Название | The Street Philosopher |
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Автор произведения | Matthew Plampin |
Жанр | Историческая литература |
Серия | |
Издательство | Историческая литература |
Год выпуска | 0 |
isbn | 9780007310043 |
‘You see now what I was referring to earlier, Mr Styles.’ Kitson was standing over him, writing materials stuffed in one pocket, chicken legs poking out of the other. His precise state of mind, once again, was hard to divine; but he did not seem unamused by their encounter with the officers of the 99th. ‘Items like that statuette should rightfully be protected, stored well away from rapacious brutes like our Captain Wray.’ He offered the illustrator his hand and pulled him upright. ‘How is your lip?’
‘Sore enough. But I shall live.’ Styles regarded his comrade with intense admiration. ‘You–you did a fine thing there, Mr Kitson. You bore witness, sir–you stood in the path of wrongdoing.’
Kitson shook his head. ‘You exaggerate, Mr Styles. I failed. The statuette was smashed, and these unfortunate people most foully abused.’ He turned towards the elderly Tartar, who was now clutching at his ribs and grimacing in pain. Immediately the weeping woman was beside him, embracing him protectively, her expression indicating that she viewed the Courier men as entirely complicit in Wray and Davy’s depredations.
‘But you at least gave them pause, sir,’ Styles insisted, ‘whereas I plunged in like a hot-headed booby and caused only laughter.’ A little ashamed, he wiped his bloody chin on his sleeve. ‘We will be reporting this incident, though, won’t we? Telling Mr Cracknell, at least?’
Kitson smiled ruefully. ‘Mr Styles, your enthusiasm is refreshing indeed to a jaded soul such as myself. Questions do occur to me, I must admit. Who, for example, directed them to this house? They were certainly acting under another’s instructions.’
‘And what do you think, Mr Kitson?’
To Styles’ dismay, Kitson simply shrugged. ‘What does it matter? No one cares, Mr Styles, as Mr Cracknell would be the first to tell you. There is nothing we can do. Far more is at stake out here than art, my friend. Between here and Sebastopol, the Russian Army is preparing to repel our forces with all their might. I think our generals can be forgiven for being rather more interested in that, don’t you?’
Styles could hardly disagree. Feeling bruised and thoroughly defeated, he picked up his bag and folder, nodding dumbly when Kitson proposed that they head back to camp. As they walked from the yard, he noticed that his black velvet jacket was covered in pale dust. Its left elbow, also, had been scuffed bald against the cobbles.
Kitson cast a sideways glance at the illustrator and brushed at his shoulder. ‘Ha! What a mess! We shall make a war correspondent of you yet, Mr Styles!’
The night sentries maintained that the mist out by the northern barricades was so dense that it was as if Almighty God had reached down from Heaven and rubbed out a bit of creation with His divine thumb. It was cold out there too, and quiet; a deathly graveyard hush after the ceaseless bustle of the camp. This was where the Russians would come from, it was reasoned, if they were to come at all. Every man who stood watch there half expected to see the enemy at any moment, arrayed in their thousands, marching towards him from out of that eerie grey void. Like some red-coated vision of the damned, they coughed, cursed, and scratched miserably at persistent rashes acquired in the whorehouses of Constantinople, staring always at the thirty yards of open ground between them and the edges of the mist.
Yet on the third night, when someone did appear, for several long seconds they froze up altogether. This man was running fast, his cheeks flushed and his black hair awry, a cap of some kind clutched in his hand. Greatcoat flapping around his knees, he didn’t stop or slow down, or even look in their direction. He kept on going, swerving slightly to run roughly parallel to their line, his arms pumping back and forth, his boots pounding through the wet grass. This had to be a Russian spy, of which the sentries had been promised there was a whole devious legion, making a break for his own territory.
The soldiers’ firing, when it began, was erratic at best. The spy was a difficult mark, moving quickly, and they hadn’t been ready for him. Every bullet went wide; some swore, as they lowered their miniés, that they could see a grin spreading across the villain’s face. Then a burly corporal pulled himself up to his full height and swung his rifle’s stock expertly against his shoulder. The end of the barrel fixed on the running man and followed him along for a few yards; then the shot rang out, the man stumbled, and was down. There was a cheer, and laughter, and several hearty slaps to the corporal’s broad back. The first kill of the campaign!
The laughter faded abruptly as the man got up, his feet slipping in the dew, and set off again, at much the same pace as before. Some started to reload hurriedly, tearing at the paper cartridge packs with their teeth. Others started clambering over the barricades, attaching their bayonets, intending to give chase. It was suddenly clear that the spy was heading for a large thicket of wiry bushes a short way to the east. The soldiers shouted to each other, trying to head him off; but he was too fast.
‘Come on, you idle dogs!’ he cried as he went. ‘That the best you can do?’ And then he dived into the bushes, and was gone.
‘Raise the alarm!’ ordered an excited major, freshly arrived on the scene. ‘Full alert! At once! Back to the pickets!’
The soldiers obeyed, and the alarm was raised; but those who had heard the escaping man’s taunt knew that if this really was an enemy spy they pursued, it was one with a distinctly Irish-sounding accent.
After crashing through the undergrowth to the open ground on its other side, Cracknell turned to check that he wasn’t being pursued. Past the bushes, all that he saw was the billowing greyness of a thick sea fog, blowing in from the bay. The bastards are quick enough to fire from the safety of their barricades, he thought with a triumphant sneer; but giving chase, well, that is another matter entirely.
Panting from the effort of his dash for safety, Cracknell pushed his cap back on his head, and mopped his brow with a stained twist of handkerchief. Somewhere inside him, he knew that it had been mad folly to try to creep back into camp from the north. But he felt not even the faintest tremor of guilt for the tumult he had caused. The sensation of the bullets slicing through the air so close to him, tugging at his clothes even, had been monstrously exhilarating. And now, off in the distance, the bugles were sounding a piercing reveille across the shadowy fields. Torches were being lit, and a multitude of soldiers were stumbling from the lines of white, conical tents, buttoning up jackets and readying rifles with anxious haste. That it was all in his honour made Cracknell’s chest swell with a perverse pride. He drew a battered silver hip-flask from his coat pocket, raising it towards the agitated camp before taking a long swig. Then he carried on his way at a considerably reduced pace, one hand pressed against a stabbing stitch in his side.
The Courier tent was pitched at the very edge of the camp, close to a shallow, brackish pond. As he approached it, Cracknell dropped to his haunches, keeping to the shadows. Kitson stood in the light of an oil lamp, the triangles of his shoulder-blades clearly visible through his frock-coat. His junior was talking about the alarm–about how there’d been one the night before that had amounted to nothing, and how such scares were to be expected, given the situation. Cracknell took another gulp from his flask, chuckling softly. Our Mr Kitson’s becoming quite the weathered field operative, he thought. What change can be wrought by expert guidance and a few months’ privation!
He turned his attention to the focus of Kitson’s little lecture–the illustrator. The boy was nodding along, plainly determined to put a brave face on the possibility of an enemy attack. And yes, Cracknell admitted grudgingly, he was handsome, as Maddy had said, in a bland sort of way; but Christ, so callow! Was O’Farrell deliberately trying to make his life as hard as possible? First an art correspondent, of all bloody things, now a youth so fresh-faced he looked as if he’d just been released from double Latin!
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