The Inklings: C. S. Lewis, J. R. R. Tolkien and Their Friends. Humphrey Carpenter

they moved from one place to another, renting furnished rooms or being lent the use of a house for a few weeks while the owner was away. Between 1918 and 1923 they lived at nine different addresses, ‘most of them vile’, as Jack remarked in his diary. At one time during this period Mrs Moore told him that ‘she was quite convinced that she would never again live in a house of her own’.

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      Until 1918 Jack Lewis had gone on writing poems that were deeply pessimistic, flinging accusations at a cruel God. They were not particularly good as poetry, so he was lucky to have a volume of them published by Heinemann in 1918 under the title Spirits in Bondage. They attracted almost no attention, and Lewis brought no reputation as a poet when he came up to Oxford. Indeed, tastes were already changing, and he discovered that many of his fellow undergraduates who were interested in poetry admired T. S. Eliot and other exponents of modern verse. ‘I’m afraid I shall never be an orthodox modern,’ Lewis wrote to Arthur Greeves in October 1918. ‘I like lines that will scan and do not care for descriptions of sea-sickness.’

      He was not alone in disliking modern verse: he soon made friends with several other undergraduates who shared his views, and who (like him) wanted to go on writing poetry uninfluenced by the new movement. Among these was a young man at Wadham College, Owen Barfield. He and Lewis and several others conceived the rather grand idea of issuing a yearly collection of their verses; but this idea petered out. However, they continued to read each other’s poetry with interest, and to offer criticisms.

      By the time that Lewis began to read for the second part of the Classics course, ‘Greats’ (Ancient History and Philosophy), he had abandoned the pessimistic viewpoint of his early poems. He also decided to turn his back on the sensations of delight that he had received from Norse mythology, Malory, George MacDonald, and many other books. Privately he still sometimes felt such sensations, though not so often as before; but these he now labelled ‘aesthetic experience’ and said that they were valuable but not really informative. As to the existence of God, he adopted the attitude that ‘it really made no difference whatever whether there was such a person or no’. All this he called his New Look. It certainly harmonised with the Oxford approach to philosophy at the time; the ruthlessly analytical Logical Positivism had not yet made its appearance, but there was a prevailing tone of scepticism which Lewis gladly adopted.

      In 1922 he took a First Class in ‘Greats’.

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      Shortly after this, he and Mrs Moore finally found a house that offered a hope of permanence, ‘Hillsboro’, a villa in the Oxford suburb of Headington which was available as an unfurnished letting. Out came Mrs Moore’s furniture from store; Jack spent endless days painting and laying linoleum; and they moved in. This, however, did not mean domestic tranquillity, for ‘Minto’ still found more than enough for Jack to do, partly thanks to her habit of quarrelling with servants. Jack noted in his diary that the incompetence of one maid had become ‘the exclusive subject of conversation’ with Mrs Moore, remarking, ‘I do not blame D. for this in the least, but of course it makes things very miserable.’

      Jack now hoped for a teaching appointment at Oxford. But there were no university jobs available in Philosophy, his strong subject in ‘Greats’; so, as his father was good-naturedly prepared to continue financial support for a time, he decided to read English Language and Literature, tackling the full course in just one year, a mere third of the time that most undergraduates devoted to it. This meant learning Anglo-Saxon and studying the principles of philology, besides reading literature from the medieval period to the nineteenth century. He was, of course, far from ignorant in this field already, but there was still a lot of ground to cover, and it was amazing that he managed to do it in the moments he could spare from domestic life. During the months while he was racing through the English syllabus he was teaching Latin to Mrs Moore’s daughter Maureen and to her music-mistress in lieu of Maureen’s fees, tutoring a neighbour’s child in return for Maureen’s lessons with its mother, and washing up after almost every meal. For two weeks he was, by day and night, looking after Mrs Moore’s brother, who was having a severe nervous breakdown in the house. He was also coping with a perpetual series of what he called ‘Minto’s mare’s nests’ – imaginary crises of every conceivable kind – and with a stream of visitors and paying guests. The most remarkable thing was that he did this with almost unvarying good humour. This was perhaps partly because he knew that the whole thing was very nearly his fault anyway, and if he complained it could be justly retorted that the household owed its existence to him. But really it was his immense fund of good nature that kept him going. He was already practised at coping with domestic oddities, thanks to the strangeness of family life with his father in Belfast; and in any case he was not a complainer by nature. Far from it: he derived immense amusement from the odd visitors who came to the house, to whom he and Mrs Moore gave nicknames: ‘the Blackguard’ for a grotesque French lodger, and ‘Smudge’ for the inoffensive and rather indistinct music teacher. Only when the question was raised of his brother Warnie coming to live with them did Jack warn him openly of ‘the perpetual interruptions of family life – the partial loss of liberty’. And even then he qualified it by adding: ‘This sounds as if I were either sick of it myself or else trying to make you sick of it: but neither is the case. I have definitely chosen and don’t regret the choice. Whether I was right or wrong, wise or foolish, to have done so originally, is now only an historical question: once having created expectations, one naturally fulfils them.’

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      He was not very impressed by his first experiences when reading English Language and Literature at Oxford. ‘The atmosphere of the English school’, he wrote in his diary after attending a lecture, ‘is very different from that of Greats. Women, Indians, and Americans predominate and – I can’t say how – one feels a certain amateurishness in the talk and look of the people.’ He thought poorly of many of the lectures, and felt no enthusiasm for the study of philological niceties such as glottal stops and vowel shifts, of which he remarked, ‘Very good stuff in its way, but why physiology should form part of the English school I really don’t know.’ He was comfortable, however, in the company of the Martlets, the literary society of University College, which met to listen to papers read by its members. Lewis often contributed monographs on his favourite authors. He gave a talk on William Morris and another on Spenser. After the paper there would be a discussion, which sometimes turned into intellectual pyrotechnics; for like Lewis many of the Martlets were well read in philosophy. They enjoyed showing off their command of logic, as did Lewis, for he believed that his mind was well trained in argument. He was always in the forefront of any dialectical battle that concluded a Martlets evening, and he also liked to go for brisk walks with fellow members, during which they would continue an intricate argument from the previous Martlets meeting. This kind of talk was often an intellectual duel for the sake of the sport, and Lewis judged his and his opponent’s performance as much on method as on content. ‘In spite of many well contested points I was gravelled in the end,’ he recorded after one such contest which was conducted while he and a friend strode across the meadows on the edge of Oxford, adding, ‘We were neither of us in really good dialectical form.’

      It was not only among the Martlets that he engaged in logical argument. It was indeed a form of conversation that he sought wherever it could be found, not least perhaps because it was a relief from Mrs Moore’s illogical chatter; and he judged his acquaintances by their capacity for it, despising men who talked only in anecdotes or merely peddled facts. Nor did he care for men who were flippant or cynical. To get on with Lewis you had to argue with feeling as well as with your brain; you had to hold your opinions passionately and be prepared to defend them with logic. Not surprisingly, few people came up to the mark.

      One who did was a fellow Irishman, Nevill Coghill, who like Lewis was reading the English course in one year, having previously graduated in History. Each found the other a good companion for energetic country walks, and while striding together over Hinksey Hill they would talk excitedly about what they had been reading that week. Coghill never forgot how on one such walk Lewis, who had just encountered the Anglo-Saxon Battle of Maldon, boomed out some lines from the end of the poem:

       ‘Hige sceal þe heardra, heorte þe cenre,

       mod sceal þe mare, þe ure maegen