What's Bred in the Bone. Allen Grant

burning veins. It was a snake, indeed, she wanted; a real live snake; what would she not have given, if it were only Sardanapalus!

      Sardanapalus, so glossy, so beautiful, so supple, that glorious green serpent, with his large smooth coils, and his silvery scales, and his darting red tongue, and his long lithe movements. Sardanapalus, Sardanapalus, Sardanapalus! The very name seemed to link itself with the music in her head. It coursed with her blood. It rang through her brain. And another as well. Cyril Waring, Cyril Waring, Cyril Waring, Cyril Waring! Oh! great heavens, what would Cyril Waring say now, if only he could see her in her mad mood that moment!

      And yet it was not she, not she, not she, but some spirit, some weird, some unseen power within her. It was no more she than that boa there was a snake. A real live snake. Oh, for a real live snake! And then she could dance—tarantel, tarantella—as the spirit within her prompted her to dance it.

      "Faster, faster," said the spirit; and she answered him back, "Faster!"

      Faster, faster, faster, faster she whirled round the room; the boa grew alive; it coiled about her; it strangled her. Her candle failed; the wick in the socket flickered and died; but Elma danced on, unheeding, in the darkness. Dance, dance, dance, dance; never mind for the light! Oh! what madness was this? What insanity had come over her? Would her feet never stop? Must she go on till she dropped? Must she go on for ever?

      Ashamed and terrified with her maidenly sense, overawed and obscured by this hateful charm, yet unable to stay herself, unable to resist it, in a transport of fear and remorse, she danced on irresponsibly. Check herself she couldn't, let her do what she would. Her whole being seemed to go forth into that weird, wild dance. She trembled and shook. She stood aghast at her own shame. She had hard work to restrain herself from crying aloud in her horror.

      At last, a lull, a stillness, a recess. Her limbs seemed to yield and give way beneath her. She half fainted with fatigue. She staggered and fell. Too weary to undress, she flung herself upon the bed, just as she was, clothes and all. Her overwrought nerves lost consciousness at once. In three minutes she was asleep, breathing fast but peacefully.

      CHAPTER IX.

      AND AFTER?

      When Elma woke up next morning, it was broad daylight. She woke with a start, to find herself lying upon the bed where she had flung herself. For a minute or two she couldn't recollect or recall to herself how it had all come about. It was too remote from anything in her previous waking thought, too dream-like, too impossible. Then an unspeakable horror flashed over her unawares. Her face flushed hot. Shame and terror overcame her. She buried her head in her hands in an agony of awe. Her own self-respect was literally outraged. It wasn't exactly remorse; it wasn't exactly fear; it was a strange creeping feeling of ineffable disgust and incredulous astonishment.

      There could be but one explanation of this impossible episode. She must have gone mad all at once! She must be a frantic lunatic!

      A single thought usurped her whole soul. If she was going mad—if this was really mania—she could never, never, never—marry Cyril Waring.

      For in a flash of intuition she knew that now. She knew she was in love. She knew he loved her.

      In that wild moment of awakening all the rest mattered nothing. The solitary idea that ran now through her head, as the impulse to dance had run through it last night, was the idea that she could never marry Cyril Waring. And if Cyril Waring could have seen her just then! her cheeks burned yet a brighter scarlet at that thought than even before. One virginal blush suffused her face from chin to forehead. The maidenly sense of shame consumed and devoured her.

      Was she mad? Was she mad? And was this a lucid interval?

      Presently, as she lay still on her bed all dressed, and with her face in her hands, trembling for very shame, a little knock sounded tentatively at the door of her bedroom. It was a timid, small knock, very low and soft, and, as it were, inquiring. It seemed to say in an apologetic sort of undertone, "I don't know whether you're awake or not just yet; and if you're still asleep, pray don't let me for a moment disturb or arouse you."

      "Who's there?" Elma mustered up courage to ask, in a hushed voice of terror, hiding her head under the bed-clothes.

