The Buried Circle. Jenni Mills

plenty of other places he could be applying for a job. Half a dozen small airfields round here on the lookout for drop-zone pilots or instructors.’

      When I first saw Ed, I thought him good-looking in a neglected way: messy dark hair, a lived-in face, dangerously unshaven, deep lines scored either side of his mouth. He had on a crumpled linen shirt with the sleeves rolled up, and a leather coat was slung over the back of his chair. He wasn’t looking at me when we first came in. He was talking to the girl behind the bar. She was one of those snap-me-in-two blondes, like Corey, half my size with hair so straight she must have ironed it and a chenille jumper the colour of butter, beneath which her tits bubbled up in two perfect little spheres. I loathed her on sight.

      ‘How did you find out he was married?’ asks Corey. The woman in the parka is wielding the cake tongs with an unnecessary amount of clatter as she lifts scones onto a plate.

      ‘Post-coital confession.’ My fingers hover over the till buttons, as the customer moves on to the lemon drizzle cake. ‘“I should have told you earlier”: that sort of stuff. Marriage on rocks. Wife, she no understand me. Well, he didn’t actually say that last bit, but it was sort of hanging in the air, in the hope I’d fall for the oldest line in the book. They live in some bloody palatial farmhouse in Oxfordshire, no land as such but two socking great barns with it, ripe for conversion. My heart bleeds.’

      ‘Hot chocolate, please,’ says the woman in the parka, arriving in front of us with a carbohydrate-laden tray. ‘Ray?’

      ‘Do they do filter coffee?’

      ‘No, but we do an Americano, which is virtually the same. I should’ve told him at the time that if he was married he could forget it,’ I tell Corey, as she spoons hot-chocolate powder out of the tin. ‘But…you know how it is. You’re so anxious they shouldn’t be spotted leaving your room that you don’t get around to saying anything. I–well, I ignored all his phone calls and texts afterwards, except to tell him to go away’

      ‘I’m glad to say I don’t know how it is. Not from personal experience, anyway.’ Married to a Devizes policeman for two years, Corey is a devotee of women’s magazines that discuss this kind of thing.

      ‘Men are so full of shit,’ I say confidently ‘Their problem is they can’t tell the difference between sex and love.’

      The woman at the counter snorts.

      ‘Or would he prefer a latte?’ I ask her.

      ‘In my book, he’s unfaithful even if he isn’t sleeping with someone else.’ Corey shoves the milk jug under the nozzle of the steamer. She has to raise her voice over the machine’s whoosh. ‘Which would you prefer–a husband shagging you and thinking of someone else, or shagging someone else and thinking of you?’

      My creative studies BA had finished a few months and a lot of marks short of what I’d planned when my tutor’s wife started asking herself the very same question. Not that marks had anything to do with it. I’d fallen hopelessly in love with the sod. The exams were a wipeout; I only scraped a pass on coursework. Never again.

      The customer’s eyebrows are jigging up and down in a demented dance. ‘Do him an Americano, dear. He doesn’t understand the difference.’

      ‘The real question is,’ says Corey, spooning froth into the hot-chocolate mug, ‘how do you feel about him now, supposing he had a job here?’

      ‘I told you. It’s over. I knew that the moment I looked at him and realized I didn’t fancy him any more. Can’t tell you what a relief that was.’

      This time both Corey and the woman snort.

      During my lunch hour, I cross the cobbles to the museum. Chris, at the till, raises his eyebrows. I hand him a mug of hot chocolate: bribery. ‘OK if I go upstairs?’ I ask. ‘More research for those telly people.’

      ‘Does the curator know?’

      ‘Checked with her this morning. She said to go ahead.’

      He gives me the nod.

      Upstairs, I pull on a pair of blue vinyl gloves to leaf through the photo albums. The first item on Daniel Porteus’s list is Destruction of Village. Doesn’t take me long to find the pictures at the start of the 1938 album: black-and-white stills of brawny workmen, braces and cloth caps, fragments of wall and thatch, homes that look as if someone dropped a bomb on them.

      Grandfather or no, Keiller really was a bastard.

       PART THREE Equal Night

      And that this place may thoroughly be thought True Paradise, I have the serpent brought.

      John Donne, Twicknam Garden

      Let us be clear: there were no Druids at Avebury until the present day. Druids were a Celtic priesthood (and later a nineteenth-century reinvention) and Avebury fell into disuse long before the Celts arrived in Britain. Indeed, one of its most remarkable aspects is that no Iron Age artefacts at all have been found within the henge. Perhaps people steered clear of the circle at that point in time. So we can safely say that it is highly unlikely that Alban Eiler, the Celtic spring festival, was ever celebrated there during the Druids’ heyday.

      Having said that, most cultures celebrate a spring festival at or about the time of the vernal equinox. Certainly some Neolithic monuments–the passages in the tomb at Knowth, in Ireland, for example–seem to be aligned to sunset and sunrise at the equinox (literally, ‘equal night’), on 20/21 March. There doesn’t appear to be any such alignment at Avebury: but that is not to say categorically there was not one. Keiller never finished his reconstruction, and we have an incomplete picture of the other settings–the Cove, the inner circles and the stone row–that lay inside the main circle.

      So when today’s Druids meet to observe Alban Eiler, they could indeed be following a tradition observed through the ages at Avebury. The sun god meets the awakening spring goddess, Eostre–from whose name we derive both ‘Easter’ and ‘oestrogen’. Sap rises, green things stir, the life force returns to the earth.

      Dr Martin Ekwall,

      A Turning Circle: The Ritual Year at Avebury, Hackpen Press

       CHAPTER 12 1938

      You can’t help who you fall for, can you?

      To begin with I hardly saw Mr Keiller at the Manor. He was always somewhere else. Up and down to London, or off to Scotland. Most of the time we didn’t know where he was.

      ‘He’ll be skiing,’ said Cook, hopefully, if we hadn’t seen him for three or four days. He’d been a champion when he was younger, and at one time trained the British ski-jump team. But, no, he’d turn up late that very evening, with guests, demanding supper at midnight.

      Mrs Sorel-Taylour had introduced me, suitably Kirby-gripped, on my first day. ‘This is Miss Robinson, who’ll be helping with the cataloguing.’

      He was in the Map Room, sitting on a high draughtsman’s stool, looking at some photographs laid out under an Anglepoise lamp. Its light was the only splash of brightness. Everything in there was brown–velvet curtains, window seats, carpet. Even the walls were covered in brown leather.

      He turned to inspect me, but I don’t think he was much interested by what he saw, a fifteen-year-old girl in a cheap jacket-and-skirt costume, with finger-waved hair and a scrubbed country face. ‘Do you write clearly?’ You could hear the w in write.

      ‘Very,’ said Mrs Sorel-Taylour, before I could open my mouth. ‘That’s why I took the child on.’ Did I imagine that tiny stress on ‘the child’? ‘She will, of course, be under my direct supervision.’

      ‘Good,’