The Temptation of Jack Orkney: Collected Stories Volume Two. Doris Lessing

all these years particularly after bringing up two children so satisfactorily. She talks about his wife as if she’s a kind of nice old charwoman, and it wouldn’t be fair to sack her, you know. Anyway. What with one thing and another, Judith’s going off to Italy soon in order to collect herself.’

      ‘But how’s she going to pay for it?’

      ‘Luckily the Third Programme’s commissioning her to do some arty programmes. They offered her a choice of The Cid – El Thid, you know – and the Borgias. Well the Borghese, then. And Judith settled for the Borgias.’

      ‘The Borgias,’ I said. ‘Judith?’

      ‘Yes, quite. I said that too, in that tone of voice. She saw my point. She says the epic is right up her street, whereas the Renaissance has never been on her wavelength. Obviously it couldn’t be, all the magnificence and cruelty and dirt. But of course chivalry and a high moral code and all those idiotically noble goings-on are right on her wavelength.’

      ‘Is the money the same?’

      ‘Yes. But is it likely Judith would let money decide? No, she said that one should always choose something new, that isn’t up one’s street. Well, because it’s better for her character, and so on, to get herself unsettled by the Renaissance. She didn’t say that, of course.’

      ‘Of course not.’

      Judith went to Florence; and for some months postcards informed us tersely of her doings. Then Betty decided she must go by herself for a holiday. She had been appalled by the discovery that if her husband was away for a night she couldn’t sleep; and when he went to Australia for three weeks, she stopped living until he came back. She had discussed this with him, and he had agreed that, if she really felt the situation to be serious, he would dispatch her by air, to Italy, in order to recover her self-respect. As she put it.

