Whispers of Betrayal. Michael Dobbs

moment he was stunned. Was it so bloody obvious?

      ‘It would cause problems for me, of course,’ she continued, her lips puckering. ‘The Minister’s mistress. I’d become a cliché.’

      ‘Would that be a very great problem?’

      She stared at him directly, glints of orange fire in the marmalade. ‘I’d manage. If that’s what you wanted. In fact, old darling, I think I’d manage rather well.’

      The words hung between them, persisting. It was the first time they had admitted to each other, perhaps even to themselves, that they saw their futures together, as a team. This was not easy for either of them to admit. There was something often a little theatrical about Elizabeth, like Vivien Leigh, all extravagance and dramatic passion as though she had stepped out of ‘Gone With The Wind’ with high cheekbones and expressive lips that could squeeze submission from almost any man. But if so much of her life was an act, it was only because, in those secret places inside, she had spent much of her life feeling inadequate. She had first learnt the mechanics of satisfying a boy at the age of fourteen. She had also learnt of the potential consequences when, once satisfied, he had simply walked away. Abandoned her to the sniggers of his friends. Made her feel like a slut. She had decided there and then that if anyone was going to do the walking away after that, it would be her. She had been walking away ever since, from her ill-prepared university exams, from her ill-starred marriage, from any sort of personal commitment she felt she could not control – until Goodfellowe had come along on his bloody bike. He was different, confusing, didn’t run by the normal rules. He was both infuriating and fun. So maybe it would be different this time. Maybe.

      Goodfellowe understood some of this, although he had never been allowed to penetrate behind all the layers of tinsel. It meant that his love for her could never be a comfortable matter but, hell, he’d had years of respectable marriage, done the comfort thing and collected the T-shirts, all of which were starched and ironed and filled the locked matrimonial closet. He needed something different, not order and contentment but a challenge that would strip away the restraints and leave the T-shirts crumpled and torn, something that would allow the man beneath to show through.

      As he listened to her words about Ministerial office and advancement, an uneasy sensation scoured his stomach. At first he hoped it might be nothing more than the echo of an unfinished breakfast, but quickly it overwhelmed him. A sensation he hadn’t felt in so very long.

      Excitement.

      Twisting inside him once more.

      He had Elizabeth. And now, with her encouragement, once again he had that other inspiration missing from his life.

      He had ambition.

      The hour is late, well beyond evening. A solitary shaft of light cuts across the prep school lawn. The turf is immaculate, which is much more than can be said for Boris, the caretaker’s cat, a ginger-walnut tom with missing ear and the look of battles past, many of which he appears to have lost. He pauses, cautious, sniffing the air in suspicion before padding across the river of light.

      The old clock above the quad takes its time about striking ten, disturbing the screech owl that had found a perch on the weather vane. There is no disguising the fact that the bell is badly cracked, and getting worse. The entire clock tower is a disgrace, so dilapidated it will soon need replacing if Amadeus can find the money, or silencing if not. Another tedious battle which as bursar he will have to fight with the governors, hand to hand, a tussle that will soak up as much of his energy as did the recapture of ‘Full Back’ on Mount Longdon, and maybe leave as many scars.

      He turns up the volume of his CD player until the voices make his office vibrate. Not a problem, since there is no one left to disturb, apart from the cat and the owls. Mozart’s Requiem. The work of a dying man that was destined to be left behind, uncompleted. Amadeus has revisited this music many times recently, feeling its power, beginning to understand how wrathful the composer must have felt in his frustration, and sensing his fear. So much unfinished business.

      ‘… fac benigne ne perenni cremer igne,’ the chorus sang. ‘Grant that I burn not in everlasting fire.’

      How Amadeus loathes his job. A travesty of his talents. Surrounded by children who have no respect and teaching staff who show no interest, parading in their crumpled jackets and tatty liberalism. When he was interviewed for the post, the headmaster suggested he had no management experience. Sure, he didn’t know how many paper clips he had in his desk drawer. But he had planned a Para battle group assault with eight hundred men and heavy drop kit, all loaded onto twenty Hercules that were then flown five hundred miles and dropped on precisely the right bloody spot at exactly the right bloody time so that no one drowned or broke his fucking back. That wasn’t management, of course, not in Civvy Street. He’d just have to get used to such subtle distinctions. ‘Look, it’s an income,’ the Officers Association had encouraged when they pushed the bursar’s position at him. Yeah, but so was mugging grandmothers.

      He took the job because there was nothing else on offer at the time, apart from the still greater humiliation of his wife’s incessant nagging. And when he sat down and considered all the options, beneath all the doubts there was the bedrock of his pride. Amazing what a man’s pride could make him do.

      Amadeus turns from his post at the window and wanders back to his desk, a route he has crossed and recrossed at least a dozen times during the evening, restless, like a refugee. From beneath the puddle of light thrown by the solitary lamp upon his desk he retrieves the copy of the Telegraph, tightly folded to the letter page, which contains the reply that has been printed to his own. It comes from the Minister for Defence, Gerald Earwick. He reads it again, and still his soul burns.

      ‘… distortion of the truth … time for the country to decide, arms or Accident & Emergency wards … our duty to defend our hospitals and schools, our old and infirm … an end to feather-bedding in the armed forces.’

      On that night in the black snow on Mount Longdon, he had watched the youthful Argentinian conscript die, Scully’s bayonet stuck in an inch below his twelfth rib, the young man scrabbling uncomprehending at his emptying stomach while hope drained away between his fingers. Somehow it hadn’t seemed like a feather bed.

      ‘We should not allow the argument to be distorted,’ Earwick’s riposte continues, ‘by the self-interested pleading of a small number of disgruntled former officers. The truth of the matter is simple. The nation’s security remains safe in this Government’s hands.’

      He reads it yet again, even though every word has already dripped like acid across his heart. The music of the Day of Judgement echoes in his head.

      ‘Dies irae, dies illa, solvet saeclum in favilla … Nil inultum remanebit,’ they chant. ‘O, day of wrath, that day will dissolve the earth in ashes … Nothing will remain unavenged!’

      Nothing will remain unavenged. Eternal words that reach out across the ages. At last Amadeus stops his pacing. He pours himself a large whisky, a Talisker, neat, the colour of amber, sits at his desk and lights a cigarette. He drinks and inhales, both deeply. His mind reaches out to places far away but not so long ago. The slopes of Longdon with its stench of rotting fish. The drive through Sniper’s Alley in Mostar, and the ridge above Konjic where death jumped out of the virgin snow. Kigali, with its piles of bodies strewn like yesterday’s newspapers along the fetid roads, bloating in the sun. Places, and times, when he had been needed.

      The music has stopped. The only sound in the room is that of his breathing, which is deep, as though he has been running, or is about to start. Perhaps he should put it all behind him, bury his anger and wait for salvation in the life hereafter. But he can’t. Forgiving the enemy is for saints, or politicians, or oil companies. Not for him. For Amadeus, every dark corner hides an injustice, every breath grows into a sigh of protest.

      And while he breathes, he will not let it go.

      He sucks at his cigarette until it glows brightly, like a star shell hanging in the sky, illuminating the field of battle. Then one more drag before he grinds it out. He uses Earwick’s reply as an ashtray.