      "It's me, darling," Mrs. Clifford answered, very softly and sweetly. Elma had never heard her mother speak in so tender and gentle a tone before, though they loved one another well, and were far more sympathetic than most mothers and daughters. And besides, that knock was so unlike mamma's. Why so soft and low?

      Had mamma discovered her? With a despairing sense of being caught she looked down at her tell-tale clothes and the unslept-in bed.

      "Oh, what shall I ever do?" she thought to herself, confusedly. "I can't let mamma come in and catch me like this. She'll ask why on earth I didn't undress last night. And then what could I ever say? How could I ever explain to her?"

      The awful sense of shame-facedness grew upon her still more deeply than ever. She jumped up and whispered through the door, in a very penitent voice, "Oh, mother, I can't let you in just yet. Do you mind waiting five minutes? Come again by-and-by. I—I—I'm so awfully tired and queer this morning somehow."

      Mrs. Clifford's voice had an answering little ring of terror in it, as she replied at once, in the same soft tone—

      "Very well, darling. That's all right. Stay as long as you like. Don't trouble to get up if you'd rather have your breakfast in bed. And don't hurry yourself at all. I'll come back by-and-by and see what's the matter."

      Elma didn't know why, but by the very tone of her mother's voice she felt dimly conscious something strange had happened. Mrs. Clifford spoke with unusual gentleness, yet with an unwonted tremor.

      "Thank you, dear," Elma answered through the door, going back to the bedside and beginning to undress in a tumult of shame. "Come again by-and-by. In just five minutes." It would do her good, she knew, in spite of her shyness, to talk with her mother. Then she folded her clothes neatly, one by one, on a chair; hid the peccant boa away in its own lower drawer; buttoned her neat little embroidered nightdress tightly round her throat; arranged her front hair into a careless disorder; and tried to cool down her fiery red cheeks with copious bathing in cold water. When Mrs. Clifford came back five minutes later, everything looked to the outer eye of a mere casual observer exactly as if Elma had laid in bed all night, curled up between the sheets, in the most orthodox fashion.

      But all these elaborate preparations didn't for one moment deceive the mother's watchful glance, or the keen intuition shared by all the women of the Clifford family. She looked tenderly at Elma—Elma with her face half buried in the pillows, and the tell-tale flush still crimsoning her cheek in a single round spot; then she turned for a second to the clothes, too neatly folded on the chair by the bedside, as she murmured low—

      "You're not well this morning, my child. You'd better not get up. I'll bring you a cup of tea and some toast myself. You don't feel hungry, of course. Ah, no, I thought not. Just a slice of dry toast—yes, yes. I have been there. Some eau de Cologne on your forehead, dear? There, there, don't cry, Elma. You'll be better by-and-by. Stop in bed till lunch-time. I won't let Lucy come up with the tea, of course. You'd rather be alone. You were tired last night. Don't be afraid, my darling. It'll soon pass off. There's nothing on earth, nothing at all to be alarmed at."

      She laid her hand nervously on Elma's arm. Half dead with shame as she was, Elma noticed it trembled. She noticed, too, that mamma seemed almost afraid to catch her eye. When their glance met for an instant the mother's eyelids fell, and her cheek, too, burned bright red, almost as red, Elma felt, as her own that nestled hot so deep in the pillow. Neither said a word to the other of what she thought or felt. But their mute sympathy itself made them more shame-faced than ever. In some dim, indefinite, instinctive fashion, Elma knew her mother was vaguely aware what she had done last night. Her gaze fell half unconsciously on the bottom drawer. With quick insight, Mrs. Clifford's eye followed her daughter's. Then it fell as before. Elma looked up at her terrified, and burst into a sudden flood of tears. Her mother stooped down and caught her wildly in her arms. "Cry, cry, my darling," ahe murmured, clasping her hard to her breast. "Cry, cry; it'll do you good; there's safety in crying. Nobody but I shall come near you to-day. Nobody else shall know! Don't be afraid