XPD. Len Deighton

were an officer, were you?’

      ‘Captain. Just for the last weeks of my service. But I finally made captain. Captain MacIver; I had it painted on the door of my office. The goddamned sergeant from the paint shop came over and wanted to argue about it. But I told him that I’d waited too goddamned long for that promotion to pass up the right to have it on my office door. I made the signwriter put it on there, just for that final month of my army service.’ He gestured again, using the cigarette so that it left smoke patterns in the still air.

      Billy Stein nodded and pushed his magazine aside to give his full attention to the visitor. ‘Is it true you pitched for Babe Ruth?’

      ‘Your dad tell you, did he?’ MacIver smiled.

      ‘That was when you were at Harvard, was it, Mr MacIver?’ There was something in Billy Stein’s voice that warned the visitor against answering. He hesitated. The only sound was the rain; it hammered on the windows and rushed along the gutterings and gurgled in the rainpipes. Billy stared at him but MacIver was giving all his attention to his cigarette.

      Billy waited a long time, then he said, ‘You were never at Harvard, Mr MacIver; I checked it. And I checked your credit rating too. You don’t own any house in Palm Springs, nor that apartment you talked about. You’re a phoney, Mr MacIver.’ Billy Stein’s voice was quiet and matter of fact, as if they were discussing some person who was not present. ‘Even that car outside is not yours – the payments are made in the name of your ex-wife.’

      ‘The money comes from me,’ snapped MacIver, relieved to find at least one accusation that he could refute. Then he recovered himself and reassumed the easy, relaxed smile. ‘Seems like you out-guessed me there, Billy.’ Effortlessly he retrenched and tried to salvage some measure of advantage from the confrontation. The only sign of his unease was the way in which he was now twisting the end of his moustache instead of stroking it.

      ‘I guessed you were a phoney,’ said Billy Stein. There was no satisfaction in his voice. ‘I didn’t run any check on your credit rating; I just guessed you were a phoney.’ He was angry with himself for not mentioning the money that MacIver had had from his father. He had come across his father’s cheque book in the bureau and found the list of six entries on the memo pages at the back. More than six thousand dollars had been paid to MacIver between 10 December 1978 and 4 April 1979, and every cheque was made out to cash payment. It was that that had encouraged Billy’s suspicion.

      ‘I ran into a tough period last autumn; suppliers needed fast repayment and I couldn’t meet the deadlines.’

      ‘The diamonds that you bought here in town and sent to your contact man in Seoul?’ said Billy scornfully. ‘Was it five thousand per cent on every dollar?’

      ‘You’ve got a good memory, Billy.’ He smoothed his tie. ‘You’d be a tough guy to do business with. I wish I had a partner like you. I listen to these hard-luck stories from guys who owe me money and I melt.’

      ‘I bet,’ said Billy. Fierce gusts pounded the windows and made the rain in the gutters slop over and stream down the glass. There was a crackle of static like brittle paper being crushed, and a faint flicker of lightning lit the room. The sound silenced the two men.

      Billy Stein stared at MacIver. There was no malevolence in his eyes, no violence nor desire for argument. But there was no compassion there either. His private income and affluent life-style had made Billy Stein intolerant of the compromises to which less fortunate men were forced. The exaggerations of the old, the half-truths of the poor and the misdemeanours of the desperate found no mitigation in Billy Stein’s judgement. And so now Miles knew no way to counter the young man’s calm judicial gaze.

      ‘I know what you’re thinking, Billy … the money I owe your father. I’m going to pay every penny of it back to him. And I mean within the next six weeks or so. That’s what I wanted to see him about.’

      ‘What happens in six weeks?’

      Miles MacIver had always been a careful man, keeping a careful separation between the vague confident announcements of present or future prosperity – which were invariably a part of his demeanour – and the more stringent financial and commercial realities. But, faced with Billy Stein’s calm, patronizing inquiry, MacIver was persuaded to tell him the truth. It was a decision that was to change the lives of many people, and end the lives of several.

      ‘I’ll tell you what happens in six weeks, Billy,’ said MacIver, hitching his trousers at the knees and seating himself on the armchair facing the young man. ‘I get the money for the movie rights of my war memoirs. That’s what happens in six weeks.’ He smiled and reached across to the big china ashtray marked Café de la Paix – Billy’s father had brought it back from Paris in 1945. He dragged the ashtray close to his hand and flicked into it a long section of ash.

      ‘Movie rights?’ said Billy Stein, and MacIver was gratified to have provoked him at last into a reaction. ‘Your war memoirs?’

      ‘Twenty-five thousand dollars,’ said MacIver. He flicked his cigarette again, even though there was no ash on it. ‘They have got a professional writer working on my story right now.’

      ‘What did you do in the war?’ said Billy. ‘What did you do that they’ll make it into a movie?’

      ‘I was a military cop,’ said MacIver proudly. ‘I was with Georgie Patton’s Third Army when they opened up this Kraut salt mine and found the Nazi gold reserves there. Billions of dollars in gold, as well as archives, diaries, town records and paintings … You’d never believe the stuff that was there.’

      ‘What did you do?’

      ‘I was assigned to MFA & A, G-5 Section – the Monuments, Fine Arts and Archives branch of the Government Affairs Group – we guarded it while it was classified into Category A for the bullion and rare coins and Category B for the gold and silver dishes, jewellery, ornaments and stuff. I wish you could have seen it, Billy.’

      ‘Just you guarding it?’

      MacIver laughed. ‘There were five infantry platoons guarding the lorries that moved it to Frankfurt. There were two machine-gun platoons as back-up, and Piper Cub airplanes in radio contact with the escort column. No, not just me, Billy.’ MacIver scratched his chin. ‘Your dad never tell you about all that? And about the trucks that never got to the other end?’

      ‘What are you getting at, Mr MacIver?’

      MacIver raised a flattened hand. ‘Now, don’t get me wrong, Billy. No one’s saying your dad had anything to do with the hijack.’

      ‘One of dad’s relatives in Europe died during the war. He left dad some land and stuff over there; that’s how dad made his money.’

      ‘Sure it is, Billy. No one’s saying any different.’

      ‘I don’t go much for all that war stuff,’ said Billy.

      ‘Well, this guy Bernie Lustig, with the office on Melrose … he goes for it.’

      ‘A movie?’

      MacIver reached into his tartan jacket and produced an envelope. From it he took a rectangle of cheap newsprint. It was the client’s proof of a quarter-page advert in a film trade magazine. ‘What is the final secret of the Kaiseroda mine?’ said the headline. He passed the flimsy paper to Billy Stein. ‘That will be in the trade magazines next month. Meanwhile Bernie is talking up a storm. He knows everyone: the big movie stars, the directors, the agents, the writers, everyone.’

      ‘The movie business kind of interests me,’ admitted Billy.

      MacIver was pleased. ‘You want to meet Bernie?’

      ‘Could you fix that for me?’

      ‘No problem,’ said MacIver, taking the advert back and replacing it in his pocket. ‘And I get a piece of the action too. Two per cent of the producer’s profit; that could be a bundle, Billy.’

      ‘I couldn’t handle the technical