Название | That Old Ace in the Hole |
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Автор произведения | Annie Proulx |
Жанр | Зарубежный юмор |
Серия | |
Издательство | Зарубежный юмор |
Год выпуска | 0 |
isbn | 9780007383894 |
“Bromo! I didn’t even know you were in touch with him anymore.”
“Yeah. I am. We are. Whatever.”
At the time Bob’s parents had dropped him off on the doorstep, Uncle Tam had had a roommate, Wayne Redpoll, with glary eyes and a rubbery mug, his features arranged around a nose so beaked that it made his eyes unmemorable. His brown hair was crinkled and violent, springing with energy. In the mornings before ten o’clock when the shop opened, he lounged around without a shirt doing crossword puzzles, tapping the pencil against his discolored teeth. His chest was strange, the nipples almost under his armpits. He was not good at the puzzles, too impatient for them, and after a few minutes would go his own way, filling in the blanks with any old word, right or wrong. Bob disliked him mildly and it was partly to vanquish him at crosswords that he began to study The Child’s Illustrated Dictionary which Uncle Tam had fished out of a box and handed to him, saying, “Happy congratulations on this great Wednesday morning.” By the time he was twelve he could do the Tuesday New York Times puzzle with a pen in less than twenty minutes, but Thursday and Friday took many hours with pencil as the clues were sly and presumed knowledge of cultural events in the dim past. All kinds of words streamed through his mind – ocelot, strabismus, plat du jour, archipelago, bemusement, vapor, mesa, sitar, boutique. Wayne tried to counter Bob’s skill by dredging up odd crossword information and explaining it to him as though that were the point of the puzzles: that crosswords had been invented in 1913 by a Liverpool newspaperman, that in 1924 they became a national craze. He generally pooh-poohed the New York Times puzzles, which, he said, were child’s play – a meaningful look at Bob – compared to the evil puzzles of the British, particularly those with cryptic clues constructed by the old masters, Torquemada, Ximenes and Azed. But this persiflage did him no good. He did not have the knack and Bob did.
Wayne Redpoll had come by the nickname “Bromo” after a night of heavy drinking not long after Bob Dollar arrived on the doorstep. He moaned with a hangover, drank black coffee to restore balance, said, “Goddamn, I’m going for a walk to clear my head,” ended at Chickee’s place down the street where he ordered a Bromo-Seltzer to settle his queasy gut. He swallowed the gassy mixture and within seconds puked on the counter.
He had a habit of holding his words behind his teeth, only letting them escape through the narrowest possible opening of his jaws, which gave his conversation a constricted sibilance. He had many dislikes. He hated the “drink milk” campaign that showed celebrities holding empty glasses of milk, their upper lips white with the stuff as though they drank like tapirs. Hijackers aside, he loathed flying, especially the attendants’ merry commands to pull down the window shades so other passengers could watch grade-Z American movies. He refused to lower his shade, saying that the only pleasure in flying was the chance to look at the landscape from thirty-five thousand feet. Once he had been put off the plane in Kansas City for daring to argue about it. Tam had driven hundreds of miles to pick him up and listened all the way back to Bromo’s rant about the horrible streets he had walked through while waiting. Phrases offered to the grief-stricken, such as “time heals all wounds” and “the day will come when you reach closure” irritated him, and there were times when he sat silent, seeming half-buried in some sediment of sorrow.
“Closure? When someone beloved dies there is no ‘closure.’”
He disliked television programs featuring tornado chasers squealing “Big one! Big one!” and despised the rat-infested warrens of the Internet, riddled with misinformation and chicanery. He did not like old foreign movies where, when people parted, one stood in the middle of the road and waved. He thought people with cell phones should be immolated along with those who overcooked pasta. Calendars, especially the scenic types with their glowing views of a world without telephone lines, rusting cars or burger stands, enraged him, but he despised the kittens, motorcycles, famous women and jazz musicians of the special-interest calendars as well.
“Why not photographs of feral cats? Why not diseases?” he said furiously. Wal-Mart trucks on the highway received his curses and perfumed women in elevators invited his acid comment that they smelled of animal musk glands. For years he had been writing an essay entitled “This Land Is NOT Your Land.”
Even though they did not get along, Bromo had opened a charge account for Bob at the local bookshop where he was allowed to buy one book every two weeks. Bob’s longing for the books had overcome his dislike of any obligation to Bromo.
When donation boxes came to the shop’s doorstep he offered scathing criticism of the contents. Once a strange garment arrived in a box stamped OUTDOOR GRILL DELUXE. It was an enormous vest made of an unidentified fur, coarse, long and brownish grey. It smelled of old smoke and mothballs.
“A beast!” cried Bromo in mock horror, backing away from it. “Good God, that’s something from the sixties, some mountain commune garment. Feel in the pockets, Tam, see if there’s any drugs.”
The pockets were empty. Bromo disliked the vest, which reminded him of paisley skirts, peace signs, girls doctoring their children with coltsfoot and yarrow; he was particularly irked at being unable to identify the fur. At last he could stand it no longer, wrapped the vest up, took it to the Denver Natural History Museum.
“Pass the macaroni, Bob,” said Uncle Tam that evening. Then, to Bromo, “Aren’t you going to tell us what they said at the museum?”
“You really want to know?”
“Of course I want to know. It’s a very unusual fur.”
Bromo snorted. “You can say that again. It’s also highly illegal. It is grizzly bear fur.”
“Oh no,” said Uncle Tam who was an ardent environmentalist with lifetime subscriptions to Audubon, High Country News, Mother Nature, Wildlife of the Rockies and Colorado Wildlife.
There followed a long discussion – argument – about what to do with “the Beast,” as Bromo persisted in calling it. In the end it got a spotlighted solo place on a table with a sign reading UNIQUE BEARSKIN VEST and a price tag of $200.
The two men were housemates and business partners and, Bob wondered a few years later, if perhaps not something more, for there was in their relationship an odd intimacy that went beyond household or business matters. Yet he had never seen any affectionate glances or touching between them. Each man had his own bedroom at opposite ends of the upstairs hall. But neither did they ever bring women to the house. It was a poor bachelor establishment (though tidy and well-dusted), for the partners made very little money. In the end Bob decided that the sexual gears of both men (and perhaps his own) were engaged in neutral, except for one peculiar and inexplicable memory of Bromo Redpoll in Santa Fe sitting on the hotel shoeshine throne for the third time in one day, an expression on his face that nine-year-old Bob could only characterize as “adult,” while a Mexican boy snapped his rag over a glossy wingtip. When Bob was older he grasped the sexual content of that expression and he had a word for it – concupiscence – for he had seen it on his own face, though not in longing for a shoeshine boy, but for the sluts of Front Range High, as distant to him as calendar photographs. He imagined himself with a sultry, curly-headed, dimpled girl, but it had not worked out that way. Bob was not tall but by some stroke of genetic luck he was well-proportioned with smooth musculature, a hard little