Cecilia; Or, Memoirs of an Heiress. Volume 2. Burney Fanny

don’t take any notice of what I said, for if he should happen to ask me, I can’t well refuse him, you know, for if I do, he’ll be so excessive affronted you can’t think.”

      Mr Meadows then, mixing in the little group, began, with sundry grimaces, to exclaim “how intolerably hot it is! there’s no such thing as breathing. How can anybody think of dancing! I am amazed Mr Harrel has not a ventilator in this room. Don’t you think it would be a great improvement?”

      This speech, though particularly addressed to no one, received immediately an assenting answer from all the young ladies.

      Then, turning to Miss Larolles, “Don’t you dance?” he said.

      “Me?” cried she, embarrassed, “yes, I believe so,—really I don’t know,—I a’n’t quite determined.”

      “O, do dance!” cried he, stretching himself and yawning, “it always gives me spirits to see you.”

      Then, turning suddenly to Cecilia, without any previous ceremony of renewing his acquaintance, either by speaking or bowing, he abruptly said “Do you love dancing, ma’am?”

      “Yes, Sir, extremely well.”

      “I’m very glad to hear it. You have one thing, then, to soften existence.”

      “Do you dislike it yourself?”

      “What dancing? Oh dreadful! how it was ever adopted in a civilized country I cannot find out; ‘tis certainly a Barbarian exercise, and of savage origin. Don’t you think so, Miss Larolles?”

      “Lord no,” cried Miss Larolles, “I assure you I like it better than any thing; I know nothing so delightful, I declare I dare say I could not live without it; I should be so stupid you can’t conceive.”

      “Why I remember,” said Mr Marriot, “when Mr Meadows was always dancing himself. Have you forgot, Sir, when you used to wish the night would last for ever, that you might dance without ceasing?”

      Mr Meadows, who was now intently surveying a painting that was over the chimney-piece, seemed not to hear this question, but presently called out “I am amazed Mr Harrel can suffer such a picture as this to be in his house. I hate a portrait, ‘tis so wearisome looking at a thing that is doing nothing!”

      “Do you like historical pictures, Sir, any better?”

      “O no, I detest them! views of battles, murders, and death! Shocking! shocking!—I shrink from them with horror!”

      “Perhaps you are fond of landscapes?”

      “By no means! Green trees and fat cows! what do they tell one? I hate every thing that is insipid.”

      “Your toleration, then,” said Cecilia, “will not be very extensive.”

      “No,” said he, yawning, “one can tolerate nothing! one’s patience is wholly exhausted by the total tediousness of every thing one sees, and every body one talks with. Don’t you find it so, ma’am?”

      “Sometimes!” said Cecilia, rather archly.

      “You are right, ma’am, extremely right; one does not know what in the world to do with one’s self. At home, one is killed with meditation, abroad, one is overpowered by ceremony; no possibility of finding ease or comfort. You never go into public, I think, ma’am?”

      “Why not to be much marked, I find!” said Cecilia, laughing.

      “O, I beg your pardon! I believe I saw you one evening at Almack’s; I really beg your pardon, but I had quite forgot it.”

      “Lord, Mr Meadows,” said Miss Larolles, “don’t you know you are meaning the Pantheon? only conceive how you forget things!”

      “The Pantheon, was it? I never know one of those places from another. I heartily wish they were all abolished; I hate public places. ‘Tis terrible to be under the same roof with a set of people who would care nothing if they saw one expiring!”

      “You are, at least, then, fond of the society of your friends?”

      “O no! to be worn out by seeing always the same faces!—one is sick to death of friends; nothing makes one so melancholy.”

      Cecilia now went to join the dancers, and Mr Meadows, turning to Miss Larolles, said, “Pray don’t let me keep you from dancing; I am afraid you’ll lose your place.”

      “No,” cried she, bridling, “I sha’n’t dance at all.”

      “How cruel!” cried he, yawning, “when you know how it exhilarates me to see you! Don’t you think this room is very close? I must go and try another atmosphere,—But I hope you will relent, and dance?”

      And then, stretching his arms as if half asleep, he sauntered into the next room, where he flung himself upon a sofa till the ball was over.

      The new partner of Cecilia, who was a wealthy, but very simple young man, used his utmost efforts to entertain and oblige her, and, flattered by the warmth of his own desire, he fancied that he succeeded; though, in a state of such suspence and anxiety, a man of brighter talents had failed.

      At the end of the two dances, Lord Ernolf again attempted to engage her for his son, but she now excused herself from dancing any more, and sat quietly as a spectatress till the rest of the company gave over. Mr Marriot, however, would not quit her, and she was compelled to support with him a trifling conversation, which, though irksome to herself, to him, who had not seen her in her happier hour, was delightful.

      She expected every instant to be again joined by young Delvile, but the expectation was disappointed; he came not; she concluded he was in another apartment; the company was summoned to supper, she then thought it impossible to miss him; but, after waiting and looking for him in vain, she found he had already left the house.

      The rest of the evening she scarce knew what passed, for she attended to nothing; Mr Monckton might watch, and Mr Briggs might exhort her, Sir Robert might display his insolence, or Mr Marriot his gallantry,—all was equally indifferent, and equally unheeded; and before half the company left the house, she retired to her own room.

      She spent the night in the utmost disturbance; the occurrences of the evening with respect to young Delvile she looked upon as decisive; if his absence had chagrined her, his presence had still more shocked her, since, while she was left to conjecture, though she had fears she had hopes, and though all she saw was gloomy, all she expected was pleasant; but they had now met, and those expectations proved fallacious. She knew not, indeed, how to account for the strangeness of his conduct; but in seeing it was strange, she was convinced it was unfavourable; he had evidently avoided her while it was in his power, and when, at last, he was obliged to meet her, he was formal, distant, and reserved.

      The more she recollected and dwelt upon the difference of his behaviour in their preceding meeting, the more angry as well as amazed she became at the change, and though she still concluded the pursuit of some other object occasioned it, she could find no excuse for his fickleness if that pursuit was recent, nor for his caprice if it was anterior.

      CHAPTER ii. – A BROAD HINT

      The next day Cecilia, to drive Delvile a little from her thoughts, which she now no longer wished him to occupy, again made a visit to Miss Belfield, whose society afforded her more consolation than any other she could procure.

      She found her employed in packing up, and preparing to remove to another lodging, for her brother, she said, was so much better, that he did not think it right to continue in so disgraceful a situation.

      She talked with her accustomed openness of her affairs, and the interest which Cecilia involuntarily took in them, contributed to lessen her vexation in thinking of her own. “The generous friend of my brother,” said she, “who, though but a new acquaintance to him, has courted him in all his sorrows, when every body else forsook him, has brought him at last into a better way of thinking. He says there is a gentleman whose son is soon going abroad, who he is almost sure will like my brother vastly, and in another week, he is to be introduced to him. And so, if my mother can but reconcile herself to parting with him, perhaps we may