The Lost Labyrinth. Will Adams

the hell is he?’ asked Knox, standing back up.

      ‘Roland Petitier,’ said Augustin, still waiting for the operator to answer.

      Knox nodded. An old archaeology professor of Augustin’s who’d vanished without trace nearly twenty years ago, only to reappear unexpectedly a few weeks before, and who was scheduled to address the conference the following afternoon. ‘But what’s he doing here?’

      Augustin gave a very Gallic shrug, as if to disclaim responsibility. ‘I hear a knock on my door earlier. I think it must be you, come to take me to the airport. But no, it’s him. After twenty years. He tells me his room isn’t ready yet and asks if he can stay here until it is. I tell him no. I tell him I am about to collect my fiancée Claire from the airport. He swears on his mother’s life he’ll be gone by the time we get back. On his mother’s life!’

      ‘You can’t exactly blame him for—’

      Augustin held up a finger. The operator had finally picked up. ‘Emergency,’ he told them curtly. ‘Room five-thirteen. We need an ambulance.’ He listened a moment. ‘No. He’s taken a blow to the head.’ Another pause. He looked around the room. ‘No. I don’t think so.’

      Claire had tilted Petitier’s head backwards, and put her ear against his mouth. ‘Tell them he’s stopped breathing,’ she said, with impressive calmness. ‘Tell them to bring a defibrillator.’ While Augustin relayed the message, she moved briskly into cardiopulmonary resuscitation, using both hands to pump Petitier’s chest hard. She clearly knew what she was about, so Knox stepped away to give her space, then took the opportunity to see if he could work out what had happened.

      The room was virtually identical to his and Gaille’s on the floor above. The medium-pile blue carpet showed signs of wear; the double and the single bed both sagged a little in the middle. There were dark spots on the mirrors of the dressing table, and on the glass of the framed prints of the Acropolis, Mycenae and Epidaurus on the walls. A splashing noise was coming from the bathroom. He pushed open the door to see the shower spraying hot water into the bathtub, trapping thick clouds of mist against the ceiling. He made to turn it off, then paused at the startling realisation that this might be a crime scene, so he went back out and closed the door behind him.

      A black laptop case was leaning against the bed, bulkier than Augustin’s, so presumably Petitier’s. Again, he left it untouched. The white net curtain billowed over the balcony door, pregnant with breeze, revealing a few red smears upon its fabric. He pushed it carefully aside. The sliding glass door was wide open. He went out onto the balcony. The moulded plastic table and one of the two matching chairs had been overturned, as if by a storm or a fight. An overnight bag was lying on its side, the old brown leather ripped open and leaking entrails: underpants, vests, shirts and trousers. He leaned out over the railing, looked down past lower balconies to the narrow alley far beneath, congested with rusting skips filled with multicoloured bags of hotel waste. He looked left and right. The neighbouring balconies were separated from one another by spiked railings, but it would be easy enough for anyone with a head for heights to swing around them; and there was precious little chance of being seen.

      Back inside, Augustin was standing by Claire, wanting to help but not sure how. ‘I knew I should say no when he asks to stay,’ he told Knox.

      ‘So why didn’t you?’

      ‘He seemed so desperate. I mean he was really paranoid that someone was after him.’

      ‘Paranoid?’ asked Knox dryly.

      ‘He made me swear not to tell anyone he was here. That’s why I said nothing earlier.’

      ‘Did he give you any idea who was after him?’

      ‘No. But he’s found something, I know that much. In Crete, apparently. Some seal-stones and maybe some other things. I think perhaps he has them with him, because he won’t let go of his overnight bag, you know. I mean he hugged it against him like it was his only child.’

      Lift doors opened down the corridor. There were shouts and the thud of heavy boots. Two policemen in the dark blue uniform of the Elleniki Astynomia appeared at the door, holding white crash helmets and truncheons in their hands, as though fresh from riot duty. The first was tall and powerful, yet his features were soft and unlined, making him look almost too young to be in the police. His partner was older, portly, wheezing from the run. He pushed past his younger colleague, sized up the situation. ‘Away!’ he ordered Claire. She didn’t even look up, too concentrated on giving Petitier CPR. ‘Away!’ he barked more loudly, angered at being ignored.

      ‘She’s a doctor,’ protested Augustin. ‘Leave her be.’

      ‘Away!’ he shouted a third time.

      The younger policeman stepped forward, nettled by this lack of respect for his partner. He reached around Claire from behind, grabbing her breast as he did so.

      The colour rose instantly in Augustin’s face; he punched the young policeman hard on his cheek, sending him sprawling. Then he turned to Claire. ‘Are you all right?’ he asked.

      The young policeman got back to his feet, a look of pure fury in his eye. He lashed his baton so hard across Augustin’s cheek that a fragment of tooth flew from between his lips, and he cried out and fell to his knees, hands to his bloodied mouth. Knox hurried to intervene, but the older policeman seized him by the arm and held him back. And something seemed to release in his young partner, a kind of obscene rage. His face was almost purple as he smashed his baton down on Augustin’s crown, mercifully catching him only a glancing blow, yet still splitting his scalp so that the blood gushed even as he fell onto his side in the narrow gap between the bed and wall. Claire screamed and grabbed the policeman’s arm, but he threw her off easily, then turned back to Augustin and hit him again. But the way Augustin had fallen made it hard for the policeman to get at his head, so he pushed the bed aside and stepped around him to give himself a better angle of attack.

      Finally Knox fought his way free. He hurried across the room and grabbed the policeman’s flailing wrist, twisting it sharply. The policeman yelped and dropped his baton, turning to Knox with a slightly dazed expression, as though uncertain what was going on. Then he looked down at Augustin lying unconscious at his feet, at the oily dark blood gathering in a shallow lake on the carpet, and at the red spatters of guilt already caking on his own hands, and a look of horror appeared upon his face, and he began to weep.

      II

       A conference room, Tbilisi, Georgia

      Conflicting emotions tussled in Edouard Zdanevich’s breast as he stood in front of the painting. It was executed in oils on black oilcloth, perhaps seventy centimetres wide by a metre tall, a portrait of a voluptuous woman in a rocking chair, nursing an infant through the folds of her blue-black dress, the barest hint of breast showing. Simple colours and themes executed with intense power and humanity. A Pirosmani, without doubt, as gorgeous as any in Tbilisi. Yet Edouard had never seen it before, had not even known it existed. And while it was a thrill for him merely to be in its presence, it infuriated him that these damned Nergadzes had it hanging here on their wall, when he doubted any of them knew what it was, or why it was important, or the first thing about the great man who’d painted it. All they ever knew or cared about anything was how much it cost.

      Somewhere in the building, a door opened, allowing out a billow of raucous laughter. Another of the Nergadzes’ famously debauched feasts, no doubt. Edouard despised such wanton displays of gluttony, lechery and drunkenness—but it would be nice, he had to admit, to be able to despise them from the inside for a change.

      A pair of glass cabinets stood against the wall, both filled with Colchian gold jewellery, vessels, ornaments and coins. The pieces were very familiar to him. They’d come from a trove discovered some decades earlier in an abandoned well in the hill-country of Turkmenistan, across the Caspian Sea, and had been on display in their national museum in Ashgabat. It had long been known that many of the pieces were Georgian, but only recently had the