Odd Interlude. Dean Koontz

Annamaria says, “What is it?”

      “The door is closed.”

      “To keep out the mercurial mechanic, Donny, about whom you have so effectively warned me.”

      “It only opens itself when I’m approaching it from outside.”

      “Your point being—what?”

      “I don’t know. I’m just saying.”

      I look at Raphael. Raphael looks at Annamaria. Annamaria looks at me. I look at the door. It remains closed.

      Finally, I take the knob in hand and open the door.

      She says, “I knew you could do it.”

      Gazing out at the night-shrouded motor court, where the trees discreetly shiver, I dread the bloodshed that I suspect I will be required to commit. “There’s no real harmony in Harmony Corner.”

      She says, “But there’s a corner in it. Make sure you’re not trapped there, young man.”

       Four

      IN CASE I AM BEING WATCHED, I DON’T immediately continue my snooping, but return to my cottage and lock the door behind me.

      Not many years ago, nearly 100 percent of people who thought they were being constantly watched were certifiable paranoids. But recently it was revealed that, in the name of public safety, Homeland Security and more than a hundred other local, state, and federal agencies are operating aerial surveillance drones of the kind previously used only on foreign battlefields—at low altitudes outside the authority of air-traffic control. Soon, the bigger worry will not be that, as you walk your dog, you are secretly being watched but that the rapidly proliferating drones will begin colliding with one another and with passenger aircraft, and that you’ll be killed by the plummeting drone that was monitoring you to be sure that you picked up Fido’s poop in a federally approved pet-waste bag.

      Having returned to my cottage, I consider switching on the TV to a channel running classic movies, to see if Katharine Hepburn or Cary Grant will suggest that I should sleep. But the caffeine will soon pin my eyelids open, and I suspect that I need to be at least on the brink of nodding off before the invader—whoever or whatever it might be—can access me through the television.

      I switch off most of the lights, so that from outside it might appear that I’m finished exploring Harmony Corner and am leaving one lamp aglow as a night-light. Sitting on the edge of the bed, I eat a candy bar.

      One of the benefits of living in almost constant jeopardy is that I don’t need to worry about things like cholesterol and tooth decay. I’m sure to be killed long before my arteries can be closed by plaque. As for dental cavities, I tend instead to lose my teeth in violent confrontations. Not yet twenty-two, I already have seven teeth that are man-made implants.

      I eat the second candy bar. Soon, thanks to all the sugar and caffeine, I should be so wired that I’ll be able to receive the nearest tower-of-power radio broadcast through the titanium pins that lock those seven artificial teeth into my jawbone. I hope it won’t be a greatest-hits station specializing in seventies disco tunes.

      I switch off the last lamp, which is on a nightstand.

      Beyond the bed, in the back wall of the cottage, one crank-operated casement window offers a view of the night woods. The two panes open inward to provide fresh air, and a screen keeps out moths and other pests. The screen is spring-loaded from the top and easily removed. From outside, I reinstall it with little noise.

      The final aspect of my sixth sense is what Stormy called psychic magnetism. If I need to find someone whose whereabouts I do not know, I keep his name at the forefront of my thoughts and his face in my mind’s eye. Then I walk or bicycle, or drive, with no route intended, going where whim takes me, although in fact I am being drawn toward the needed person by an uncanny intuition. Usually within half an hour, often faster, I locate the one I seek.

      Psychic magnetism also works—although less well—when I’m searching for an inanimate object, and occasionally even when I’m searching for a place that I can name only by its function. For instance, in this case, wandering behind the arc of cottages and through the moonlit woods, I keep in mind the word lair.

      A unique Presence is at work in Harmony Corner, someone or something that can travel by television and push a drowsy man into deep sleep, entering his dreams with the expectation that, while he sleeps, his lifetime of memories can be read, his mind searched as easily as a burglar might ransack a house for valuables. That entity, human or otherwise, must have a physical form, for in my experience no spirit possesses such powers. This creature resides somewhere, and considering its seemingly predatory nature, where it resides is best described as a lair rather than a home.

      Soon I arrive at the end of the woods, beyond which the grassy land descends in pale, gentle waves toward the shore, perhaps three hundred yards distant. Incoming from the west, dark waves of a more transitory nature ceaselessly disassemble themselves on the sand. The declining moon silvers the knee-high grass, the beach, and the foam into which the breaking waves dissolve.

      I am overlooking a cove. On the highlands to the north are the lights of the service station and the diner. A black ribbon, perhaps a lane of pavement, unspools from behind the diner, through the moon-frosted grass, diagonally over the descending series of slopes and along the vales, to a cluster of buildings just above the beach, near the southern end of the cove.

      They appear to be seven houses, one larger than the other six, but all of generous size. In two of the structures, a few windows glow with lamplight, but five houses are dark.

      If the extended Harmony family, including sons-in-law and daughters-in-law, staff the enterprises just off the coast highway, twenty-four hours a day, seven days a week, they will live nearby. This must be their private little enclave of homes, a picturesque and privileged place to live, though somewhat remote.

      Although this is a mild January, snakes are most likely not as active in these meadows as they will be in warmer seasons, and especially not in the coolness of the night. I particularly dislike snakes. I was once locked overnight in a serpentarium where many specimens had been released from their glass viewing enclosures. If they had offered me apples from the tree of knowledge, I might have hoped to cope with that, but they wanted only to inject me with their venom, denying me the chance to undo the world’s disastrous history.

      I wade down through the sloping meadows, grass to my knees, until I come, unbitten by lurking serpents and unscathed by plummeting drones, to the blacktop lane, which I follow toward the houses.

      They are charming Victorian homes graced with generous porches and decorative millwork—some call it gingerbread—exuberantly applied. In the moonlight, they all appear to be in the Gothic Revival style: asymmetrical, irregular massings with steeply pitched roofs that include dormer windows, other windows surmounted by Gothic arches, and elaborately trimmed gables.

      Six houses stand side by side on big lots, and the seventh—which is also the largest—presides over the others from a hilltop, thirty feet above them and a hundred feet behind. Lights are on in a second-floor room of the dominant residence, and also in several rooms on the ground floor in the last of the six front-row dwellings.

      At first I feel pulled toward that last house on the lane. As I reach it, however, I find myself continuing past the end of the pavement and down a slope, along a rutted dirt track on which broken seashells crunch and rattle underfoot.

      The beach is shallow, bordered by a ten-foot bank overgrown with brush, perhaps wild Olearia. About three feet high, the waves crest late, collapsing abruptly with a low rumble, as if slumbering dragons are grumbling in their sleep.

      Thirty feet to the north, movement catches my eye. Alert to my arrival, someone drops to a crouch on the sand.

      Reaching under my sweatshirt, I draw the pistol from the small of my back.

      I