from the pleasure of tormenting her lover, whom she kept in a perpetual fever. Sometimes she would meet him with the most unqualified affection; sometimes with the most chilling indifference; rousing him to anger by artificial coldness—softening him to love by eloquent tenderness—or inflaming him to jealousy by coquetting with the Honourable Mr Listless, who seemed, under her magical influence, to burst into sudden life, like the bud of the evening primrose. Sometimes she would sit by the piano, and listen with becoming attention to Scythrop's pathetic remonstrances; but, in the most impassioned part of his oratory, she would convert all his ideas into a chaos, by striking up some Rondo Allegro, and saying, 'Is it not pretty?' Scythrop would begin to storm; and she would answer him with,

      1

      Mr Flosky: A corruption of Filosky, quasi [Greek: philoschios], a lover, or sectator, of shadows.

      2

      the passion for reforming the world: See Forsyth's Principles of Moral Science

1

Mr Flosky: A corruption of Filosky, quasi [Greek: philoschios], a lover, or sectator, of shadows.

2

the passion for reforming the world: See Forsyth's Principles of Moral Science.

3

decorum, and dignity, &c. &c. &c.: We are not masters of the whole vocabulary. See any novel by any literary lady.

4

his Ahrimanic philosophy: Ahrimanes, in the Persian mythology, is the evil power, the prince of the kingdom of darkness. He is the rival of Oromazes, the prince of the kingdom of light. These two powers have divided and equal dominion. Sometimes one of the two has a temporary supremacy.—According to Mr Toobad, the present period would be the reign of Ahrimanes. Lord Byron seems to be of the same opinion, by the use he has made of Ahrimanes in 'Manfred'; where the great Alastor, or [Greek: Kachos Daimôn], of Persia, is hailed king of the world by the Nemesis of Greece, in concert with three of the Scandinavian Valkyrae, under the name of the Destinies; the astrological spirits of the alchemists of the middle ages; an elemental witch, transplanted from Denmark to the Alps; and a chorus of Dr Faustus's devils, who come in the last act for a soul. It is difficult to conceive where this heterogeneous mythological company could have originally met, except at a table d'hôte, like the six kings in 'Candide'.

4

his Ahrimanic philosophy: Ahrimanes, in the Persian mythology, is the evil power, the prince of the kingdom of darkness. He is the rival of Oromazes, the prince of the kingdom of light. These two powers have divided and equal dominion. Sometimes one of the two has a temporary supremacy.—According to Mr Toobad, the present period would be the reign of Ahrimanes. Lord Byron seems to be of the same opinion, by the use he has made of Ahrimanes in 'Manfred'; where the great Alastor, or [Greek: Kachos Daimôn], of Persia, is hailed king of the world by the Nemesis of Greece, in concert with three of the Scandinavian Valkyrae, under the name of the Destinies; the astrological spirits of the alchemists of the middle ages; an elemental witch, transplanted from Denmark to the Alps; and a chorus of Dr Faustus's devils, who come in the last act for a soul. It is difficult to conceive where this heterogeneous mythological company could have originally met, except at a table d'hôte, like the six kings in 'Candide'.