Torn Water. John Lynch

quickly with deft thrusts of their hands.

      At one point a man stopped by the table. He knew the builder and greeted him with a soft punch on his shoulder. ‘Hi, Clive, how's it hanging?’ He had only one eye, and the left side of his face was disfigured by a twisted mesh of scars.

      Clive greeted the man as ‘Nelson’, then winked at James's mother and laughed. James couldn't take his eyes off him. He thought Nelson looked like a mannequin after it had been caught in a shop blaze. The man was drunk and at one point threw a look at James, staring at him with his one good eye, his head bobbing to a jaunty tune it seemed that only he could hear. James remembers trying to avoid looking at the scar, the dense shadow that nestled there.

      Before he left Nelson turned to Clive and stuck out a hand. After a moment Clive reached into his pocket and placed a few coins in the man's palm. James watched him walk away, and noted that he hadn't said thanks, just took the money and moved on to the next table and hit a small wiry man who sat there a punch of greeting on the shoulder. James had been put at a small side-table, next to his mother's larger one, and given a Lucozade and a bag of crisps. He remembers his feet dangling from his chair, banging against its steel limbs. He watched as Clive and his mother sat and sipped their drinks, staring into the middle distance like people who had just suffered a loss.

      As soon as they had finished, one of the young waiters was called over and a new tray of drinks arrived.

      Periodically Clive would throw a hopeful glance at James's mother. James remembers how her eyes glittered. She looked as if her mind was hunting, stalking some hidden paradise, far beyond the thin walls of her life.

      By the end of the evening they had been joined by a young red-headed man, his skin the colour of milk. He sat beside James's mother and seemed to know her quite well, a little sly smile coming to his face whenever he spoke to her. James can remember watching the three, from his side-table, sipping his flat Lucozade noting how their bodies were halved by the table-top. He became fascinated by the shuffling dance of their legs beneath it, seeing the red-head's feet slide to within inches of his mother's, his right foot begin tickling her ankle knot. Above, in the more visible half, he saw a smile flash across her lips and watched as she dipped her head.

      ‘I love this woman …’ Clive said suddenly, his body trembling with the force of his declaration. He leant into the middle of the table. He was now inches from the young man's face. ‘I fucking love this woman.’

      This time it had the force of a confessional whisper, an offered secret, and James watched as, beneath the table, his mother allowed the young red-head's hand to advance slowly along the creamy run of her thigh.

      James remembers feeling sorry for Clive. He felt anger towards his mother, a hard violent anger that wanted to stamp on the woman that had risen from the froth of beer and the snatched swallows of gin.

      So, later that night, as he slowly opened an eye and peered at Clive sitting at the end of his bed, he felt fear give way to pity. He remembers seeing his bare torso glistening like lard in the moonlight, one hand laid across his belly. He was crying. He seemed to be saying something half to himself, half to the sleeping world. How long he sat there James cannot remember, but eventually his eyes closed, the big man's mutterings lowering him into sleep. He never saw Clive again, and knew better than to enquire as to his whereabouts. Sometimes he thought of him, and saw him lumbering across the landscape of his life, half of it hidden, the other half too painful to behold.

      ‘Glad I'm back, kid. I tell you what, I aim to be here a while this time.’

      He is in the kitchen, filling the kettle. Sully has followed him into the house, leaving his stash of freshly thieved logs.

      ‘Listen, kid …’

      James notices that Sully always addresses him as if they were characters in a Western, opening his shoulders and squinting into the middle distance, especially when he feels unsure. It irritates James: it makes him feel as if Sully isn't really seeing him, that he is just something in the way.

      ‘Those logs will come in handy on the long nights.’

      James doesn't reply, pretending not to hear.

      Sully sticks his oil-stained hands under the running tap. ‘I said – ’

      ‘I'm not interested.’ James looks deep into his eyes.

      Sully just looks back and for a moment they stay that way as if they are lovers about to kiss. Then Sully says, ‘Holy cow! If looks could kill, kid, I'd be a dead man.’

       Death for the Burning Power of His Mother's Love

      They thought I didn't know. They thought I didn't see, They had plans and they didn't include me. After all I had done for her. Everything is clear to me now. She never loved me. She thinks only of herself, like he did, You see, they were one of a kind. As I stand here on the scaffold I think of all the times I have cared for her, looked out for her, I was her guardian, I know it sounds silly, a young son being his parent's guardian, but that's the way it was. That's the way it has always been.

       I thought he had gone for good. I thought that we had seen the last of the smug, slap-happy Sully, I was wrong. I knew then something had to be done, that drastic measures were required to stop this man in his tracks. A small crowd has gathered. Some of the men in the crowd shout insults at me. All night long I have waited for this moment, listening from my cell as the workmen put the final touches to the wooden scaffold outside.

       I think of the knife I stuck into Sully's heart, the knife that now lies at the bottom of the lake. I think of it buried in the silt. I think of the look of dismay that creased his face as the blade dug deep into his chest. I think of how I had used it to skin him, to gut him, and the hook to hang his carcass from the beam in our outhouse, just like the pig he brought home for her once.

       I hear the trapdoor snap open and feel my feet plummet from me and a hard crack travel from the base of my spine as my neck breaks. Through the last thrashing spasms of my body I hear her call my name and see her face lift towards mine, but by then I am far beyond her, swimming in the depths of the lake, pushing down towards my gashed love for her, which lies buried hilt deep in the soft heart of the lake's bed.

       3. Teezy

      ‘Don't say anything.’

      ‘I won't.’

      ‘Come on, Jimmy, don't be like that.’

      ‘Like what?’

      ‘You know full well like what. Just don't say anything to her about Sully.’

      ‘All right.’

      ‘I just don't want to get into it with her. Sticking her nose in.’

      ‘All right, Mum. All right.’

      They are driving to his aunt Teezy's. A week has passed since Sully's return and his mother has been lost to him. She has run to the sanctuary of Sully's arms and hidden from him there. The pile of logs has stayed where it was dumped, bringing impatient looks from some of the neighbours, and one or two loud grunts of disapproval from Mrs McCracken across the way.

      He is fond of Teezy. She is his ally. She is his great-aunt, his grandfather's sister, his father's aunt. His grandfather died before he was born. He had been a brickie, segmenting the world into brick-size pieces, adding mortar and building walls to seal the perimeters of his life. Beyond that James knows nothing, except that Teezy had loved his father dearly, but what is gone is gone.

      She is a heavy woman, with soft, large shoulders. Sometimes when she is cooking she rolls up the sleeves of her cardigan, revealing Popeye-like arms and the little gathered parcels of flesh that hang about her elbows.

      He feels safe with her, with the bulky force of her ways. She always keeps a bottle of Bols Advocaat on a high shelf in her living room, and at the end of the day she