The Girl with the Fragile Mind. Claire Seeber

running, and the road was cold and rough beneath my naked feet and I didn’t care. The pain pushed me on. I was a streak of white light in a black surround, and then you were beside me, only you couldn’t keep up, so I leant down and carried you, light as thistledown, in my arms. No one could stop us; I would run and run and run—

      Someone was behind me. I could feel my heart beating, I could hear the blood thumping in my ears, I could feel the breath squeezing through my ribs and out of me; I couldn’t outrun them.

      My feet were hurting badly now and I no longer felt invincible, I could hear the sobs pushing out of me as the car slowed and a blue light flickered across the road between the sand dunes, and the sea hissed to the left of me: ‘Don’t stop, Claudie, or they will get you.’ But I was weak now, too weak—

      The man held my arm gently. He was wearing a uniform and he said, ‘Are you all right, love, you’re freezing.’ And he led me to the car with the blue light on top, and made me sit in the back.

      And then they brought me to the building in the town, and said another man, a man they called Silver, wanted to talk to me.

      I didn’t give him time to sit when he came in. I had waited too long already.

      ‘Something’s not right,’ I said, too fast, almost before he came through the door.

      He leant on the wall in his shirtsleeves, hands in his pockets, and looked down at me. His expression was quizzical but I was relieved that he didn’t look amused. He looked tired, perhaps, but not amused.

      ‘I see. Are you all right though, Claudie?’

      I kept my hands in my lap beneath the table, where he couldn’t see me tearing at my own skin.

      ‘I – I’m not sure.’ I eyed the toast warily. ‘I think I will be OK.’ If only they’d stop poisoning me.

      He sat now, directly opposite me. There was a black tape recorder on the table between us, but he didn’t switch it on. His eyes were a little hooded; they narrowed slightly as he studied my face.

      ‘Have we met before?’ he asked.

      ‘I don’t think so.’

      ‘You look a little familiar.’

      I shook my head. There was a pen on the table; he turned it round neatly, and then gave me a slight smile. ‘So, Claudie. In your own time, I need you to tell me why you’re here. How you came to be all the way out here. Did someone bring you?’

      ‘Yes,’ I nodded. ‘And something’s not right,’ I repeated, slowly this time. I could feel the shiny crescent moon of skin missing from my thumb where I’d stripped it raw.

      ‘What?’ he said now. His accent was Northern. ‘What’s not right?’

      ‘I can’t – it’s hard to explain.’

      We locked eyes. Still he did not condescend to me; he didn’t look at me as if I was mad. He just waited, dug in his trouser pocket for something.

      ‘That sounds stupid, I know.’ I was trying to order my mind. My thumb throbbed. ‘I mean, I can’t quite put my finger on it.’

      ‘On what?’ He was handsome. No, not handsome even, kind of … debonair. Like he’d stepped from a Fred and Ginger film; his cuffs so white they almost shone.

      ‘I think I might have done something bad. The Friday before last.’

      ‘What kind of bad?’ he asked. Long fingers on gum; waiting to unwrap it. He sat back in his chair and looked at me patiently. I could smell his aftershave. Lemony.

      ‘Very bad,’ I muttered.

      ‘Do you know my name?’ he asked.

      He felt me falter. I shook my head.

      ‘It’s DCI Silver.’ It was an inducement. ‘Joe Silver.’

      A short, stocky woman walked into the room now and stood behind him. She smiled at me, a kind, reassuring smile. I recognised her, I realised. I’d met her before. A woman with funny coloured hair.

      ‘And what happened to your face, Claudie?’

      Automatically I raised my hand to my cheek. ‘Berkeley Square.’

      ‘Berkeley Square?’ He sat up straighter. ‘The explosion?’

      I nodded.

      ‘OK, Claudie.’ He flicked the gum away into the wastepaper basket and smiled again. He must have kids, I thought. He is used to waiting with infinite patience. His teeth were very straight, almost as white as his cuffs. ‘Why don’t you start from the beginning? Who brought you all the way out here?’

      ‘I think I might have done something terrible,’ I repeated. I took a gulp of air: I met his eyes this time. ‘I think – I think I might have killed a lot of people.’

      THURSDAY 13TH JULY CLAUDIE

      It was such an ordinary morning. Afterwards that seemed the most marked thing about everything that followed, that it started as any day that encapsulates absolute normality. Not particularly sunny, not particularly cold – a day on which people get up and eat toast, choose underwear and shoes; argue about walking the dog or taking the bin out, kiss their children and their partners goodbye; catch the 8.13, jostle for space with the same anonymous faces they jostle with every day. A day on which people go about things in exactly the same way as always; not realising life might be about to change forever.

      And for me, it was one of the all right days. A day when I had managed to roll out of bed, step out of the house; walk, talk and function. Not one of the pole-axed days. Not one of the splitting days.

      One of the all right days.

      I got to work early because the yoga teacher hadn’t turned up at the Centre. I walked through the back streets of Marylebone, enjoying the relative quiet of Oxford Street, free of the tourists and maddened shoppers, at one with the street cleaners and the other Londoners not yet soiled for the day by the city.

      I wandered up the front stairs of the Royal Ballet Academy in Berkeley Square, between the great white pillars and the huge arched windows, soaking in the ambience of the old building. I loved my job and the Academy was grand enough to warrant its distinguished title, training some of the greatest ballet talent in Europe.

      ‘The Bolshoi are in.’ My colleague Leila shot past me on the stairs, following a gaggle of chattering students. I caught up with them at the glass wall to watch a little of the guest stars’ technical demonstration, watching a sturdy Russian male fling the Academy’s young Irish ballerina Sorcha into the air during the Sleeping Beauty pas de deux. By the rapt look on the couple’s faces, I guessed it might not be all they’d be demonstrating later.

      A small, dark first-year student called Anita sat against the back wall, limbering up, watching Sorcha like a hawk. One of Tessa’s protégées, I had yet to see her dance, or treat her for any sort of injury myself, but she had a rather glowering intensity that I found unattractive. Her face in repose was simply a downturned mouth. And recently, I’d noticed that she’d begun to trail Tessa in a way that verged on pathological.

      ‘He’s gorgeous,’ a girl in a blue leotard breathed, fugging up the glass, ‘and look at his arms. His lifts are effortless.’

      ‘He can lift me,’ her plain friend said, sticking her bony chest out. ‘Any way he wants.’ They both giggled.

      Down in the office, Mason was as always safely ensconced behind her desk, keeper of the back-room. God only knew where she had found this morning’s ensemble: a kaftan in vivid black and orange swirls that entirely swamped her skinny frame. I wondered, not for the first time, if anyone else ever thought she looked like a female version of the transvestite potter Grayson Perry.

      ‘You’re early,’ Mason said. The sleeve of her kaftan trailed patiently after the raddled hand