The Taking. Dean Koontz

felt something,” she admitted. “But … what was it?”

      “Don’t have a clue.”

      He was not being candid with her, nor she with him.

      They had been formed by a culture drunk with the yearning for intergalactic contact, the bedrock of a new faith in which God was but a supporting player. Everyone knew the doctrines of this quasi-religion better than most people remembered the words of the Lord’s Prayer: We are not alone … watch the skies … the answer is out there. … They had been Spielberged and Lucased and Shyamalaned. A thousand movies and TV shows, ten thousand books, had convinced the world that the new magi would be scientists riding not to Bethlehem on camels but to a UFO landing site in mobile labs with satellite dishes on the roofs, and that the salvation of humanity would come from another planet rather than from a higher realm.

      Molly knew the signs as prophesied by Hollywood and by science fiction writers. Neil knew them, too.

      This September night lay deep inside the Close Encounter Zone. In this territory, alien technology was the only font of miracles.

      She didn’t want to put this understanding into words, however, and apparently neither did Neil. A pretense of bewilderment felt safer than candor.

      Perhaps their reticence had its roots in the fact that on this subject Hollywood offered two familiar scenarios—one in which the extraterrestrials were benign gods, one in which they were full of wrath and cruel judgment. Thus far, these recent events lacked the sweetness and the twinkle of G-rated family entertainment.

      Turning away from the window and from his inspection of the rain-choked sky, Neil said, “Not that we’ll need it … but I’ll get the shotgun.”

      Recalling the half-glimpsed, sinuous figure that had flashed darkly across the moldering room in the mirror, Molly retrieved her handgun from the vanity and said, “I’ll get some spare cartridges for this.”

       5

      ON THE KITCHEN TABLE LAY THE SHOTGUN and a box of shells. Beside it were the pistol, a spare magazine, and a box of 9-mm cartridges.

      Pleated window shades in the kitchen and the adjacent family room held back the night and the sight—though not the omnipresent sound—of the luminous rain.

      Molly couldn’t shake the feeling that the surrounding forest, previously a friendly woods, now harbored unknown hostile observers. Neil apparently shared her paranoia; he had helped her lower the shades.

      They both intuited that the mysterious forces at work in this drenched night were not restricted to these mountains. Simultaneously they reached for the TV remote, and Neil got it first.

      They stood in front of the big screen, watching, too agitated to settle into chairs.

      Television reception was not what it should be. Some channels were so afflicted with electronic snow that only ghostly images could be seen through the blizzard. Broken voices spoke distorted words.

      One of the twenty-four-hour cable-news networks offered better sound and a relatively clear picture that rolled and flickered only occasionally.

      The young woman—Veronica something—anchoring the news desk was as lovely as any movie starlet. Her eyes were avaricious, her smile as genuine as that of a mannequin.

      She traded unscripted commentary with a young man, Jack, who might have been a successful underwear model for Calvin Klein if he had not gone to journalism school and majored in broadcasting. His smile, quick to come and quick to falter, revealed bleached-white teeth as square as those of a cow.

      War, politics, crime, and even the doings of Hollywood royalty had been washed entirely off the news wires by freakish weather of an unprecedented nature and ferocity.

      During the night, unpredicted, the largest continuous storm front ever recorded had formed at sea with impossible speed. It had moved ashore along the entire west coast of the Americas—South, Central, and North.

      Reports of a curiously scented rain falling at the rate of four, five, and even six inches an hour had been received, corroborated. Within a few hours, low-lying cities all the way from Argentina to Alaska had begun suffering various degrees of flooding.

      Live satellite feeds from both exotic and familiar metropolitan areas, sometimes distorted or grainy, showed cars and trucks afloat in city streets that resembled canals. Families on the roofs of their half-submerged houses. Soggy hillsides sliding away in rivers of mud.

      Through every image, like pure-silver threads subtly woven in a tapestry, the luminous rain glimmered, so that Argentina and Alaska, and every point between, seemed unreal, revealed by dream light.

      Molly had never been a fan of catastrophic news. She found neither enlightenment nor entertainment value in watching disaster befall others. Usually she would have turned away from the TV, half sick with pity. In this case she sensed that her future was tied to the fate of the strangers on the screen.

      More recently, torrential rains had begun falling across Europe. Asia. Africa. From the arid Middle East, even from the parched sands of Saudi Arabia, came reports of rain in unprecedented volume. Video was expected shortly.

      Nothing in the breaking news warranted a smile. Manning their anchor desk, Veronica and Jack were nevertheless guided by the first rule of electronic journalism: Establish rapport with the audience; ingratiate yourself and make yourself welcome in their homes; be authoritative but nice, dignified but fun.

      Neither of them could entirely conceal the excitement of being junior talent, consigned to the graveyard shift, yet suddenly on-air as a huge story began breaking. Minute by minute, their audience was growing from maybe a hundred thousand insomniacs to perhaps millions of riveted viewers. You could almost hear them calculating the boost their careers would receive from this lucky timing.

      Although the precise nature and the seriousness of the current crisis remained unclear, field reports compensated with dramatic content for what they lacked in coherency.

      Six hours earlier, prior to the arrival of the rain along the coastline of the Americas, the crew of a French marine-research ship had witnessed the sudden birth of a spectacular waterspout three hundred miles southwest of Tahiti. The twister spun down from a cumulonimbus mass about three miles off the ship’s starboard flank, and grew with astonishing rapidity until the funnel point, sucking at the ocean, broadened to an estimated six hundred meters, more than a third of a mile.

      Digital video, shot by a crew member and uploaded through the vessel’s satellite link, revealed a formation of daunting size. A scientist aboard the research ship estimated that the tornado-like form measured three miles in diameter where the highest point of the vertical updraft disappeared into the clouds.

      “Sweet Jesus,” Neil whispered.

      In these scenes, neither the sea nor the massive column of water churning into the sky was touched by the mysterious luminescence.

      Nevertheless, the extraordinary rain, now drumming beyond the blinded windows, must somehow be related to this gigantic waterspout videotaped earlier in the far reaches of the South Pacific. Although Molly couldn’t understand the connection, the worldwide character of these events sharpened her anxiety.

      On TV, the raging Pacific vortex spun off mean weather. The day darkened rapidly, as if God had applied a heavy finger to a celestial rheostat. Great claws of lightning tore at the ocean.

      If the video frame had included any object with which to compare the funnel, the scale of the phenomenon would have been not merely breathtaking but terrifying. She could sense the cameraman’s fear when the twister began to move toward his ship.

      As if rocked with anger and pain as the lightning slashed its great dark hide, the sea thrashed and heaved. The ship dropped into a fearsome trough, a chasm.

      The bow dug into the floor of the trough. Tons of water broke