The Spiral Staircase. Karen Armstrong

as the scrap heap in this way. Now I was back with Mrs Bednarowska, who was quite happy with my intricate gothic essays and everybody seemed pleased with me. But I had not forgotten the emptiness I had encountered when I had had to rely on my own thoughts, and felt that Dr Brentwood Smyth had seen through my polished intellectual exterior to the vacuum at the core, as had Charlotte, though she knew too much about the numbing effects of shock to dismiss me as contemptuously as our tutor.

      So some good had come out of that faint. I had become closer to Jane, let down my guard a little and allowed people to see that all was not well. And I decided to take Jane’s advice and buy myself a record player. As the new spirit of Vatican II slowly percolated through the convent, we had been encouraged to listen to music. A record player had appeared in the community room of the Scholasticate, and we were allowed to use it during the afternoon recreation hour. I discovered a new world. I remember walking into the room one day after doing the washing-up and being almost shocked by the beauty of the slow movement of Beethoven’s Emperor Concerto. Now thanks to my simple little player, for which I paid the princely sum of twenty-five pounds, I could have this sublime treat any time I wanted. Jane introduced me to the late quartets of Beethoven and I would play these almost nightly. This, I was aware, was probably the kind of experience I had sought in religion. While I listened, I felt my spirit knitting together. Things began to make sense.

      But one night, the world broke apart again. It was early evening and I was tired, having stayed up most of the previous night to write my essay. This weekly ‘essay crisis’, as we called it, was a feature of Oxford life. Throughout the college, lights burned all night as students scribbled earnestly, trying to get their piece finished in time. Since leaving the convent, I had fallen into this weekly ritual and in a perverse way quite enjoyed it. There was something rather magical about sitting alone in the lamplight, surrounded by darkness and absolute stillness. Occasionally there would be a gentle scratching on the door, and Rosemary or Charlotte, whose essay night coincided with my own, would peer cautiously round the door and we would have a midnight coffee-break before returning to our books. The next day I felt hollow and depleted, but triumphant, and I used to revel in the post-tutorial euphoria: essay done, duly praised, and a lovely fresh assignment beckoning me invitingly into the next week.

      But on this particular occasion, my eyes prickled with fatigue. Suddenly I found myself invaded by the familiar stench, but this time it was different. My brain felt as though a cosmic potato masher was pounding it, reducing it to long worms of sensation like spaghetti, but spaghetti that was alive. I could hear a bell ringing mournfully in the distance and I was convinced that somebody was standing beside me. I could almost glimpse his face out of the corner of my eye. An aged, senile mask, with empty eyes. Some part of me knew that there was nobody there, and that if I reached out to touch him my hand would encounter empty air. And yet I could not connect this knowledge with the spectre because it had its own reality, its own absolutely commanding presence. I had no leisure to think about this, because I was gripped suddenly by a quite overwhelming fear. When I looked around me, the room was wholly unfamiliar, as though I had never seen any of these objects before. The world had become uncanny and horrifying. I did not know who, what or where I was, but was aware only of my extreme terror, a cold sickening dread that made everything around me seem brown, rotten and repulsive, because it had no meaning.

      And yet, of course, it wasn’t like that at all. I am trying to describe an experience that has nothing whatever to do with words or ideas and is not amenable to the logic of grammar and neat sentences that put things into an order that makes sense. Maybe I could explain it better if I were a poet. But I am sure that this is the kind of horror that Hieronymus Bosch tried to convey in his paintings. It is as though a comforting veil of illusion has been ripped away and you see the world without form, without significance, purposeless, blind, trivial, spiteful and ugly to the core. T. S. Eliot describes something similar in the third poem of Ash-Wednesday. He is climbing a spiral staircase, a mythical image of the ‘ascent’ of the mind and heart to spiritual enlightenment. But ‘At the first turning of the second stair’ he sees a shape twisted into the banister, surrounded by vaporous, foetid air, and he is forced to struggle with ‘the devil of the stairs’. He leaves these convoluted forms behind, and at the next turning finds only darkness: ‘Damp, jaggèd, like an old man’s mouth drivelling, beyond repair, Or the toothed gullet of an agèd shark’, the underbelly of consciousness that lurks in the basement of all our minds.

      When the horror recedes, and the world resumes its normal shape, you cannot forget it. You have seen what is ‘really’ there, the empty horror that exists when the consoling illusion of our mundane experience is stripped away, so you can never respond to the world in quite the same way again. The revelation remains embedded in your soul and affects everything you feel and everything you see. But when you try to express this vision in words, you inevitably distort it, and find yourself writing purple, melodramatic prose. Better to be as simple as Coleridge, when he describes the recurrent terror of the ancient mariner after his ordeal, which makes him feel:

      Like one that on a lonesome road

      Doth walk in fear and dread,

      And having once turned round walks on,

      And turns no more his head;

      Because he knows, a frightful fiend,

      Doth close behind him tread.

      The words are flat, and the image of the ‘frightful fiend’ deliberately banal, but the simple description of a fear that is constantly beside you but just out of reach captures the sensation exactly.

      This was not an isolated experience. Some weeks later, while I was shopping in Cornmarket, the world seemed to have lost all connection with the fundamental laws that give it meaning and coherence. It took on the grotesque aspect of a cartoon. The women ahead of me in the queue at Marks and Spencer looked as though they belonged in a primitive painting by Beryl Cook; their features became coarse and alien. Again there was that paralysing fear. I had no idea where I was or what I was doing. When I reached the till, the woman sitting behind it seemed to be shouting at me, pointing to my purse. I stared back at her blankly, unable to understand what she was saying or what she wanted me to do. Somebody took my purse from me, and opened it, but I could make nothing of the round metal discs inside. Dazed, I put down my wire basket and wandered out into the street. I don’t know how long it was before I found myself sitting outside Brasenose College in Radcliffe Square, contemplating the perfect dome of the Camera, an image of wholeness and harmony. It was one of my favourite haunts, a place where I loved to come and study. It had been raining. I was wet and chilled, but back in my skin on a planet that had returned to normal.

      I never imagined for one moment that these were supernatural visitations. I knew at once that I must be ill and assumed that, like my fainting attacks, these ‘visions’ were symptoms of strain. This seemed oddly appropriate. The world that I had rejected had turned on me and exacted a revenge, in which my surroundings periodically took on a nightmarish unfamiliarity. But as these strange interludes became more frequent, I became frightened, and took myself off to the doctor. How was I going to live with a horror that descended upon me without warning and made it impossible for me to function? It seemed as though the world and I had become chronically incompatible; that I would never be able to live in it. And what if one day I remained trapped on the other side of the looking glass?

      The doctor dismissed these worries as excessive but agreed that I was not very well. He talked sagely about ‘anxiety attacks’, told me that these things happened, were fairly common and could easily be dealt with. After all, I had been under a strain; I was probably working too hard. In my final year now, was I? Exams next summer? Yes, people often got het up about these things. But in view of my … er … history, it might be a good idea to go and see a specialist. He knew a very good chap at the Littlemore Hospital. Somebody would write to me in due course to set up an appointment. Good idea to talk things over, perhaps take some medication – only temporarily, of course – to get rid of these bouts of panic, and then I’d soon be on my feet.

      The Littlemore. One of Oxford’s two psychiatric hospitals. My heart sank. I had seen it coming, but now that the process had been set in motion, it felt like a real defeat. Psychiatry had certainly not been part of the convent ethos. The very idea