The Complete Strain Trilogy: The Strain, The Fall, The Night Eternal. Guillermo Toro del

like, as best she could make out:

      “…… hhrrhhrrhhrrhhrrhhrrHERE.”

      She set down her headphones on the edge of the tarmac, hanging on to her filtered glasses for when the eclipse ended. She veered away from the Dumpsters and their rank garbage smell, instead going toward the large storage trailers. The sound seemed to be emanating not from inside the trailers, but maybe from behind them.

      She walked between two six-foot-tall containers and around an old decaying airplane tire, coming upon another row of older, pale green containers. Now she felt it. Not just heard the thrum but felt it, a nest of voices vibrating in her head and in her chest. Beckoning to her. She placed her hand on the containers but felt no pulsation there, then continued forward, slowing at the corner, leaning out.

      Set on top of the blown trash and uncut, sun-bleached grass was a large, ancient-looking, ornately carved black wooden box. She ventured into the small clearing, wondering why someone would throw such an obviously well-maintained antique all the way back here. Theft—organized and otherwise—was a fact of life at the airport; maybe someone had stashed it here, planning to swing by later to pick it up.

      Then she noticed the cats. The outer airport was crawling with wild cats. Some of them were pets who had escaped their transport cages. Many had simply been released onto airport property by locals looking to get rid of unwanted pets. Worst of all were the travelers who abandoned their cats at the airport rather than pay high kennel fees. Domestic cats who did not know how to fend for themselves in the wild, and who, if they avoided becoming prey to larger animals and survived, joined the colony of feral cats roaming the hundreds of acres of undeveloped airport property.

      The skinny cats all sat on their hindquarters, facing the cabinet. A few dozen of these mangy, dirty felines—until Lo looked at the trash-strewn tree and along the hurricane fence, and saw that there were in fact close to a hundred of these feral cats, sitting and facing the wooden box, paying her no attention.

      The box wasn’t vibrating, wasn’t emitting the noise she had been attuned to. She was mystified, after coming all this way, to discover something this strange here on the outskirts of the airport—and that was not, in fact, the source she was seeking. The thrumming chorus went on. Were the cats tuned in to it as well? No. Their focus was on the closed cabinet.

      She was starting to back away when the cats stiffened. The fur along their backs prickled—each of them, all at once. Their scabby heads all turned her way, one hundred pairs of wild cat eyes staring at her in the gloaming night-day. Lo froze, fearing an attack—and then a darkness fell over her, like a second eclipse.

      The cats turned and ran. They fled the clearing, claws grabbing willy-nilly at the high fence or scrambling through predug holes beneath it.

      Lo could not turn. She felt a rush of heat from behind her, as from an oven door when you open it. A presence. As she tried to move, the sounds in her head coalesced into one single horrible voice.

      “HERE.”

      And then she was lifted off the ground.

      When the legion of cats returned, they discovered her body with its head crushed, cast deep into their side of the hurricane fence like so much litter. The gulls had found her first—but the cats quickly scared them off and got right to work, hungrily shredding her clothes to get to the feast within.

      Knickerbocker Loans and Curios, East 118th Street, Spanish Harlem

      THE OLD MAN SAT BEFORE the three adjacent windows at the western end of his dimmed apartment, gazing up at the occluded sun.

      Five minutes of night in the middle of the day. The greatest naturally occurring celestial event in four centuries.

      The timing could not be ignored.

      But to what purpose?

      Urgency seized him like a fevered hand. He had not opened the shop that day, instead spending the hours since daybreak hauling things up from his basement workshop. Items and curiosities he had acquired over the years …

      Tools of forgotten function. Rare implements of obscure origin. Weapons of lost provenance.

      Why he sat here tired now, his gnarled hands aching. No one else but he could foresee what was coming. What was—by every indication—already here.

      No one else who would believe him.

      Goodfellow. Or Goodwilling. Whatever was the last name of that man who had spoken at the otherwise ridiculous news conference on the television, standing next to the doctor in the navy uniform. How cautiously optimistic all the others had seemed. Exulting over the four survivors, while claiming not to know the final tally of all the dead. We want to assure the public that this threat is contained. Only an elected official would dare to declare a thing safe and finished when he or she didn’t even know yet what it was.

      This man was the only one behind the microphones who seemed to think there might be more to this than a malfunctioning aircraft full of dead passengers.

      Goodwater?

      From the disease control center, the one in Atlanta. Setrakian didn’t know, but he thought his best chance might be with this man. Maybe his only chance.

      Four survivors. If they only knew …

      He looked out again at the glowing black disk in the sky. Like staring at an eye blinded by a cataract.

      Like staring into the future.

      Stoneheart Group, Manhattan

      THE HELICOPTER touched down on the helipad of the Stoneheart Group’s Manhattan headquarters, a building of black steel and glass in the heart of Wall Street. Its top three floors were occupied by Eldritch Palmer’s private New York residence, a regal penthouse constructed with onyx floors, its tables laden with Brancusis, its walls papered with Bacons.

      Palmer sat alone in the media room with the shades all drawn, the glowing black eyeball rimmed in fierce crimson and ringed with flaming white staring out at him from a seventy-two-inch viewing screen. This room, like his home in Dark Harbor and the cabin of his medical helicopter, was kept regulated at exactly sixty-two degrees.

      He could have gone outside. It was, after all, cold enough for him; he could have been taken up to the roof to witness the occultation. But technology brought him closer to the event itself—not the resulting shadow, but the image of the sun subordinated to the moon—that was the prelude to the devastation. His Manhattan sojourn would be brief. New York City would not be a very pleasant place to visit, not for much longer.

      He placed a few phone calls, a few discreet consultations over his secure line. His cargo had indeed arrived as expected.

      Smiling, he rose from his chair, walking slowly but straight at the giant viewing screen, as though it were not a screen at all but a portal he was about to step through. He reached out and touched the LCD screen over the image of the angry black disk, liquid pixels squirming bacteria-like beneath the wrinkled pads of his fingers. As though he were reaching through it to touch the eye of death itself.

      This occultation was a celestial perversion, a violation of the natural order. A cold, dead stone deposing a burning, living star. For Eldritch Palmer, it was proof that anything—anything, even the grossest betrayal of natural law—was indeed possible.

      Of all the human beings watching the occultation that day, in person or via broadcast around the globe, he was perhaps the only one rooting for the moon.

      JFK International Control Tower

      THOSE IN THE VIEWING CAB of the air-traffic-control tower 321 feet above the ground glimpsed the eerie sunsetlike twilight way off to the west, out beyond the reach of the great moon shadow, past the edge of the umbra. The brighter penumbra, illuminated by the sun’s blazing photosphere, had turned the distant sky yellow and orange, not unlike the healing edge of a wound.

      This