Odd Apocalypse. Dean Koontz

are people to whom I never listen. If I listened to them, I would already be dead.

      Regardless of the weather, even under an ordinary sky, daylight in Roseland seemed to be the product of a sun different from the one that brightened the rest of the world. Here, the familiar appeared strange, and even the most solid, brightly illuminated object had the quality of a mirage.

      Afoot at night, as now, I had no sense of privacy. I felt that I was followed, watched.

      On other occasions, I had heard a rustle that the still air could not explain, a muttered word or two not quite comprehensible, hurried footsteps. My stalker, if I had one, was always screened by shrubbery or by moonshadows, or he monitored me from around a corner.

      A suspicion of homicide motivated me to prowl Roseland by night. The woman on horseback was a victim of someone, haunting Roseland in search of justice for her and her son.

      Roseland encompassed fifty-two acres in Montecito, a wealthy community adjacent to Santa Barbara, which itself was as far from being a shantytown as any Ritz-Carlton was far from being mistaken for the Bates Motel in Psycho.

      The original house and other buildings were constructed in 1922 and ’23 by a newspaper mogul, Constantine Cloyce, who was also the cofounder of one of the film industry’s legendary studios. He had a mansion in Malibu, but Roseland was his special retreat, an elaborate man cave where he could engage in such masculine pursuits as horses, skeet shooting, small-game hunting, all-night poker sessions, and perhaps drunken head-butting contests.

      Cloyce had also been an enthusiast of unusual—even bizarre—theories ranging from those of the famous medium and psychic Madame Helena Petrovna Blavatsky to those of the world-renowned physicist and inventor Nikola Tesla.

      Some believed that Cloyce, here at Roseland, had once secretly financed research and development into such things as death rays, contemporary approaches to alchemy, and telephones that would allow you to talk to the dead. But then some people also believe that Social Security is solvent.

      From the edge of the eucalyptus grove, I gazed up the long easy slope toward the main house, where Constantine Cloyce had died in his sleep in 1948, at the age of seventy. On the barrel-tile roof, patches of phosphorescent lichen glowed in the moonlight.

      Also in 1948, the sole heir to an immense South American mining fortune bought Roseland completely furnished when he was just thirty and sold it, furnished, forty years later. He was reclusive, and no one seems to have known much about him.

      At the moment, only a few second-floor windows were warmed by light. They marked the bedroom suite of Noah Wolflaw, who had made his considerable fortune as the founder and manager of a hedge fund, whatever that might be. I’m reasonably sure that it had something to do with Wall Street and nothing whatsoever to do with boxwood garden hedges.

      Now retired at the age of fifty, Mr. Wolflaw claimed to have sustained an injury to the sleep center in his brain. He said that he hadn’t slept a wink in the previous nine years.

      I didn’t know whether this extreme insomnia was the truth or a lie, or proof of some delusional condition.

      He had bought the residence from the reclusive mining heir. He restored and expanded the house, which was of the Addison Mizner school of architecture, an eclectic mix of Spanish, Moorish, Gothic, Greek, Roman, and Renaissance influences. Broad, balustraded terraces of limestone stepped down to lawns and gardens.

      In this hour before dawn, as I crossed the manicured grass toward the main house, the coyotes high in the hills no longer howled, because they had gorged themselves on wild rabbits and slunk away to sleep. After hours of singing, the frogs had exhausted their voices, and the crickets had been devoured by the frogs. A peaceful though temporary hush shrouded this fallen world.

      My intention was to relax on a lounge chair on the south terrace until lights appeared in the kitchen. Chef Shilshom always began his workday before dawn.

      I had started each of the past two mornings with the chef not solely because he made fabulous breakfast pastries, but also because I suspected that he might let slip some clue to the hidden truth of Roseland. He fended off my curiosity by pretending to be the culinary world’s equivalent of an absentminded professor, but the effort of maintaining that pretense was likely to trip him up sooner or later.

      As a guest, I was welcome throughout the ground floor of the house: the kitchen, the dayroom, the library, the billiards room, and elsewhere. Mr. Wolflaw and his live-in staff were intent upon presenting themselves as ordinary people with nothing to hide and Roseland as a charming haven with no secrets.

      I knew otherwise because of my special talent, my intuition, and my excellent crap detector—and now also because the previous twilight had for a minute shown me a destination that must be a hundred stops beyond Oz on the Tornado Line Express.

      When I say that Roseland was an evil place, that doesn’t mean I assumed everyone there—or even just one of them—was also evil. They were an entertainingly eccentric crew; but eccentricity most often equates with virtue or at least with an absence of profoundly evil intention.

      The devil and all his demons are dull and predictable because of their single-minded rebellion against truth. Crime itself—as opposed to the solving of it—is boring to the complex mind, though endlessly fascinating to the simpleminded. One film about Hannibal Lecter is riveting, but a second is inevitably stupefying. We love a series hero, but a series villain quickly becomes silly as he strives so obviously to shock us. Virtue is imaginative, evil repetitive.

      They were keeping secrets at Roseland. The reasons for keeping secrets are many, however, and only a fraction are malevolent.

      As I settled on the patio lounge chair to wait for Chef Shilshom to switch on the kitchen lights, the night took an intriguing turn. I do not say an unexpected turn, because I’ve learned to expect just about anything.

      South from this terrace, a wide arc of stairs rose to a circular fountain flanked by six-foot Italian Renaissance urns. Beyond the fountain, another arc of stairs led to a slope of grass bracketed by hedges that were flanked by gently stepped cascades of water, which were bordered by tall cypresses. Everything led up a hundred yards to another terrace at the top of the hill, on which stood a highly ornamented, windowless limestone mausoleum forty feet on a side.

      The mausoleum dated to 1922, a time when the law did not yet forbid burial on residential property. No moldering corpses inhabited this grandiose tomb. Urns filled with ashes were kept in wall niches. Interred there were Constantine Cloyce, his wife, Madra, and their only child, who died young.

      Suddenly the mausoleum began to glow, as if the structure were entirely glass, an immense oil lamp throbbing with golden light. The Phoenix palms backdropping the building reflected this radiance, their fronds pluming like the feathery tails of certain fireworks.

      A volley of crows exploded out of the palm trees, too startled to shriek, the beaten air cracking off their wings. They burrowed into the dark sky.

      Alarmed, I got to my feet, as I always do when a building begins to glow inexplicably.

      I didn’t recall ascending the first arc of stairs or circling the fountain, or climbing the second sweep of stairs. As if I’d been briefly spellbound, I found myself on the long slope of grass, halfway to the mausoleum.

      I had previously visited that tomb. I knew it to be as solid as a munitions bunker.

      Now it looked like a blown-glass aviary in which lived flocks of luminous fairies.

      Although no noise accompanied that eerie light, what seemed to be pressure waves broke across me, through me, as if I were having an attack of synesthesia, feeling the sound of silence.

      These concussions were the bewitching agent that had spelled me off the lounge chair, up the stairs, onto the grass. They seemed to swirl through me, a pulsing vortex pulling me into a kind of trance. As I discovered that I was on the move once more, walking uphill, I resisted the compulsion to approach the mausoleum—and was able to deny the power that drew me forward. I halted and held my ground.