Название | The Complete Short Stories: The 1950s |
---|---|
Автор произведения | Brian Aldiss |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007482092 |
Back on familiar ground, Grant braced himself. Hallways, the two square miles of it, was home ground, safe, well-lit and well-aired, where food and company could be obtained. It was also the region of the Fliers: the pile of rubble cut them off from the wastes of Outflanks.
Nobody was visible at present. A servo-cleaner, busy among a multiplicity of arms, moved in one corner of the pillared hall. Overhead, a Flier moved, noiselessly and showing a green light. Of the three floor strips set in the mosaic, one still functioned. Grant hopped on, travelled smoothly, changed again at the first right junction and was swept through gleaming mica doors forty feet high into Circus ‘C’. Here he alighted.
The feed period was drawing near. The farmers were drifting in from the plant ranges, some by foot, some by floor strip, some even on the trucks whose number diminished year by year, owing to mechanical breakdown. Guards, relieved of their posts, returned from their sentry-go by the Beserker regions. Women and children came in from walks and scavenges.
Circus ‘C’ was their town. A vast circle, like the inside of the Coliseum, it rose into four graceful colonnaded storeys, and round the spiralling balconies were the homes, labelled with graceful inscriptions like ‘PERFUMERIE’, ‘FLORIST’ and other legends popularly supposed to be the names of dead families.
Grant peered up to the top floor. Osa was looking down from her balcony. Sullenly he made the gesture of defeat, knowing many eyes watched him covertly. Instead of turning away, she beckoned to him: Osa took great pleasure in flaunting tradition. He stood hesitant, and then her magnetism decided him and he hurried up.
She was six foot six tall, her bright eyes only slightly on a lower level than Grant’s.
‘So it is Wilms who will have me,’ she said, non-committally.
He nodded.
‘Soon we shall be free,’ she said. ‘Wilms must help me solve many problems. I am not for mating like an ordinary Hallways drab.’
Grant glanced anxiously out across the arena. Many Fliers circled here, unresting, their green lights and grey bodies making a pattern over the sky. She intercepted his glance.
‘Don’t worry about them,’ Osa said. ‘I know how to deal with them. Come into my room.’
He followed her in, admiring her slender waist and smooth thighs, his breath suffering its usual restriction when she was near. Inside the little cluttered room, she wheeled abruptly and caught his gleaming eyes.
‘Never mind that,’ she said. ‘There is something of more importance. I have discovered proof of what I told you all long ago: the tycho is not the world, Grant.’
He shook his head. He was in no mood now to listen to her dreams.
‘“Tycho” means “world,”’ he said.
Her eyebrows raised and her lip curled. ‘You are wrong,’ she spat. ‘And what is worse you know you are wrong – but sloth has got you. You don’t care, you are happy living as you are!’
‘Discontent means death!’ he said angrily. ‘You know that as well as I do, Osa. Only you miraculously escape. What of Brammins, Hoddy, She-Clabert, Tebbutt, Angel Jones, Savvidge and a score of others? Did they not each turn rebellious and did not the Fliers take them one by one?’
‘Pah!’ Osa’s face grew magnificent with scorn. ‘So there is fear as well as sloth in you, Grant! I’m glad Wilms beat you.’
Remembering her purpose, she choked back her anger and said, ‘Listen, my friend, the Fliers do not harm me, do they? The Fliers belong to M’chene, but even M’chene is not all-powerful. I have found how to beat him. It is simply a matter of choosing where you feed. Will you help me?’
He looked at the floor, inarticulate. The pessimism so stubbornly rooted in him told him that ill would come of meddling with the traditional way of life; but in Osa’s hands he was stiff but malleable clay.
‘Wilms must help you now,’ he said grudgingly.
‘Wilms it not here and I must leave Circus “C” for a time,’ she said tolerantly. ‘I only want you to give him a message. It is this: he is not to eat anything in the next feed period. He is not even to go to the hatches. Will you tell him please?’
‘What has he to fear?’ Grant asked, interested despite himself.
‘Nothing at present. But of all the Hallwayers, Wilms is now the nearest both to belief and mutiny. I fear he is in danger from the Fliers.’
‘So he must not take feed?’
‘Exactly.’ She pressed his arm. ‘I will return in one and half watches and then he shall feed.’
‘Here?’ asked Grant.
‘There are other places to feed than Circus “C”,’ she said.
He greeted the statement with disbelief. ‘There cannot be,’ he said positively, ‘Or we should know. Osa, you think strange things – ’
‘Stranger ones will come to us all,’ she said tersely, and with that left him, making off in the general direction of Beserkers’ land.
Slowly and meditatively, Grant descended into the arena. Dancing had begun, the dances that frequently went before feed periods, but he did not participate. Instead he sat gloomily apart, thinking his own thoughts which were as sterile and directionless as the warren in which he unknowingly lived.
The dance was slow and intricate, men only taking part, the few women looking on and clapping rhythmically. They performed the Hyrogen dance, grouping and parting, circulating and bowing. Far overhead the grey Fliers also pirouetted. Gradually the figures curved into a line, the two leading men spiralling into a chamber adjacent to the Circus. This was Hall, and it was here that feed was taken. Gradually everyone flowed in, to be ready when the hatches flew open.
When Grant entered Hall, he saw that Wilms was already there, talking earnestly and excitedly to another man, Jineer. Jineer was a scraggy, bearded fellow who walked with a stick. He had broken his leg years ago, repairing a small crane which had got out of control. Jineer was a machine-man, like his father and his father before him; many of the Hallways mechanicals owed their functioning to Jineer’s maintenance.
Finally he left Wilms, making over to his old mother, Queejint.
‘Now’s my chance to pass on Osa’s warning,’ Grant told himself. But he made no move towards Wilms; his earlier behaviour rose before him like a barrier and he feared a hostile reception. While he delayed, the feed gong sounded and the hatches flew up at the end of Hall.
The kitchens were entirely automatic. Humans conveyed the crops to a chute, and from then had no more to do with the nutrition cycle until they were summoned to feed. Though they did not know it, it was this incorruptible process that had long ago saved their ancestors from starvation. To take the tray offered through the hatch on a slowly moving platform, it was necessary for each person to stoop and reach forward so far that their head came in contact with a depression above the hatch opening. This depression was known mysteriously as The Scanner, and a vague oral tradition held that it was important, although nobody could definitely say why.
Wilms was early at the hatches. He took his tray in the usual manner and moved in a preoccupied fashion to a table. After two or three minutes, Jineer and Queejint also collected their trays, Grant following shortly after.
Still worrying because he had not passed on Osa’s warning, he ate without pleasure. Finally he dropped his spoon. Whatever Wilms might say, there was duty to Osa. He went over to the older man, was almost up to him, when a low swishing noise sounded.
It was the dreaded sound. Through the door from the Circus swept a solitary Flier, its light winking red. Cries echoed in Hall, several men dived in panic under tables. The little plane circled and sank, one metal wing tip narrowly missing Grant’s ear. Heart hammering, he flung up his arm – and then he saw that Wilms was the quarry.