Sins of the Flesh. Colleen McCullough

Читать онлайн.
Название Sins of the Flesh
Автор произведения Colleen McCullough
Жанр Полицейские детективы
Серия
Издательство Полицейские детективы
Год выпуска 0
isbn 9780007522828



Скачать книгу

varieties these days, though he started out among the forgotten women, as he calls them—women who are too tall, too fat, or disproportionate in some way. Why should they be doomed to dismal or unfashionable things? A tiny segment of one percent of women wear clothes well anyway. I can only think of Gloria Silvestri, Mrs. William Paley Jr., and the Duchess of Windsor, though a number of women can pass muster, and a few almost make it to the top. However, the majority of women look like something the cat dragged in.”

      “I quite agree!” cried Delia.

      “But most of all,” said Ivy, continuing, “he’s famous for his bridal gowns. I manage Rha Tanais Bridal in person.”

      “Rha Tanais is your brother?” Delia asked, squeaking.

      “Yes,” said Ivy, amused.

      “Different name?”

      “Ramsbottom is not euphonious,” Ivy said with a grin. “Gown by Ramsbottom doesn’t quite get there, somehow.”

      “Gown by Rha Tanais is far more exotic.”

      “And Rha Tanais is exotic,” said Jess, laughing. “But come, Delia, why should a mere purveyor of clothes be more exciting than a psychiatrist like me or a detective like you?”

      “The sheer fame, no other reason. Fame is exciting.”

      “I concede your point, it’s a valid one.”

      Jess Wainfleet was forty-five years old, a slender woman with a good figure for clothes, since she wasn’t busty; most men would have called her attractive rather than pretty or beautiful, despite her small, fine, regular features. Her black hair was cropped very short, her make-up restrained yet flattering, and her creamy-white skin endowed her with a certain allure. Her chief glory was her eyes, dark enough to seem black, large, and doed.

      By rights Delia should have met Jess somewhere along the way, but she never had, a curious omission. Dr. Jessica Wainfleet was the director of the Holloman Institute for the Criminally Insane, always called the Holloman Institute (HI) for short. It had begun 150 years earlier as a jail for dangerous criminals, and so was off the beaten track to the north of route 133, set in fifteen acres walled in by bastions thirty feet high that were surmounted at intervals by watchtowers fifteen feet higher again. Soon the locals called it the Asylum, and though from time to time efforts were made to scotch the unofficial name, it remained the Asylum. In the explosion of infrastructure building that had gone on after the Second World War it underwent extensive renovations, and now housed two separate but allied activities; one was the prison itself, tailored for incarceration of men too unstable for life in an ordinary prison, and the other was a research facility in its own building. Jess Wainfleet headed the research facility.

      “Brr!” said Delia, mock-shivering. “How do you work there and stay sane yourself?”

      “Most of my work is clerical,” said Jess apologetically. “I deal with lists, rosters, schedules. Interesting, however, that both of us are in a criminal field. I get scads of would-be PhDs wanting to interview this or that inmate, including a few who turn out to be journalists.” She snorted. “Why do people assume you must be a fool if you sit behind a desk?”

      “Because they equate a desk with a bureaucratic mind,” said Delia, grinning, “whereas in actual fact,” she went on in casual tones, “I imagine that at this moment you’re being self-deprecating. There are some first-rate papers come out of HI—even detectives keep up with the literature on certain types among the criminally insane. Sorry, my friend, you’re found out. Lists and rosters? Rubbish! You see and follow the progress of inmates.”

      Jess laughed, hands up in surrender. “I give in!”

      “One of my jobs in Detectives is to chase bits of paper, I admit. Not a sexist directive, but self-appointed. I have a mind just made for statistics, plans, tabulations, the written word,” Delia said, anxious to explain. “My boss, Captain Carmine Delmonico, is another who reads, though his forte is the oversized tome. We do notice the work of places like HI, and it’s a real pleasure to meet you, Jess.”

