The Falconer’s Tale. Gordon Kent

back. He was making heavy going of it now, his feet coming down as if he were wearing boots, his hands too high on his chest. The too-big T-shirt blew around him. He had a beard and long, gray hair, also blowing, the effect that of some small-time wizard in a ragged white robe. Smiling, Piat put the binoculars to his eyes to enjoy this sorry sight, and when the focus snapped in, he realized with a shock that the runner was Hackbutt.

      The last time he had seen Hackbutt, he’d weighed about two-thirty and had had a sidewall haircut, smooth cheeks, and eyes like two raisins in a slice of very white bread. Now, there was the beard and the long hair, and the face had been carved down to planes that made his eyes look huge; his skin was almost brown, and he had lost a lot of weight—so much that his legs looked fragile. The T-shirt, Piat realized, must be one of his own from the old days.

      He still can’t run for shit, at least.

      Hackbutt toiled up toward him. Piat moved around to the rear of the car and leaned back against the trunk. The runner came on, his breathing hoarse and hard, his eyes on the crest. He was going to pass Piat without looking at him, Piat knew—eye contact had always been hard for the man, confronting new people a torment. Now, as he came almost even, Piat said, “Hey, Digger.”

      Hackbutt was the kind of nerd who actually did double takes. He might look like a wizard now, but inside was the same insecure fumbler. Still running, he looked aside toward Piat, looked away, then really looked back and, finally believing the evidence of his eyes, came to a stop with his mouth open and his T-shirt flapping. “Jack?” he said, breathing hard. He’d always known Piat as Jack Michaels.

      “Hey, man, you look good. Putting in the miles, that’s great.” Piat was still leaning on the car. He held out his hand. “Sight for sore eyes, Digger.”

      “Jeez, Jack, this is—” Hackbutt took a death grip on Piat’s hand. The guy was really strong. “I got your card, but I didn’t know when you were coming!” He grinned. “Wow, this is unbelievable!” Then they both said it was great, and unbelievable, and a long time.

      “You look good, Dig. Lost some weight, haven’t you?”

      “Some weight! Sixty pounds, Jack.” His breathing was getting better and he was able to stick his chest out. “Surprised?”

      “Amazing.”

      “Jeez, Jack, you haven’t changed. You look just the same. You look great.”

      “Little older, little grayer.” He grinned at Hackbutt. Piat was surprised to find he was pleased to see him. Good old, easy old Eddie Hackbutt. “Let me run you down to the house.” That was a slip; he shouldn’t have admitted he’d already seen the house. Hackbutt, however, didn’t notice; he was too busy shaking his head and frowning.

      “No, no, Irene wouldn’t like it. I can’t give in like that. Anyway, I’m just coming up on the big finish—over the hill and then I sprint to the front door.”

      Piat thought that would be worth seeing. Most of his concentration, however, was on Hackbutt’s “Irene.” Partlow’s file had said nothing about a wife, had mentioned only a “companion,” name unspecified. “Keeps your nose to the grindstone, does she?”

      Hackbutt’s face darkened. “No, it isn’t like that!” This was new—he’d grown a spine in fifteen years. “You’ll have to meet her.” And Hackbutt turned about and started his painful plod up the last hundred feet of the hill before his final sprint.

      Piat sat behind the wheel without starting the car; he wanted to let Hackbutt get home and tell “Irene” about meeting good old Jack. The house was no more than a third of a mile away—give the man four minutes. Five, so he could get out of that T-shirt. And Piat wanted to think: he’d made a mistake. He’d thought he’d told himself that Hackbutt would be changed, but he’d thought only that he’d be more like Hackbutt—fatter, nerdier—and not that he’d have reinvented himself as a skinny, bearded exercise freak. Or been reinvented by a woman named Irene, who now took on an importance that Piat hadn’t even guessed at.

      Losing my touch. Or getting rusty.

      He started the engine.

      Irene Girouard wore a long dress, as if she had something to hide, but otherwise she was very much in evidence. Piat thought that her first initial, I, probably summed her up, so he didn’t need the confirmation of the wallful of photographs that greeted him as soon as he was taken into the house.

      “Irene’s a photographer,” Hackbutt said. His tone said, I’m crazy about Irene.

      The photographs were all of Irene, taken by Irene. Irene’s left eye, Irene’s chin, Irene’s right knee, Irene’s vagina (oh, yes), Irene’s left breast in profile, full front, and close-up, emphasis on big nipple. Piat decided that the long dress wasn’t meant to hide her but to refer curiosity to the photos.

      “I’m doing an installation in Paris any time now.” Her voice had a hint of something foreign. “I just need to get my shit together and then it’s go any time I say so. Hackbutt’s gathering found objects for me.”

      Hackbutt smiled. “Irene’s going to be a household name.”

      “These are all, mm, you?” Piat said.

      “I don’t fuck around with false modesty. Yes, that’s my cunt, if that’s what you want to ask. The photos’ll be assembled on stuff we’ve found, mostly animal bones, to make a humanoid construction. I’m fastening the photos to the bones with barbed wire from an old fence he found.”

      “It’s called I Sing the Body Electric,” Hackbutt said.

      “Whitman,” she said.

      Piat thought of saying Whitman Who? but didn’t, aware that he didn’t like the woman at all, that she was going to be a problem, and at the same time finding a woman who took pictures of her own vagina perversely interesting. She also had a big, hearty, apparently healthy laugh, as if despite all the photos she was as sane as a stone and he ought to get to know her. For the sake of saying something, for the sake of having to put up with her, he said, “Are you going to cut the parts out of the photos when you, mm, barbed-wire them to the stuff?”

      “God, no, that would be so calculated!”

      That was just the central hall of the house, as far as they’d got at that point. There had been introductions, a pro forma question about something to drink—they didn’t drink tea or coffee, but they had water “from the hill” and juice, source not given—and then the photos, Hackbutt saying, as if they were the reason for the visit, “These are Irene’s photographs.”

      There was more of Irene throughout the house, Piat learned. Nobody picked up after him/herself, apparently, so parts of both of them were left where they fell: the living room, just to the left after you came in the front door, was thick with art magazines, falconry paraphernalia (Piat had bought a book in Glasgow, so he recognized the jesses, at least); batteries, probably used; a battery charger, plugged in but empty; a sizable number of animal bones; a plate that had held something oily. Four spindly plants in the windows, yearning for a sunnier climate. The kitchen, next behind the living room, was furnished mostly in dirty dishes, a camera, burned-down candles. Piat, himself scrupulously neat, wondered if he’d dare to eat anything that came out of it. On the right of the central hall were, first, a small bedroom (“You’re going to stay, aren’t you, Jack?”), then a closed door that led, he supposed, to their own bedroom, which he hoped they wouldn’t show him. He imagined dirty laundry in shoulder-high heaps. At the end of a corridor, another closed door hid what Hackbutt called “Irene’s studio.”

      Then it was out to see the birds, which were to Hackbutt as the photos were to Irene. They were hawks and falcons, different types that Piat couldn’t distinguish; hooded, silent, they sat on perches and occasionally turned their heads. Hackbutt insisted on feeding two of them for him to watch, and he demonstrated their training with one of them and an old sock that was supposed to represent a rabbit. Hackbutt almost had a glow around his head; his