      I got this letter from her: ‘It’s no use, I’m coming home. I might have known. Better face it, once you’re really married you’re not fit for man nor beast. And if you remember what I used to be like! Well! I moped around Milan. I sunbathed in Venice, then I thought my tan was surely worth something, so I was on the point of starting an affair with another lonely soul, but I lost heart, and went to Florence to see Judith. She wasn’t there. She’d gone to the Italian Riviera. I had nothing better to do, so I followed her. When I saw the place I wanted to laugh, it’s so much not Judith, you know, all those palms and umbrellas and gaiety at all costs and ever such an ornamental blue sea. Judith is in an enormous stone room up on the hillside above the sea, with grape vines all over the place. You should see her, she’s got beautiful. It seems for the last fifteen years she’s being going to Soho every Saturday morning to buy food at an Italian shop. I must have looked surprised, because she explained she liked Soho. I suppose because all that dreary vice and nudes and prostitutes and everything prove how right she is to be as she is? She told the people in the shop she was going to Italy, and the signora said, what a coincidence, she was going back to Italy too, and she did hope an old friend like Miss Castlewell would visit her there. Judith said to me: “I felt lacking, when she used the word friend. Our relations have always been formal. Can you understand it?” she said to me. “For fifteen years,” I said to her. She said: “I think I must feel it’s a kind of imposition, don’t you know, expecting people to feel friendship for one.” Well. I said: “You ought to understand it, because you’re like that yourself.” “Am I?” she said. “Well, think about it,” I said. But I could see she didn’t want to think about it. Anyway, she’s here, and I’ve spent a week with her. The widow Maria Rineiri inherited her mother’s house, so she came home, from Soho. On the ground floor is a tatty little rosticceria patronized by the neighbours. They are all working people. This isn’t tourist country, up on the hill. The widow lives above the shop with her little boy, a nasty little brat of about ten. Say what you like, the English are the only people who know how to bring up children, I don’t care if that’s insular. Judith’s room is at the back, with a balcony. Underneath her room is the barber’s shop, and the barber is Luigi Rineiri, the widow’s younger brother. Yes, I was keeping him until the last. He is about forty, tall dark handsome, a great bull, but rather a sweet fatherly bull. He has cut Judith’s hair and made it lighter. Now it looks like a sort of gold helmet. Judith is all brown. The widow Rineiri has made her a white dress and a green dress. They fit, for a change. When Judith walks down the street to the lower town, all the Italian males take one look at the golden girl and melt in their own oil like ice cream. Judith takes all this in her stride. She sort of acknowledges the homage. Then she strolls into the sea and vanishes into the foam. She swims five miles every day. Naturally. I haven’t asked Judith whether she has collected herself, because you can see she hasn’t. The widow Rineiri is match-making. When I noticed this I wanted to laugh, but luckily I didn’t because Judith asked me, really wanting to know: “Can you see me married to an Italian barber?” (Not being snobbish, but stating the position, so to speak.) “Well, yes,” I said, “you’re the only woman I know who I can see married to an Italian barber. “Because it wouldn’t matter who she married, she’d always be her own person. “At any rate, for a time,” I said. At which she said, asperously: “You can use phrases like for a time in England but not in Italy.” Did you ever see England, at least London, as the home of licence, liberty and free love? No, neither did I, but of course she’s right. Married to Luigi it would be the family, the neighbours, the church and the bambini. All the same she’s thinking about it, believe it or not. Here she’s quite different, all relaxed and free. She’s melting in the attention she gets. The widow mothers her and makes her coffee all the time, and listens to a lot of good advice about how to bring up that nasty brat of hers. Unluckily she doesn’t take it. Luigi is crazy for her. At mealtimes she goes to the trattoria in the upper square and all the workmen treat her like a goddess. Well, a film star then. I said to her, you’re mad to come home. For one thing her rent is ten bob a week, and you eat pasta and drink red wine till you bust for about one and sixpence. No, she said, it would be nothing but self-indulgence to stay. Why? I said. She said, she’s got nothing to stay for. (Ho ho.) And besides, she’s done her research on the Borghese, though so far she can’t see her way to an honest presentation of the facts. What made these people tick? she wants to know. And so she’s only staying because of the cat. I forgot to mention the cat. This is a town of cats. The Italians here love their cats. I wanted to feed a stray cat at the table, but the waiter said no; and after lunch, all the waiters came with trays crammed with leftover food and stray cats came from everywhere to eat. And at dark when the tourists go in to feed and the beach is empty – you know how empty and forlorn a beach is at dusk? – well, cats appear from everywhere. The beach seems to move, then you see it’s cats. They go stalking along the thin inch of grey water at the edge of the sea, shaking their paws crossly at each step, snatching at the dead little fish, and throwing them with their mouths up on to the dry sand. Then they scamper after them. You’ve never seen such a snarling and fighting. At dawn when the fishing boats come in to the empty beach, the cats are there in dozens. The fishermen throw them bits of fish. The cats snarl and fight over it. Judith gets up early and goes down to watch. Sometimes Luigi goes too, being tolerant. Because what he really likes is to join the evening promenade with Judith on his arm around and around the square of the upper town. Showing her off. Can you see Judith? But she does it. Being tolerant. But she smiles and enjoys the attention she gets, there’s no doubt of it.

      ‘She has a cat in her room. It’s a kitten really, but it’s pregnant. Judith says she can’t leave until the kittens are born. The cat is too young to have kittens. Imagine Judith. She sits on her bed in that great stone room, with her bare feet on the stone floor and watches the cat, and tries to work out why a healthy uninhibited Italian cat always fed on the best from the rosticceria should be neurotic. Because it is. When it sees Judith watching it gets nervous and starts licking at the roots of its tail. But Judith goes on watching, and says about Italy that the reason why the English love the Italians is because the Italians make the English feel superior. They have no discipline. And that’s a despicable reason for one nation to love another. Then she talks about Luigi and says he has no sense of guilt, but a sense of sin; whereas she has no sense of sin but she has guilt. I haven’t asked her if this has been an insuperable