Название | Ring Road: There’s no place like home |
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Автор произведения | Ian Sansom |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007402472 |
The sky was erased and empty, high above the red-brick new estates, as Davey Quinn pushed open the rusty gate – which used to be red – and went to ring on the door of his family home, the prodigal returning. The varnish on the poker-worked wooden sign by the door has long since peeled away, revealing the natural grain of the wood, made pale by the sun and the wind, and swollen by rain, but the house name is scorched deep enough and black enough, and you can still see it clearly from the road: Dun Roamin’.
*Hugh Scullion, it should be explained, for those from out of town, is a man with a mission and a man with a mission statement (see the Impartial Recorder, 4 December 1999, ‘Principal’s Millennium Message’). Hugh has many, many chins and he wears novelty socks. He has a B.Ed, and an M.A., and twenty years solid in RE. behind him, but most importantly he has energy and he has opinions, and he has made our Institute what it is today, a county-wide centre of excellence, a ‘provider of a full portfolio of Higher and Further Education programmes’ according to its prospectus, and where once the Quinns were pushed and squeezed and forced out into the world it is now possible to take a night class in Computing or in Accounting or in various Beauty Therapies, taught by accredited professionals, and with concessionary fees available. Early booking advised. Enrolment throughout the year.
Some of the Institute’s courses are, of course, more popular than others: Conversational Italian, for example (Thursdays, 7.30–9, in the Union building), taught by the town’s remaining Italian, Francesca, daughter of the Scarpettis, who themselves returned to Italy long ago, while Francesca remained and married a local man, Tommy Kahan, a local police officer and the proud possessor of what is almost certainly the town’s only degree in sociology. Francesca herself is now of a certain age but of undiminished charms and her class is always oversubscribed. Philosophy for Beginners, on the other hand (Wednesdays, 7.30–9, in the demountable behind the main Union building), taught by Barry McClean, the local United Reformed Church minister, is consistently cancelled, due to lack of interest: he’s under pressure to change the course title in the Institute brochure to something like ‘Money, Sex and Power’, which should draw in the crowds, and then he could teach them the Nicomachean Ethics, Kant’s Critique of Practical Reason and Nietzsche’s Beyond Good and Evil just the same. Class numbers would probably fall off in the first couple of weeks, but all fees are paid up front, so by the time the students realised it’d be too late. This raises an ethical dilemma for Barry, but Hugh Scullion has pointed out that the only ethical dilemma he’s facing at the moment is whether or not to do away with the teaching of philosophy altogether and to replace it with more courses in subjects that people actually want to study, such as Leisure and Hospitality Management, and Music Technology. Barry is currently seeking advice and consolation in the pre-Socratics. His wife is encouraging him to take more of an interest in gardening. Fortunately, the Institute runs courses and Barry is entitled to a discount.
* Philosophy for Beginners, Week 1, ‘Ethics’.
† Philosophy for Beginners, Week 2, ‘Metaphysics’.
* He certainly did not need Prince’s Lovesexy, he realised, or Deacon Blue’s Raintown, or the Smiths’ World Won’t Listen, or Simple Minds’ Once Upon a Time, or Marillion, or the Fatima Mansions, or Lloyd Cole and the Commotions, or Blue Oyster Cult, or the Cult, or John Cougar Mellencamp’s The Lonesome Jubilee, or Edie Brickell and the New Bohemians’ Shooting Rubber Bands at the Stars, CDs he could not possibly imagine or remember himself ever having wanted or set out to buy, nor any of the dozens of home-made compilation tapes marked simply ‘Various’, or ‘Happy Daze’, or ‘Paul and Keith’s Rave Spesh’, on grubby BASF Chrome Extra II (90), and SONY HF and BHF (90), and red and white TDK D90, and Memorex dBS+, and AGFA F-DXI-90 and featuring almost exclusively the music of James, the Stone Roses, the Wonder Stuff, REM, and the Housemartins, and also, invariably, Primal Scream’s ‘Loaded’, The Farm’s ‘Groovy Train’ and Carter the Unstoppable Sex Machine’s ‘Sheriff Fatman’.
A short account of Bob Savory – his life, his times, his knives, his mother, his capacity for self-enriching, self-reproach and his famous bill of fare
The wind would near have knocked you over. It was gale-force. Bob Savory lost two trees in his grounds: an oak that was older even than the house, and a silver birch by the far pond. Bob has grounds and an old house. He has ponds both near and far. Bob is an old friend and, much more than any of the rest of us, Bob has made it. Bob has it all. Bob has trees that are not leylandii. Bob has done what seems so difficult to us, but which seems so natural to him: he has made money.
Bob is a successful local businessman, possibly the most successful local businessman around here since the titled landowners and gentlemen farmers and the great whiskered industrialists of centuries past, when our town used to make all its own and look after itself, when you might be able to sit down in your local after a long day’s work and eat local cheese with your local bread and your local pint in your local tweeds and your local linens round a roaring fire made from the local logs and then nip upstairs to get a good old-fashioned seeing-to and a local disease from a good old local girl, and you’d probably be dead by the time you were forty.
There were reminders of those good old days everywhere when we were growing up, from the big brick warehouses up on Moira Avenue and the polished red granite-fronted offices on High Street, with their huge carved bearded heads over the ornate archways, right down to the hole-in-the-wall boot scrapers and the cast-iron corner bollards and the old drinking fountains at the bottom of Main Street by the Quality Hotel, served by taps in beautiful shell-shaped niches, and the big stone trough for horses, which were all removed for the car park and road-widening scheme years ago, and which no one has seen since – although some people say they now sit as ornaments in the garden of our ex-mayor and council chairman, Frank Gilbey, a man who presided over twenty years of unrestrained and unrestricted planning and development during the last decades of the twentieth century, a man whose name will live on as the mayor who cut the ribbon on the ring road and opened Bloom’s, the mall, and changed for ever the face of our town. Everyone knows the name of Frank Gilbey, a man who owns a chain of hairdressers and lingerie shops throughout the county, and who has a roundabout on the ring road named after him. His name will live on, Councillor Frank Gilbey, while the names of those nineteenth-century giants, the great entrepreneurs and philanthropists of the past, which once were everywhere – Joseph King and Samuel Jelly and James Whisker, written above offices and shops, and given to parks and streets and community halls, and on all our school cups and certificates – are now hidden and obliterated.
Bob Savory’s fame and fortune may not last for ever but for the moment he is rich and famous and successful, an intimate even of Frank Gilbey’s, a business associate, a partner with Frank, in fact, in a number of prestigious developments, a local son to be proud of, and when people ask him what is the secret of his success – which they do, about once a month, in the Impartial Recorder, our local paper, which likes to do its best for local business and for whom Bob is about the closest thing we have to a living, breathing, home-grown celebrity, with all his own hair and an actual jawline – he