Eight Years' Wanderings in Ceylon. Samuel White Baker

is a degree of sameness in the ruins of all the ancient cities of Ceylon which renders a description tedious. Those of "Anaradupoora" are the largest in extent, and the buildings appear to have been more lofty, the great dagoba having exceeded four hundred feet in height; but the ruins do not exhibit the same "finish" in the style of architecture which is seen in the remains of other towns.

      Among these, "Toparé," anciently called "Pollanarua," stands foremost. This city appears to have been laid out with a degree of taste which would have done credit to our modern towns.

      Before its principal gate stretched a beautiful lake of about fifteen miles circumference (now only nine). The approach to this gate was by a broad road, upon the top of a stone causeway, of between two and three miles in length, which formed a massive dam to the waters of the lake which washed its base. To the right of this dam stretched many miles of cultivation; to the left, on the farther shores of the lake, lay park-like grass-lands, studded with forest trees, some of whose mighty descendants still exist in the noble "tamarind," rising above all others. Let us return in imagination to Pollanarua as it once stood. Having arrived upon the causeway in the approach to the city, the scene must have been beautiful in the extreme: the silvery lake, like a broad mirror, in the midst of a tropical park; the flowering trees shadowing its waters; the groves of tamarinds sheltering its many nooks and bays; the gorgeous blossoms of the pink lotus resting on its glassy surface; and the carpet-like glades of verdant pasturage, stretching far away upon the opposite shores, covered with countless elephants, tamed to complete obedience. Then on the right, below the massive granite steps which form the causeway, the water rushing from the sluice carries fertility among a thousand fields, and countless laborers and cattle till the ground: the sturdy buffaloes straining at the plough, the women, laden with golden sheaves of corn and baskets of fruit, crowding along the palm-shaded road winding toward the city, from whose gate a countless throng are passing and returning. Behold the mighty city! rising like a snow-white cloud from the broad margin of the waters. The groves of cocoa-nuts and palms of every kind, grouped in the inner gardens, throwing a cool shade upon the polished walls; the lofty palaces towering among the stately areca trees, and the gilded domes reflecting a blaze of light from the rays of a midday sun. Such let us suppose the exterior of Pollanarua.

      The gates are entered, and a broad street, straight as an arrow, lies before us, shaded on either side by rows of palms. Here stand, on either hand, the dwellings of the principal inhabitants, bordering the wide space, which continues its straight and shady course for about four miles in length. In the centre, standing in a spacious circle, rises the great Dagoba, forming a grand coup d'oeil from the entrance gate. Two hundred and sixty feet from the base the Dagoba rears its lofty summit. Two circular terraces, each of some twenty feet in height, rising one upon the other, with a width of fifty feet, and a diameter at the base of about two hundred and fifty, from the step-like platform upon which the Dagoba stands. These are ascended by broad flights of steps, each terrace forming a circular promenade around the Dagoba; the whole having the appearance of white marble, being covered with polished stucco ornamented with figures in bas-relief. The Dagoba is a solid mass of brickwork in the shape of a dome, which rises from the upper terrace. The whole is covered with polished stucco, and surmounted by a gilded spire standing upon a square pedestal of stucco, highly ornamented with large figures, also in bas-relief; this pedestal is a cube of about thirty feet, supporting the tall gilded spire, which is surmounted by a golden umbrella.

      Around the base of the Dagoba on the upper terrace are eight small entrances with highly-ornamented exteriors. These are the doors to eight similar chambers of about twelve feet square, in each of which is a small altar and carved golden idol. This Dagoba forms the main centre of the city, from which streets branch off in all directions, radiating from the circular space in which it stands.

      The main street from the entrance-gate continues to the further extremity of the city, being crossed at right angles in the centre by a similar street, thus forming two great main streets through the city, terminating in four great gates or entrances to the town—north, south, east and west. Continuing along the main street from the great Dagoba for about a mile, we face another Dagoba of similar appearance, but of smaller dimensions, also standing in a spacious circle. Near this rises the king's palace, a noble building of great height, edged at the corner by narrow octagon towers.

      At the further extremity of this main street, close to the opposite entrance-gate, is the rock temple, with the massive idols of Buddha flanking the entrance.

      This, from the form and position of the existing ruins, we may conceive to have been the appearance of Pollanarua in its days of prosperity. But what remains of its grandeur? It has vanished like "a tale that is told;" it is passed away like a dream; the palaces are dust; the grassy sod has grown in mounds over the ruins of streets and fallen houses; nature has turfed them in one common grave with their inhabitants. The lofty palms have faded away and given place to forest trees, whose roots spring from the crumbled ruins; the bear and the leopard crouch in the porches of the temples; the owl roosts in the casements of the palaces; the jackal roams among the ruins in vain; there is not a bone left for him to gnaw of the multitudes which have passed away. There is their handwriting upon the temple wall, upon the granite slab which has mocked at Time; but there is no man to decipher it. There are the gigantic idols before whom millions have bowed; there is the same vacant stare upon their features of rock which gazed upon the multitudes of yore; but they no longer stare upon the pomp of the glorious city, but upon ruin, and rank weeds, and utter desolation. How many suns have risen and how many nights have darkened the earth since silence has reigned amidst the city, no man can tell. No mortal can say what fate befell those hosts of heathens, nor when they vanished from the earth. Day and night succeed each other, and the shade of the setting sun still falls from the great Dagoba; but it is the "valley of the shadow of death" upon which that shadow falls like a pall over the corpse of a nation.

      The great Dagoba now remains a heap of mouldering brickwork, still retaining its form, but shorn of all its beauty. The stucco covering has almost all disappeared, leaving a patch here and there upon the most sheltered portions of the building. Scrubby brushwood and rank grass and lichens have for the most part covered its surface, giving it the appearance rather of a huge mound of earth than of an ancient building. A portion of the palace is also standing, and, although for the most part blocked up with ruins, there is still sufficient to denote its former importance. The bricks, or rather the tiles, of which all the buildings are composed, are of such an imperishable nature that they still adhere to each other in large masses in spots where portions of the buildings have fallen.

      In one portion of the ruins there are a number of beautiful fluted columns, with carved capitals, still remaining in a perfect state. Among these are the ruins of a large flight of steps; near them, again, a stone-lined tank, which was evidently intended as a bath; and everything denotes the former comfort and arrangement of a first-class establishment. There are innumerable relics, all interesting and worthy of individual attention, throughout the ruins over a surface of many miles, but they are mostly overgrown with jungle or covered with rank grass. The apparent undulations of the ground in all directions are simply the remains of fallen streets and buildings overgrown in like manner with tangled vegetation.

      The most interesting, as being the most perfect, specimen, is the small rock temple, which, being hewn out of the solid stone, is still in complete preservation. This is a small chamber in the face of an abrupt rock, which, doubtless, being partly a natural cavern, has been enlarged to the present size by the chisel; and the entrance, which may have been originally a small hole, has been shaped into an arched doorway. The interior is not more than perhaps twenty-five feet by eighteen, and is simply fitted up with an altar and the three figures of Buddha, in the positions in which he is usually represented—the sitting, the reclining and the standing postures.

      The exterior of the temple is far more interesting. The narrow archway is flanked on either side by two inclined planes, hewn from the face of the rock, about eighteen feet high by twelve in width. These are completely covered with an inscription in the old Pali language, which has never been translated. Upon the left of one plain is a kind of sunken area hewn out of the rock, in which sits a colossal figure of Buddha, about twenty feet in height. On the right of the other plane is a figure in the standing posture about the same height; and still farther to the right, likewise hewn from the solid rock, is