The Naked Diplomat: Understanding Power and Politics in the Digital Age. Tom Fletcher

French Revolution and the insurgent rise of Napoleon, that united they stood, divided they would fall. It was also a response to Napoleon’s abuse of the existing and unnecessarily complex diplomatic procedures to filibuster the Congress of Prague a year earlier.

      In many ways the outcomes of the Congress of Vienna were backward-looking – the shoring up of a status quo of elites, reactionary regimes and monarchs. But the diplomatic process that underpinned the decisions was ingenious and creative, and created a system of interdependence that prevented continent-wide conflict for a century. Given its context, it was a supreme act of diplomacy.

      The congress also laid the basis for the fastest expansion of diplomacy in history. At the beginning of Queen Victoria’s reign in 1837, she had permanent ambassadors only in Paris, Constantinople and St Petersburg; by the end, she had almost a hundred.

      This was the era of aristocratic diplomacy, ‘outdoor relief for the upper classes’.4 Looking back in the second edition of his guide to diplomacy in 1922, Ernest Satow wrote that ‘a good diplomat must in short be an English gentleman. The higher the grade the greater the need for private income.’5 Some of those gentlemen, such as Sir Richard Burton, would disappear for months on end, charging around unexplored territories on camel or horseback. Their snug-trousered portraits stare down disapprovingly from the Foreign Office’s walls at today’s diplomats as they complete their risk assessments.

      To add to the theatre, diplomatic uniforms were adopted – Lord Curzon later gave meticulous thought to the outfit in which he would call on the emir of Afghanistan, including wellingtons, fake medals, spurs, a cocked hat, and, deliciously, ‘the most gigantic and swashbuckling sword I could find’. He would not have got through the door of today’s diplomatic assessment and recruitment centres, which tend to frown on swashbuckling swords. But such swaggering Flashman diplomats set out to study, adventure and conquer.

      The Industrial Revolution was the engine for this Western expansion, giving Europe another surge forward. British entrepreneurs unleashed the power of steam and coal. Factories and gunboats, then later computers and nukes, allowed them to build economic muscle, project power and influence, and strike out.

      In 1500, Europe’s future imperial powers – Britain, France, Spain, Portugal – controlled 10% of the world’s territories and generated just over 40% of its wealth. By 1913, at the height of empire, the West controlled almost 60% of the territories, which generated almost 80% of the wealth. While competition and scientific and technological advantage were key to success, the diplomats of the nineteenth century would have added another reason: the ability to spot opportunities, to negotiate a profitable peace, and to hold it together. They knew how to take that technology and turn it into raw power.

      The job was still not of course without its dangers. British diplomat Alexander Burnes, a Hindi- and Persian-speaking Scot with a roving eye, was hacked to death by a mob of jealous husbands in Afghanistan in 1841. His colleague Charles Stoddart was imprisoned and executed for spying in Bukhara in 1842, following a failed mission to persuade the emir to free Russian slaves. Bertie Mitford, the grandfather of the famous sisters, was made to watch ritual disembowelment on arrival in Japan as ambassador in 1868 (perhaps it was this that prompted his granddaughter Nancy to ascribe to a character in one of her novels the opinion that ‘abroad is unutterably bloody and foreigners are fiends’,6 a view shared by her father David – and some modern politicians). The entire diplomatic corps was placed under siege during the Boxer Rebellion in China in 1900. Diplomatic papers record seventeen deaths among the English ‘King’s Messengers’, who transported the diplomatic bag, in the first thirty years of the nineteenth century.

      The expectation of diplomatic hospitality also created its own challenges – 14,000 Persian merchants took up uninvited residence at the British legation in Tehran in 1906 as part of their effort to secure constitutional reform. Earlier, 300 of the shah’s wives and eunuchs had made a similar request for sanctuary. Sir Mortimer Durand, the British representative, was, he reported to London, ‘somewhat staggered’.

      New rules gave a sense of greater purpose and historical context to diplomats, who could now make war as well as peace at the stroke of a pen. The Prussian chancellor Bismarck famously edited out the diplomatic niceties from a telegram from his emperor Wilhelm I to Napoleon III, thereby leaving its recipient furious, and triggering the Franco-Prussian War of 1870. Future diplomats who could spend days negotiating the positioning of a comma in the Maastricht Treaty would have cooed with admiration at Bismarck’s later drafting success, following days of negotiation, in establishing his master as ‘German emperor’ rather than Wilhelm’s preferred ‘emperor of Germany’.

      Diplomats and their masters also began to have to take much greater account of public opinion. Advisers started to offer judgements to their leaders as to which of their mistakes the public could accept, and which were unforgivable. These were not always well received by capitals. In 1919, Foreign Secretary Lord Curzon responded furiously to one such missive from his ambassador to Paris, saying, ‘I have always known you to be a cad, I now know you to be a liar.’7 It has never been easy for envoys to speak truth unto power.

      By the end of the nineteenth century, there was a new and increasingly influential player on the block. America began investing heavily in innovative naval technology. Steam-powered battleships with powerful armaments bought real-world diplomatic clout. They could also drag the new nation into war. When its battleship the USS Maine exploded for undetermined reasons in the harbour of Havana, the American press stoked war fever and blamed Spain. This gave a pretext for America to replace Spain as the dominant power in its own backyard, in countries such as Cuba, Puerto Rico, the Philippines and Guam. America had arrived as a global power to rival the European states that had entrenched their positions at the Congress of Vienna.

      Yet America’s ambitions remained opaque. As president, Thomas Jefferson wanted it both ways, to ‘enjoy the fruits of power without falling victim to the normal consequences of its exercise’.8 Or as John Quincy Adams, Secretary of State in 1821, put it, America ‘goes not abroad, in search of monsters to destroy. She is the well wisher to the freedom and independence of all. She is the champion and vindicator only of her own.’9 This dilemma at the heart of American foreign policy continues to this day.

      The diplomatic system in 1815 – constructed with such care and swagger – looked robust enough on the eve of the First World War. Surveying regional tensions, diplomats assessed that there would need to be some accommodations to acknowledge shifts in power, but did not anticipate that conflict would shatter the genteel assumptions that underpinned their interactions. European diplomacy had got fat, entitled, and complacent.

      So the British ambassador in Berlin continued his yachting expedition with the German kaiser even after Archduke Franz Ferdinand was assassinated in 1914, triggering the Great War. The ambassador visited key ministers after the outbreak of conflict, and dined as usual that evening at his Residence in Berlin. When his meal was briefly disrupted by pesky protesters, his staff judged that the German emperor’s apology for the inconvenience was tardy. Having not arrived until ten the next morning, it ‘served to show what we had thought, that the emperor was not a gentleman’.10

      After diplomacy’s finest century it was one thing to declare war, but quite another to misjudge diplomatic etiquette.

* Within the FCO, the honour of CMG is known as ‘Call Me God’, and KCMG is ‘Kindly Call Me God’. GCMG is of course ‘God Calls Me God’.