The Blind Man of Seville. Robert Thomas Wilson

was as close as he got to happiness these days and it held firm as he turned right after the Torre del Oro and, leaving the old part of the city behind, crossed the river, which was misty in the early-morning sunshine. At the Plaza de Cuba he veered away from his regular route to work and headed down Calle de Asunción. Later he would try to recapture these moments because they were the last of what he’d thought, until then, had been a quite satisfactory life.

      The new and very young Juez de Guardia, the duty judge, who’d been waiting for him in the pristine, white-marbled entrance hall of Raúl Jiménez’s large and expensive apartment on the sixth floor of the Edificio Presidente, did try to warn him. He remembered that.

      ‘Prepare yourself, Inspector Jefe,’ he’d said.

      ‘For what?’ Falcón had asked.

      In the embarrassed silence that followed, Inspector Jefe Javier Falcón had minutely scrutinized the surface detail of the Juez de Guardia’s suit, which he decided was either Italian or a leading Spanish designer, someone like Adolfo Dominguez, perhaps. Expensive for a young judge like Esteban Calderón, thirty-six years old and barely a year in the job.

      Falcón’s apparent lack of interest decided Calderón that he didn’t want to appear naive in front of the forty-five-year-old Inspector Jefe del Grupo de Homicidios de Sevilla, who’d spent more than twenty years looking at murdered people in Barcelona, Zaragoza, Madrid and now Seville.

      ‘You’ll see,’ he said, with a nervous shrug of his shoulder.

      ‘Shall I proceed then?’ asked Falcón, maintaining proper procedure with a judge he’d never worked with before.

      Calderón nodded and told him that the Policía Científica had just been let into the building and that he could go ahead with his initial observations of the scene.

      Falcón walked down the corridor leading from the entrance hall to Raúl Jiménez’s study thinking about preparing himself without knowing how it was done. He stopped at the door to the living room, frowned. The room was empty. He turned to Calderón who had his back to him now, dictating something to the Secretaria del Juez while the Médico Forense listened in. Falcón looked into the dining room and found that empty, too.

      ‘Were they moving out?’ he asked.

      ‘Claro, Inspector Jefe,’ said Calderón, ‘the only furniture left in the apartment is a bed in one of the kids’ rooms and Sr Jiménez’s complete study.’

      ‘Does that mean Sra Jimenéz is already in the new house with the children?’

      ‘We’re not sure.’

      ‘My number two, Inspector Ramírez, should be here in a few minutes. Send him straight through to me.’

      Falcón proceeded to the end of the corridor, suddenly conscious of each footstep on the polished parquet flooring in the empty apartment. His eyes were fixed on a hook on the bare wall at the end of the corridor under which was a square lighter than its surrounds, where a picture or mirror had been hanging.

      He eased his hands into a pair of surgical gloves, snapped the cuffs against his wrists and flexed his fingers. He turned into the study, looked up from his cloudy latex palms to find Raúl Jimenéz’s terrible face staring at him.

      And that was when it had started.

      It wasn’t a question of looking back at that moment and realizing later that it had been a turning point. The change was not subtle. A difference in body chemistry has a way of making itself immediately felt. Sweat came up inside his gloves and at a spot high on his forehead just out of the hairline. The taut pattering of his heart stopped him and he began to find oxygen in the air difficult to come by. He hyperventilated for some seconds, pinched at his throat to try to encourage a better intake. His body was telling him that there was something to fear while his brain was indicating otherwise.

      His brain was making the usual dispassionate observations. Raúl Jimenéz’s feet were bare, his ankles secured to the chair legs. Some furniture was out of place, at odds with the rest of the room. Indentations in the expensive rug, Persian, showed the normal position of the chair. The lead to the TV/video was stretched taut because the rolling cabinet was some metres from its normal position by the wall socket in the corner. A ball of cloth, which looked like socks tracked with saliva and blood, lay on the floor by the desk. Windows, double-glazed, were shut, curtains drawn back. A large soapstone ashtray sat on the desk, full of pinched stubs and whole, clean filters which had been broken off from the cigarettes whose pack lay alongside, brand name Celtas. Cheap cigarettes. The cheapest. Only the cheapest for Raúl Jimenéz, owner of four of the most popular restaurants in Seville, with two others in Sanlúcar de Barrameda and Puerto Santa María down on the coast. Only the cheapest for Raúl Jimenéz in his ninety-million-pesetas apartment in Los Remedios, overlooking the Feria ground, with his celebrity photographs hanging on the wall behind his leather-inlaid desk. Raúl with the torero El Cordobés. Raúl with the TV presenter Ana Rosa Quintana. Raúl, my God, Raúl with a carving knife behind a jamón which had to be a top quality Pata Negra because he was flanked by Antonio Banderas and Melanie Griffith, who was looking completely appalled at the cloven hoof pointing at her right breast.

      Still the sweat didn’t stop but appeared elsewhere. Top lip, small of the back, trickling down to his waist from his armpit. He knew what he was doing. He was pretending, persuading himself that it was hot in the room, that the coffee he’d just taken … He hadn’t had any coffee.

      The face.

      For a dead man it was a face with presence. Like El Greco’s saints whose eyes never left you alone.

      Were they following him?

      Falcón moved to one side. Yes. Then the other. Absurd. The tricks of the mind. He pulled himself together, clenched a latex fist.

      He stepped over the taut lead from the wall to the TV/video and went behind the dead man’s chair. He looked up to the ceiling and let his eyes fall on to Raúl Jiménez’s wire-wool hair. The back of the head was matted thick, black and red, from where he’d rammed his head repeatedly against the carved coat of arms on the chair back. The head was still secured to the chair with flex. Originally it must have been tight but Jiménez had gained some slack through his struggle. The flex had cut deeply into the flesh beneath his nose and had ridden up until it had bitten into the cartilaginous material of the septum and it had even sawn through that to reach the bone of the bridge. The nose was hanging off his face. The flex had also cut into the flesh over his cheekbones as he’d thrown his head from side to side.

      Falcón turned away from the profile only to see the full frontal in the blank TV screen. He blinked, wanting to close those staring eyes, which, even in reflection, penetrated. His stomach leapt at the thought of the horror images that had forced a man to do this to himself. Were they still there, burned on to the retina, or further back in the brain in some cubist digitalized state?

      He shook his head, unused to these wild thoughts interfering with his investigative coolness. He moved around to confront the gory face, not quite full on because the TV/video cabinet was up against the man’s knees, and, at this moment, Javier Falcón came up against his first physical failing. His legs would not bend. None of the usual motor messages could get beyond the roiling panic in his chest and stomach. He did what the Juez de Guardia had advised and looked out of the window. He noted the brightness of the April morning, remembered that restlessness as he’d got dressed in the shuttered dark, the uneasiness left after a long, lonely winter with too much rain. So much rain that even he had noticed how the city’s gardens had burgeoned to the density of jungle, to the richness of an abundant botanical exhibit. He looked down on the Feria ground, which two weeks from now would be transformed into a tented Seville crowded with casetas, marquees, for the week-long session of eating, drinking fino and dancing Sevillanas until dawn. He breathed in deeply and lowered himself to meet Raúl Jiménez’s face.

      The terrible staring effect was produced by the man’s eyeballs bulging out of his head as if he had a thyroid problem. Falcón glanced up at the photos. Jiménez was not bug-eyed in any of them. This was caused