The Silent Fountain. Victoria Fox

as I realise it’s not. It’s Bill, my flatmate. Belinda’s her name, but she never liked it.

       When are you home? I have wine Xxx

      I’m almost there so it isn’t worth replying. My walk slows. As ever when I open my messages I find my eyes drawn to his, our chains of all-night conversations, flirty, thrilling, the way my heart danced every time that screen lit up at two in the morning. I should delete them, but I can’t. It’s as if wiping them will erase any proof that it happened in the first place. That before the bad, there was good. There was, before. It was good. What happened, there was a reason for it…

       Don’t be an idiot. There is no reason. Nothing justifies what you did.

      And of course he wouldn’t be in touch. He’d never be in touch. It was over.

      I turn on to our street. Unlocking the front door, I see Bill still hasn’t got the hang of sorting through the post, so I scoop the scattered envelopes off the floor and divide them between the flats, before taking our own upstairs. Bill still hasn’t got the hang of a lot of shared living, I’ve noticed, like replacing loo roll or putting out the recycling every once in a while. I don’t mind, though. She’s been my best friend since we could walk; she’s been with me through it all and she’s still with me now, the only one who knows the brutal truth and even then she didn’t walk away, when she really could have. When she should have. That’s why I don’t care about the recycling.

      ‘How was it?’ She’s waiting when I go in, drink poured, TV on, some rehash of a talent show, and she drains the volume when I lift my shoulders.

      ‘As expected.’ I set the box down and consider, as I had back at the office, how five years can be compressed into five minutes’ packing. Some old notecards, my desk calendar, a sangria-bottle fridge magnet from Portugal sent to me by a client.

      ‘No fanfare, then?’ Bill gives me a hug and a squeeze. The squeeze brings up tears but I blink them away. ‘It’s your own fault,’ Natasha, his deputy, had hissed, as I’d slunk towards the exit of Calloway & Cooper, trying to ignore the stares that followed, fascinated and horrified, like traffic crawling past a pile-up.

      Natasha has had it in for me from day one. My theory? She’s in love with him. As his Commercial Director she was widely regarded as his second in command – but then I came along, usurping her as the closest person to him, his PA, and I know she tried to get someone else into the role because Holly in Accounts told me. Only, Natasha didn’t win. I did. And I think she couldn’t handle the fact that, for a second there, towards the end, before it all went wrong, it looked as if he might have loved me back. When it blew up, all her Christmases came at once. Natasha was delighted to see me go, and couldn’t believe her luck at the circumstances that drove me to it.

      I try a laugh but it dies in my throat. ‘No fanfare,’ I agree, and grab the wine and sink it in one. Bill refills me. I want to smoke a cigarette, but I’m trying to give up. Great timing, Lucy, I think. Who cares now, if you live or die? But that is melodrama, and I annoy myself for thinking it. Instead, I keep focused on the alcohol. If I keep drinking, I’ll get numb, and if I get numb, I won’t feel anything. I won’t feel his touch on my cheek, his kiss on my mouth, my neck…

      ‘Come on,’ says Bill, with an uncertain smile. ‘It’s finished.’

      ‘Is it?’

      ‘You never have to see those people again. You never have to see him again.’

      One thing Bill doesn’t understand, and I can’t find the words to explain: I have to see him again. Even after everything, how I should want to run as far away from him as I can, I’m as addicted to him as I was the first day. Inappropriate isn’t the half of it. I read that the funeral happened this morning, in a cemetery south of the river, and I can’t stop thinking of him, rigid with grief, those grey, beautiful eyes set hard on the ground, the cool drizzle settling on the shoulders of his coat, a coat I’d once warmed my hands in on a cold night on Tower Bridge, and he’d kissed the tip of my nose. How I long to put my arms around him now, tell him I am sorry and that I miss him. When what I should be feeling is guilt, burning guilt, shame and disgrace and all those things, and I do feel them, every day I do, but at the same time I can’t forget the power of us. We don’t belong with any of that confusion or chaos or sadness.

      ‘…You could consider it, you know, if that’s what you want.’

      Bill is looking at me gently, waiting for a response.

      ‘What? I was miles away.’

      ‘Freddy’s sister’s boyfriend,’ she says, presumably for the second time. ‘He’s just come back from Italy – that language course he went on in Florence?’ Bill prompts me and to placate her I nod, even though I have no memory of this (so much over the last twelve months has dissolved to insignificance; I can’t even remember who Freddy is – someone Bill works with?). ‘While he was out there,’ she goes on, ‘he made friends with this girl who was looking after a house on weekends. Well, I say house, but it’s more like a mansion. In fact Freddy said it was this giant pile, and someone famous lives there but the friend never met her, and anyway, this woman’s a recluse and never goes out.’ Bill slumps down on the sofa. ‘Sounds intriguing, right? Like the start of a novel.’ There’s something behind the cushion and she reaches to retrieve it. ‘Hey,’ her face lights up, ‘I found 50p!’

      I frown. ‘What’s this got to do with me?’

      Bill crosses her legs. ‘The girl got fired and they’re looking for someone to replace her. All very hush-hush… apparently they’d never advertise. The woman sounds a bit weird, sure, but how hard could it be? Dusting a few shelves, sweeping the floor…’ She makes a face and I wonder if her knowledge of looking after a house extends beyond Cinderella. ‘Then getting to sunbathe all day with some sexy Italian you’ve met in the city? I’d do it myself if I didn’t have to go to work on Monday.’

      I’m wary. ‘What are you suggesting?’

      ‘Think about it, Lucy.’ Her voice softens. ‘Since this thing happened, you’ve been desperate to get away. You haven’t stopped talking about it, how you can’t stay here. Look,’ she says, standing, ‘I want to show you something.’ She steers me to the mirror in the hall. ‘Tell me what you see,’ she says. ‘Honestly.’

      It doesn’t help that strewn across the wall are pictures from the days before. Nights out with Bill, holidays with friends, a bungee jump I did on my twenty-fifth birthday, after I finally broke free from home and started building a future for myself. That’s how I see it, this looming punctuation mark in the story of my life, isolating the years preceding him and the lonely days after, creeping into weeks, and I was a different girl then: bright, hopeful, lucky, alive. What do I see now? A dull ache in my eyes, my skin wan with nights spent thinking and wondering and turning over what ifs, hollowness in my cheeks, and sadness, mostly sadness.

      ‘I don’t want to do this,’ I say, shrugging free.

      ‘You’re not you, Lucy. This isn’t you.’

      ‘What do you expect?’ I round on her, not keen on starting a fight but unable to help it. I need to shout at someone, to be angry, because I’m sick of being angry with myself. ‘Her funeral was today – did you know that? And I’m supposed to leave everything behind, the mess I’ve made, and swan off to Italy for a holiday?’

      ‘It’s not a holiday,’ says Bill, ‘it’s a job. And, let’s face it, you need one.’

      ‘I’ll manage.’

      ‘What about the press?’ She’s silenced me now. ‘What about when they’re blowing up your phone, or when they’re smashing down the door and you’re afraid to go outside? Do you think he’s going to defend you, then? He doesn’t care, Lucy – he doesn’t give a crap about you. He’ll put it all on you and then how’s it going to look?’

      ‘Don’t say those things about him.’