The Edge of Never, The Edge of Always: 2-Book Collection. J. Redmerski A.

quietly stunned. “Don’t you think so?” His head falls to the side and he’s looking at me again.

      It takes me a moment to get my head together, but even then I’m not sure about what to say.

      “Living in the now,” I say, quoting him, yet at the same time thinking of my own belief of loving in the now. “I guess you’re right.” But I still wonder exactly what his take on the belief is.

      I straighten my back against the seat and raise my head a little to look over at him more closely. It’s like suddenly I have this great desire to know all about his belief. To know everything about him.

      “What is living in the now to you?” I ask.

      I notice one of his eyebrows twitch for a second and his expression shifts, surprised at the seriousness of my question, or the level of my interest. Maybe both.

      He straightens his back and raises his head, too.

      “Just that dwelling and planning is bullshit,” he says. “You dwell on the past, you can’t move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life.” His eyes lock on mine. “Live in the moment,” he says as if making a serious point, “where everything is just right, take your time and limit your bad memories and you’ll get wherever it is you’re going a lot faster and with less bumps in the road along the way.”

      The silence between us is just two minds thinking about what he just said. I wonder if his thoughts are the same as mine. I also wonder, more than I want to admit, why so many of his thoughts already make me feel like I’m staring into a mirror when I look at him.

      The bus glides heavily over the freeway, always loud and rarely soft. But after so long, it’s easy to forget how unpleasant a bus ride is compared to the luxury of a car. And when you’re thinking more about the positive aspects of a bus ride, instead of the negative, it’s easy to forget that there’s anything negative about it at all. There is a guy sitting next to me with beautiful green eyes and a beautiful sculpted face and a beautiful way of thinking. There’s no such thing as a bad bus ride when you’re in the company of something beautiful.

      I shouldn’t be here …

Andrew

       Nine

      I can’t believe she brought up my dad. Not that I’m pissed about it, but I’m surprised that she seemed to really want to know. That she even remembered. She didn’t dive into questions about what I do for a living to calculate how much money I might make, or giggle and blush and look all stupid while reaching out to touch my tattoos, using them as an excuse to touch me. Huge fucking turn-off. I mean yeah, it’s a turn-on when you’re just looking to get laid—makes it easier—but for some reason, I couldn’t be happier that Camryn didn’t do it.

      Who the hell is this girl?

      And why am I even thinking about this stuff?

      She falls asleep before me with her head propped against the bus window. I resist the urge to watch her, noticing how soft and innocent she looks, which makes me that much more primal, more protective.

      The pervert seems to have stopped watching her when he saw us sitting together inside the last terminal. In the eyes of men, he probably sees her as my ‘territory’ now, my property. And that’s a good thing because it means he’ll leave her alone as long as I’m around. The truth is though, we’ll only be together until Wyoming and this worries the fuck out of me. I hope the man changes buses before Camryn and I have to depart ways. Two more rest stops between here and Denver—I hope like hell Denver is his last stop and if not, I’ll be watching him the rest of the way to Wyoming.

      He’s not going to Idaho. I’ll stop him anyway I can.

      I gaze through the dark and stillness of the bus. The man is asleep, his head pressed back against the aisle seat. A woman sits beside him next to the window, but she’s way too old to catch this guy’s eye. He likes them young, probably really young. It makes me fucking sick to think of what he may have already done to some other young girl.

      Despite the bus generally being loud, the whistling of the wind pushing against the metal, the fast crushing sound of rubber moving swiftly over the road, the large engine humming as it compels the heap of metal across the freeway, it’s still quiet. It’s almost peaceful. As peaceful as a bus ride can be.

      I finger my earbuds in and turn on the power on my MP3 player, setting it to shuffle. What will it be, what will it be? I always let the first song set the mood. I have over three hundred songs on this thing. Three hundred different mood-setters. I think my MP3 player is biased though because the first song is almost always between Kansas’ Dust in the Wind, Zeppelin’s Going to California or something by The Eagles.

      I wait for it, not looking down at the information on the playlist as if it’s some kind of guessing game and I don’t want to cheat. Ah, good choice. Aerosmith’s Dream On. I lean my head back against the seat and shut my eyes, not realizing until after I’m in the middle of doing it that my finger is gently pressing the volume down. Because I don’t want to wake Camryn up.

      I open my eyes and look over at her, how she clutches that bag of hers so tightly that she must still be completely conscious of it even in a deep sleep. I wonder about what might be inside, if there’s anything in it that could tell me more about her. If there’s anything in it that can tell me the truth about her.

      But it doesn’t matter. I won’t know her after Wyoming and she’ll probably never even remember my name. But I know it’s better that way. I have too much baggage and even as a friend, she doesn’t need any of it in her lap. I wouldn’t wish that on anyone.

      The low, melodious droning of Steven Tyler’s voice lulls me to partial-sleep. Except when he’s screaming that high-pitched scream, where I wait for him to let it all out and then I drift off the rest of the way.

      “Dude, seriously,” I hear a voice say.

      Something is pressing against my shoulder. I wake up to find Camryn pushing me off of her with her little arms. It’s actually kind of funny, that awry look on her morning face and how no matter how hard she pushes, the weight of my body is too heavy to move me completely.

      “Sorry,” I say, still trying to wake up. I lift up disoriented and feel the back of my neck as stiff as wood. I really didn’t mean to end up with my head pressed against her arm, but I’m not as mortified about it as she’s pretending to be. At least I’m pretty sure she’s pretending. She’s trying really hard not to break a smile.

      Let me help her a little with that.

      I grin over at her.

      “You think it’s funny?” she says, her mouth partly hanging open and her eyebrows rumpled in her cute little forehead.

      “Yeah, actually I do think it’s funny.” My grin gets bigger and finally that smile of hers breaks softly in her face. “But I am sorry. Really.” And I mean it.

      She narrows one eye and looks at me sideways, scrutinizing my sincerity, which is also kind of cute.

      I look away and reach my arms above my head to stretch and that makes me need to yawn.

      “Gross!” she says and that word doesn’t surprise me at all. “Your breath smells like ass.”

      A single voluble laugh comes out through my words: “Damn, girl, how would you know what ass smells like anyway?”

      That shuts her up. I laugh again and rummage through my bag after dropping my MP3 player inside of it. I pop the cap on my toothpaste and squirt a dab on the end of my tongue, move it around inside my mouth real good and then swallow. Of course, Camryn’s watching me do all of this with a look of revolt, but that’s what I was shooting for.

      The