Название | The Diaries of Jane Somers |
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Автор произведения | Doris Lessing |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007381661 |
‘And then he came over to me and put his hands all over me, and he said, Very well, Maudie, you know what you can do if you want me to help you. And I ran, and I ran, out of that office, and I was scared to go near a lawyer again.
‘All this time, Laurie had Johnnie down in the West Country with a woman he had then. Much later, when I met Johnnie again, he told me she was good to him. Not his father, for his father was off soon, to another woman, he could never stay with one woman. No, this woman brought him up. And he did not know he had a mother, he didn’t know about me. Not till quite recently, but I’ll tell you another time, another time, I’m all roiled up and upset with thinking about it all, and I meant to tell you something nice tonight, one of the times I like to think about, not a bad time …’
A nice time.
Maudie was walking down the High Street, and she saw some hats in a window. She was appalled at the way the hats were made. She went in and said to a woman who was making a hat, Don’t you know how to put a hat together? And the woman said, No, she had been left a widow with a bit of money and thought she would make hats. Well, said Maudie, you have to learn how to make a hat, as you have to learn to scrub a floor or bake a loaf. I’ll show you. She was a bit huffy at first, but she wanted to learn.
‘I used to go in there, and she’d show me what she’d done, and I’d make her pick it to pieces again, or I’d make her whole hat, for the skill was in my fingers still, and it is now, I know. And yes, I can see from your face what you are thinking, and you’re right. No, she didn’t pay me. But I loved it, you see. Of course, it wasn’t like the Rolovskys’, not the West End, nothing in the way of real good silks and satins, just cheap stuff. But all the same, between us, we made some lovely hats and she got a name for it. And soon she sold the shop for the goodwill – but the goodwill was me, really, and that wasn’t in any contract and so I don’t know what happened afterwards …’
A nice time.
Maudie was working for an actress who was at the Lyric Theatre, Hammersmith. She was prepared to take an hour’s journey there, and an hour back, because this woman was so gay and laughing and always had a joke. ‘She lived alone, no man, no children, and she worked. Oh, they work so, these poor actresses, and I used to make her supper ready for the oven, or a good big salad on a plate, and get her fire laid, and go home thinking how she’d be so happy to come in and see everything so nice. And sometimes after a matinée she’d say, Sit down, Maudie, share my supper, I don’t know what I’d do without you. And she’d tell me all about the theatre. She wasn’t a star, she was what they call a character actress. Well, she was a character all right. And then she died. What of? I was so upset I didn’t want to know. It was a sudden death. I got a letter one day, and it was, she had died, sudden. So I didn’t go back, though I was owed a fortnight’s money.’
‘When was that?’
For all the time I am trying to get her life mapped, dated.
‘When? Oh, it was after the war. No, the other war, the second war.’
Maudie doesn’t talk about the first war as a war. She was sick with worrying about Johnnie, for she thought that her husband would be in the army, and where was Johnnie? She went ‘to the Army’ and asked, did they know anything about a Laurie Fowler, and they said, But what part of the country does he come from?
‘I was so desperate, I went on my knees. I didn’t know I was going to, but there I was, with all those officers around me. Please, please, I said. They were embarrassed, and I don’t blame them. I was crying like a river. They said, We’ll see what we can do. We’ll let you know.
‘And a long time afterwards, and I was waiting for every visit of the postman, a card: We have been unable to trace Laurence Fowler. And the reason was, he joined up from Scotland, not England, for there was a woman in Scotland he was living with he needed to get away from.’
So that is what a month of visiting Maudie looks like, written down! But what of the evening when I said to myself, I am so tired, I am so tired, I can’t, but I went? It was an hour later than usual. I stood outside that crumbling door, knock knock, then bang bang bang. Faces in the upper windows. Then at last she stood there, a little fury with blazing blue eyes.
‘What do you want?’
‘I am here to visit you.’
She shrieked, ‘I haven’t got time, and dragging down this passage, getting the coal, is bad enough.’
I said to her, hearing myself with some surprise, ‘Then go to hell, Maudie,’ and went off without looking back. This was without real anger on my part, almost like reading lines in a play. Nor was I worried that evening, but made good use of my spare time having a real bath.
Next day, she opened the door on my second knock, and said, ‘Come in,’ standing aside with an averted unhappy face. Later she said, ‘You don’t have to take any notice of my nonsense.’
‘Yes, I do, Maudie, of course I do. If you say a thing, I have to believe you mean it.’
And, a few days later, she was stiff and silent. ‘What’s wrong, Maudie?’
‘I’m not going to, I’m not leaving here, they can’t make me.’
‘Who’s been this time?’
‘She has.’
‘Who is she?’
‘As if you don’t know.’
‘Oh, so you’re back at that, then. I’m plotting against you!’
‘Of course you are, you all do.’
We were shrieking at each other. I am not at all ashamed of this, yet I’ve never, or not since I was a child, quarrelled in this way: quarrelled without spite or passion, even with a certain enjoyment. Though I know it is not enjoyable to Maudie. She suffers afterwards.
‘But was there someone else to see you, then?’
‘Yes.’
‘What’s her name?’
With a blazing blue look, she said, ‘Rogers, Bodgers, Plodgers, something like that.’ And, later, ‘They can’t make me move, can they? This house is privately owned?’
I sent for the information. If the flat is condemned, then she’ll have to move. By any current housing standard, it should be condemned. By any human standard, she should stay where she is. I want to contact this Mrs Rogers. I know I can ring up the ‘Welfare’ and ask, but this isn’t how things happen – oh, no! You have to let things work themselves out, you must catch something at the right time.
I found the two old women again waiting for me the other day. Mrs Boles and Mrs Bates. Bundles of coats and scarves, but their hats had flowers and bright ribbon. Spring.
‘Oh, you do run about,’ says Mrs Bates. ‘And how is Maudie Fowler?’
‘She is the same.’
‘Mrs Rogers was asking after you,’ she said.
‘Do you know what about?’
‘Oh, she’s ever so good, Mrs Rogers, running about, just like you.’
That is how things happen. Now I am waiting to run into Mrs Rogers somewhere.
Another five weeks have gone. Nothing has changed … and yet of course