The Buried Circle. Jenni Mills

      It’s glorious weather: deep blue sky, and the beech leaves shivering in a gentle wind, the first loving nip of autumn. The stones have already snagged the day’s first minibus-load of visiting hippies, who are wandering through the inner circle behind the Methodist chapel-cum-tourist office. Another half-dozen people are marching fat-tyred pushchairs round the top of the banks. Frannie meets one of her friends in the high street, and the pair of them totter through the churchyard together to St James’s. I sit on the bench by the lich-gate, to check the map for the route of my walk. A ragged ‘We plough the fields and scatter…’ floats from the church as I set off.

      It takes me nearly half an hour from Avebury at a brisk clip. The fields either side of the broad, level track are indeed ploughed, greyish-white flint scattered across the brown earth. I’m ever hopeful that one day I’ll spot a prehistoric stone arrowhead, a perfect leaf shape, lying on the surface, and every so often something catches my eye–disappointingly, when I stoop to check, always a leaf.

      Yatesbury boasted an airfield used during the First and Second World Wars, mostly for training. The RAF closed the base some years ago, and microlights fly out of there now. The church, crouched like a grey rabbit among trees, is silent; Sunday services must rotate from parish to parish. Ancient yews shade the path to its door. An old box tomb leans at an angle defying the laws of geometry. The grass between the graves hasn’t been cut for a while, and the hems of my trousers are soon soaked.

      It isn’t difficult to find Grandad’s memorial. At the far end of the churchyard there are several rows of white stones with RAF insignia. Young men’s graves, blank tablets of unlived lives. Like Steve’s. For a moment, I have a creepy sensation of him here too, behind me, sitting with his back against the box tomb watching me as I walk slowly along the ranks of headstones.

      Grandad is about halfway along the third row–at least, I assume this is Grandad, because he’s the only Davey or David among the Second World War graves. David Fergusson. Stupidly, I’d been expecting his surname to be Robinson, even though I knew that was Fran’s family name. Either she’d reverted to her maiden name or maybe she’s coy about him because they were never married. No big deal now, but I suppose she’d have wanted to keep it quiet then.

      Blackbirds chirp and commute from yew trees to hedge. Autumn sunlight glints on dewy cobwebs slung between the headstones. Davey’s is simple: his name, his age–twenty-four, making him, when he died, a year younger than I am–the date of his death, the words In loving memory. How little there is left to know of a person, then: not even his birth date. I didn’t bring flowers, and I’m sorry for that now. My eyes fill as I imagine what it must have been like for Fran, already pregnant, hearing the news that her baby’s father had been killed, somewhere over England, or France, or Germany. Not even a body to bring home and bury. Then years of coping alone, a widow in her early twenties (or pretending to be), never marrying, earning a living as a clerical assistant in a meat-processing plant, struggling to bring up a wild-child daughter who’d never known her dad…

      The daughter. A smoky crystal twists, turns to the light, revealing a pale ghost of itself inside. Something I’d almost forgotten.

      My mother’s birth date. Margaret was born in October 1945.

      Davey Fergusson was killed in August 1942.

       CHAPTER 4

      Coming out of St James’s, Carrie Harper asks me if I want to have a bite of lunch with her and her sister. They always have a roast on Sundays. No, I say, my granddaughter’s home now. She works for the telly, you know.

      We stand there gossiping, where Percy Lawes used to set up his cine-camera back in the thirties and film us coming out of church, the women showing off their new babies and everybody wearing a hat, even us young girls. A nippy little wind gets up, rattling the dead flowers that need to be cleared from the headstones. It’s a while since I took some to Mam’s grave. Thinking of her, suddenly I’m in that place where all the pathways of time meet and cross and twist round on each other, like the moonlit paths between the box hedges in the Manor garden. My mouth stops working in the middle of whatever it was saying.

      ‘You all right, Fran?’ asks Carrie.

      I give myself a good shake. ‘Goose walked over.’

      ‘You’re a long way from the boneyard yet, Frances Robinson,’ says Carrie.

      But I don’t know about that. Seems to me I never left the bone-yard from that day over in Yatesbury when I found him leaning on the box tomb. Seems to me there’s secrets under stones: near half the circle still buried, and better it should stay that way, especially where India’s concerned. But now there’s people nosing round digging where they shouldn’t. Them lights on Windmill Hill–there’s someone up there, searching, night after night. They in’t found nothing yet, but it’s only a matter of time.

      Sometimes I think I knows exactly who it is up there. It’s him, come back again, looking for what’s his.

      Wherever you go, Heartbreaker, he said, you take me with you.

       PART TWO Imbolc

      Like all prehistoric landscapes, Avebury is as remarkable for what you can’t see as what you can. Apart from what Alexander Keiller started to reconstruct in the 1930s–a stone circle originally comprising about a hundred megaliths, some further stone settings within, the whole enclosed within a bank and a ditch, and the West Kennet avenue sweeping southwards from it–a number of other features in the landscape hint at what must have been a vast complex of monuments in the Neolithic period and the Bronze Age: long barrows, round barrows, and parch marks suggestive of other stone or timber circles, palisades and enclosures. A second avenue winds westwards, towards Beckhampton. A causewayed enclosure, one of the earliest types of Neolithic earthworks, sits atop Windmill Hill.

      The past is a story we tell ourselves. There can be no certainties, only surmise. At the start of February, new-age pagans gather in the henge to celebrate the old Celtic festival of Imbolc. In the Middle Ages, people would have met in the village’s Anglo-Saxon church, St James’s, on the same date, and called it Candlemas. Both are festivals of light, of new beginnings: for Christians, Jesus lighting a candle in a dark world; for the pagan Celts a celebration of the first signs of spring penetrating the barren land, the first snowdrop, the first fat lamb suckling at its mother’s teat. Do the origins of such festivals go right back to the first farmers who built the stone circle?

      Dr Martin Ekwall, A Turning Circle: The Ritual Year at Avebury, Hackpen Press

       CHAPTER 5 Candlemas

      There’s a funny thing about Avebury: can’t rely on mobile phones working here. But it doesn’t stop me trying, faith in technology against all the odds. Coming back down the high street from the post office, I thumb out a text to John to tell him I’d like my feet done this afternoon. On the edge of the stone circle, along from the shop that sells crystals and crop-circle books, you can sometimes pick up a ghost of a signal, but today the message won’t go. There are no bars at all on the display and the little blue screen says searching. Top marks to Nokia for encapsulating the human condition.

      The closed sign is still in place on the door of the caf in the courtyard between the barns. As I shake the rain off my umbrella, Corey comes bustling out of the kitchen, looking like she’s been shrink-wrapped in her National Trust T-shirt, apron wound double over Barbie-doll hips.

      ‘They want to see you in the office. Right away.’

      Ouch. Am I up to this? Was sure I didn’t drink that much last night, but my eyeballs seem to have been sanded, then glued into place.