      By the end of June the three were fast friends, and agreed that when 1970 rolled around, they would go on vacation together to some alluring destination they could wrangle about for months to come. They met at least twice a week to talk about nearly everything under the sun, their favorite meeting place Delia’s condo. Little Busquash was a strenuous uphill walk for the other two, and Jess’s place, she confessed, was wall to wall papers.

      Why neither Jess nor Ivy had ever married was not discussed, though Delia thought it was because they, like she, lived inside their minds. If Delia had ever questioned her own taste in clothes she might have wondered why clothes weren’t talked about either, but it simply didn’t occur to her that Jess and Ivy avoided the subject of clothes out of affection for their new pal, who they soon saw was at perfect peace with the way she dressed.

      Removing the 8 × 10-inch photographs from each of six very thin files, Delia lined them up on her desk in two rows of three, one row above the other, so her eyes could take in all of them at once. Each was a studio portrait, unusual in itself; most file photos of missing persons were blow-ups of smaller, casual shots. Under ordinary circumstances the portrait artist’s name or studio would be indicated somewhere on the back of the paper: a rubber stamp, or an ink signature, or at the very least a pencil mark of some kind, But none of these photos held a clue as to its portrait artist, just an area on the back of each where a pencil mark had been erased, and never in the same spot—two were near the center, one high to the left, a random business. Paul Bachman and his team hadn’t been able to discern a residuum.

1963TENNANT, Margot. Thirtyish. Brown hair, brown eyes. Average height and shape. 3/23 Persimmon St., Carew.
1964WOODROW, Donna. Thirtyish. Red hair, green eyes. Average height and shape. 222c Sycamore St., Holloman.
1965SILBERFEIN, Rebecca. Thirtyish. Fair hair, blue eyes. Average height and shape. 12th fl., Nutmeg Insurance Bldg.
1966MORRIS, Maria. Thirtyish. Black hair, black eyes. Average height and shape. 6 Craven Lane, Science Hill, Holloman.
1967BELL-SIMONS, Julia. Thirtyish. Blonde, blue eyes. Average height and shape. 21/18 Dominic Rd., the Valley.
1968CARBA, Elena. Thirtyish. Peroxide blonde, brown eyes. Average height and shape. 5b Paterson Rd., North Holloman.

      Apart from their average height and shape and the fact that each looked to be about thirty years old, the six missing women had little in common physically. Hair and eyes went from near-black to near-white, with red and brown thrown in—or so the studio portraits indicated. 1965’s Rebecca Silberfein was the fairest; her hair was a streaky natural flaxen blonde and her eyes so pale and washed out they looked whitish. Her nose wasn’t long, but it was broad and beaky. Maria Morris, blackish of hair and eyes, had a very olive skin and a crookedly flat nose. 1964’s Donna Woodrow had really green eyes, the color of spring leaves rather than the more usual muddy combat tinge, and her carroty hair was definitely not out of a dye bottle—no henna highlights. She had, besides, a fine crop of camouflaged freckles. None of them could be called beautiful, but none was unattractive, and none gave off a smell of the streets. The fashion of the times meant hair styles bouffant from back-combing, and heavily lipsticked mouths tended to hide their natural shape, but everyone connected with the case had reason to thank each woman’s impulse to have a fine photograph of herself in color. Only why leave it behind?

      The shape of the skull was similar in all six cases, suggesting Caucasian of Celtic or Teutonic kind. Allowing for the hair, the cranium looked to be very round, the brow broad and high, the chin neither prominent nor receding. About the cheekbones it was harder to tell, due to weight differences and, probably, how many molars were missing. Sighing, Delia pushed the photos together.

      Nothing was known about these six women save their names, an approximate age, faces, and their last known addresses. Notification of missing person status had been extremely slow, depending as it had upon individuals engaged in an occupation wary of creating fusses—landlords.

      Delia sighed again, aware that sheer over-familiarity with the case carried its own, very special, dangers.

      Starting