Unfinished Tales. Литагент HarperCollins USD

fell swiftly down towards the inner hills, and the ravine opened wider, and its sides became less sheer. Its long shoulders were mantled with white snow, and the light of the sky snow-mirrored came white as moonlight through a glimmering mist that filled the air.

Now they passed through the lines of the Iron Guards that stood behind the Gate; black were their mantles and their mail and long shields, and their faces were masked with vizors bearing each an eagle’s beak. Then Elemmakil went before them and they followed him into the pale light; and Tuor saw beside the way a sward of grass, where like stars bloomed the white flowers of uilos, the Evermind that knows no season and withers not; ²⁷ and thus in wonder and lightening of heart he was brought to the Gate of Silver.

The wall of the Fifth Gate was built of white marble, and was low and broad, and its parapet was a trellis of silver between five great globes of marble; and there stood many archers robed in white. The gate was in shape as three parts of a circle, and wrought of silver and pearl of Nevrast in likenesses of the Moon; but above the Gate upon the midmost globe stood an image of the White Tree Telperion, wrought of silver and malachite, with flowers made of great pearls of Balar. ²⁸ And beyond the Gate in a wide court paved with marble, green and white, stood archers in silver mail and white-crested helms, a hundred upon either hand. Then Elemmakil led Tuor and Voronwë through their silent ranks, and they entered upon a long white road, that ran straight towards the Sixth Gate; and as they went the grass-sward became wider, and among the white stars of uilos there opened many small flowers like eyes of gold.

      So they came to the Golden Gate, the last of the ancient gates of Turgon that were wrought before the Nirnaeth; and it was much like the Gate of Silver, save that the wall was built of yellow marble, and the globes and parapet were of red gold; and there were six globes, and in the midst upon a golden pyramid was set an image of Laurelin, the Tree of the Sun, with flowers wrought of topaz in long clusters upon chains of gold. And the Gate itself was adorned with discs of gold, many-rayed, in likenesses of the Sun, set amid devices of garnet and topaz and yellow diamonds. In the court beyond were arrayed three hundred archers with long bows, and their mail was gilded, and tall golden plumes rose from their helmets; and their great round shields were red as flame.

      Now sunlight fell upon the further road, for the walls of the hills were low on either side, and green, but for the snows upon their tops; and Elemmakil hastened forward, for the way was short to the Seventh Gate, named the Great, the Gate of Steel that Maeglin wrought after the return from the Nirnaeth, across the wide entrance to the Orfalch Echor.

      No wall stood there, but on either hand were two round towers of great height, many-windowed, tapering in seven storeys to a turret of bright steel, and between the towers there stood a mighty fence of steel that rusted not, but glittered cold and white. Seven great pillars of steel there were, tall with the height and girth of strong young trees, but ending in a bitter spike that rose to the sharpness of a needle; and between the pillars were seven cross-bars of steel, and in each space seven times seven rods of steel upright, with heads like the broad blades of spears. But in the centre, above the midmost pillar and the greatest, was raised a mighty image of the king-helm of Turgon, the Crown of the Hidden Kingdom, set about with diamonds.

      No gate or door could Tuor see in this mighty hedge of steel, but as he drew near through the spaces between its bars there came, as it seemed to him, a dazzling light, and he shaded his eyes, and stood still in dread and wonder. But Elemmakil went forward, and no gate opened to his touch; but he struck upon a bar, and the fence rang like a harp of many strings, giving forth clear notes in harmony that ran from tower to tower.

Straightway there issued riders from the towers, but before those of the north tower came one upon a white horse; and he dismounted and strode towards them. And high and noble as was Elemmakil, greater and more lordly was Ecthelion, Lord of the Fountains, at that time Warden of the Great Gate. ²⁹ All in silver was he clad, and upon his shining helm there was set a spike of steel pointed with a diamond; and as his esquire took his shield it shimmered as if it were bedewed with drops of rain, that were indeed a thousand studs of crystal.

      Elemmakil saluted him and said: ‘Here have I brought Voronwë Aranwion, returning from Balar; and here is the stranger that he has led hither, who demands to see the King.’

Then Ecthelion turned to Tuor, but he drew his cloak about him and stood silent, facing him; and it seemed to Voronwë that a mist mantled Tuor and his stature was increased, so that the peak of his high hood over-topped the helm of the Elf-lord, as it were the crest of a grey sea-wave riding to the land. But Ecthelion bent his bright glance upon Tuor, and after a silence he spoke gravely, saying: ³⁰ ‘You have come to the Last Gate. Know then that no stranger who passes it shall ever go out again, save by the door of death.’

      ‘Speak not ill-boding! If the messenger of the Lord of Waters go by that door, then all those who dwell here will follow him. Lord of the Fountains, hinder not the messenger of the Lord of Waters!’

      Then Voronwë and all those who stood near looked again in wonder at Tuor, marvelling at his words and voice. And to Voronwë it seemed as if he heard a great voice, but as of one who called from afar off. But to Tuor it seemed that he listened to himself speaking, as if another spoke with his mouth.

For a while Ecthelion stood silent, looking at Tuor, and slowly awe filled his face, as if in the grey shadow of Tuor’s cloak he saw visions from far away. Then he bowed, and went to the fence and laid hands upon it, and gates opened inward on either side of the pillar of the Crown. Then Tuor passed through, and coming to a high sward that looked out over the valley beyond, he beheld a vision of Gondolin amid the white snow. And so entranced was he that for long he could look at nothing else; for he saw before him at last the vision of his desire out of dreams of longing.

      Thus he stood and spoke no word. Silent upon either hand stood a host of the army of Gondolin; all of the seven kinds of the Seven Gates were there represented; but their captains and chieftains were upon horses, white and grey. Then even as they gazed on Tuor in wonder, his cloak fell down, and he stood there before them in the mighty livery of Nevrast. And many were there who had seen Turgon himself set these things upon the wall behind the High Seat of Vinyamar.

      Then Ecthelion said at last: ‘Now no further proof is needed; and even the name he claims as son of Huor matters less than this clear truth, that he comes from Ulmo himself.’ ³¹

      NOTES

1 In The Silmarillion p. 196 it is said that when the Havens of Brithombar and Eglarest were destroyed in the year after the Nirnaeth Arnoediad those of the Elves of the Falas that escaped went with Círdan to the Isle of Balar, ‘and they made a refuge for all that could come thither; for they kept a foothold also at the Mouths of Sirion, and there many light and swift ships lay hid in the creeks and waters where the reeds were dense as a forest’.

2 The blue-shining lamps of the Noldorin Elves are referred to elsewhere, though they do not appear in the published text of The Silmarillion. In earlier versions of the tale of Túrin, Gwindor, the Elf of Nargothrond who escaped from Angband and was found by Beleg in the forest of Taur-nu-Fuin, possessed one of these lamps (it can be seen in my father’s painting of that meeting, see Pictures by J. R. R. Tolkien, 1979, no. 37); and it was the overturning and uncovering of Gwindor’s lamp so that its light shone out that showed Túrin the face of Beleg whom he had killed. In a note on the story of Gwindor they are called ‘Fëanorian lamps’, of which the Noldor themselves did not know the secret; and they are there described as ‘crystals hung in a fine chain net, the crystals