Northern Lights. Tim O’Brien

ejaculating sweet chemicals that filled the great forest and his father’s house. He sprayed until the can was empty and light, then he listened, and the odour of poison buoyed him.

      He sat on the bed. Harvey was coming home, and he was dizzy.

      ‘Bad night,’ Grace whispered.

      ‘Lord.’

      ‘Poor boy.’

      ‘Poor mosquitoes.’

      ‘Shhhhh,’ she always whispered. ‘Shhhh, just lie back now. Come here, lie back. You’re just excited. Phew, what a stink! Come here now. Lie back.’

      ‘Killed a billion of them.’

      ‘Shhhh, lie back.’

      ‘No use. What a night. Lord, what a crummy awful night.’

      ‘Relax now. I heard you all night long.’

      ‘Mosquitoes, the blasted heat, everything.’ He sat on the bed. He was still holding the defused can of insecticide. Poison drifted through the dark room.

      ‘Poor boy. Come here now. Here, lie back. Lie back.’ Her hand moved to his neck. ‘Here now,’ she whispered. ‘Lie back and I’ll rub you. Poor boy, I heard you tossing all night long. Just lie back and I’ll give you a nice rub and you can sleep and sleep.’

      ‘I’m going for a walk.’

      ‘None of that. You just lie still and I’ll rub you.’ Her hand brushed up his spine and rested on his shoulder. Vaguely through the cloud of poison he heard the hum of returning insects, thousands and millions of them deep in the woods, and he began scratching himself. He was flabby and restless. ‘I’m going for a walk.’

      ‘Poor, poor Paul,’ she said. She removed his glasses. ‘There now. Just lie back and I’ll give you a rub. There. There, how’s that now? Better now? Poor boy, you’re just excited about Harvey coming home, that’s all, that’s all. Just lie back and I’ll rub you and you can sleep.’

      ‘What time is it?’

      ‘Shhhhh. Plenty of time. Still dark, see? You just lie still now.’

      ‘Lord,’ he moaned.

      ‘A nice rub?’

      ‘I’m going for a walk.’

      ‘Shhhhh, none of that. Let me rub you.’

      ‘Damn mosquitoes.’

      ‘I know.’

      ‘Scratch. There.’ He lay back. He grinned. ‘Guess I killed myself some lousy mosquitoes, didn’t I?’

      ‘I guess you did.’

      ‘Massacred the little buggers.’

      ‘Hush up. You killed them all. You’re a brave mosquito killer and now you can just go to sleep. Roll on to your tummy and I’ll scratch you.’

      He turned and let her scratch. He felt better. The room sweated with the poison. He lay still and listened to the returning mosquitoes, the dawn insects, listened to Grace murmur in the dark: ‘There, there. Is that better? Poor boy, I heard you all night long. Just excited, that’s all. Aren’t you excited? Harvey coming home and everything, I don’t blame you. Poor boy. Now, how does that feel? Better now? You just go to sleep.’

      ‘What time is it?’

      ‘Sleep time,’ Grace said. ‘Plenty of time.’

      Her fingers went up and down his back. He felt better. ‘There, there,’ she was whispering, and Perry grinned and thought about the poison sweeping like mustard gas through the screen windows. He felt better. He pressed his nose into the sheets, lay still while she massaged his shoulders and his neck and his scalp. ‘There, there,’ she was whispering, softly now, her hand moving lightly. She whispered like a mother. She smelled of flannel. He felt much better. Gradually, she stopped rubbing and after a time he heard her slow breathing. Her mouth was open and she was asleep. Her teeth were shining.

      Then he tried to sleep. But soon he was listening and thinking again, thinking about Harvey.

      He tried to imagine what great changes the war might have made in his kid brother. He wondered what they would first say to each other. It was hard to picture.

      All night, he had been thinking.

      There would be some changes. The wounded eye, for sure. It was hard to imagine Harvey with a wounded eye. Harvey the Bull. The blinded bull. It was hard to picture. In a stiff and static way, he remembered his brother through a handful of stop-motion images, a few images that had been frozen long ago and captured everything important. All night the images spun in his head: Harvey the Bull; Harvey digging the bomb shelter; Harvey off somewhere in the woods with the old man; Harvey playing football; Harvey the rascal; Harvey boarding the bus that would take him to a fort in California and from there to Saigon or Chu Lai or wherever.

      It was annoying. The few sharp images were all Paul Perry really had. It was as though he’d lived thirty years for the sake of a half-dozen fast snapshots, everything else either forgotten or superfluous or lost in the shuffle, and all night long the few sharp images flopped before him, gaunt summary of three decades, growing up on the old man’s sermons and winter stories, learning to swim as the old man watched without pity, college, marriage, returning to Sawmill Landing, the bomb shelter and the old man’s death, a job, winter and summer and millions of pine and Norway spruce and birch, billions of bugs. All collapsed around the few images. But even the images offered no natural sequence. They were random and defiant, clarifying nothing, and Perry spent the long night in myopic wonder, trying to sort them into an order that would progress from start to finish to start.

      He lay still. The mosquitoes were back. On the far wall, the first light formed patches against Grace’s dressing mirror.

      Again he swung out of bed. He dressed quietly and carried his shoes to the kitchen. Outside, the sky was chalk coloured. It would be another dry day. Sunday. Standing on the porch, he urinated into Grace’s green ferns, then he laced up his shoes, hurried across the lawn, passed the bomb shelter without looking, followed the path by memory to Pliney’s Pond.

      There he sat on the rocks.

      He practised melancholia and self-pity.

      He scooped a handful of green water from the pond and let it trickle through his fingers, indifferently inspecting it for life. Harvey the Bull, he was thinking. The blinded bull. It was hard to picture. Hard to tell where it all started or even why. He took more water from the pond. Swirling it in his hands, he captured tiny capsules of cellulose, tiny larvae and mosquito eggs.

      He waited for the sun to rise.

      The forest stood like walls around the pond. Roots of older trees snaked along the rocks and disappeared deep into the water.

      ‘Pooooor me,’ he moaned.

      It was hard to tell where it started. He squinted into the algae, dipped in for more water, let it dribble through his fingers.

      It may have started that October in 1962, the October when Harvey quit high school football in order to finish the old man’s bomb shelter. It was one of the images: the October in 1962 when the old man’s prophecies of doom suddenly seemed not so crazy after all. When the Caribbean bustled with missiles and atom bombs, jets scrambling over Miami Beach and everyone in Sawmill Landing sat at their radios or hunched over coffee in the drugstore, saying: ‘Maybe the old gent wasn’t so crazy after all.’ When people were asking one another about the hazards of nuclear fallout, asking if it really rotted a man’s testicles, does it hurt, would it reach into northern Minnesota, would the winds be from the north or south or does it matter? That October in 1962, eight years ago, when the Arrowhead blazed with red autumn, when Harvey dug a great hole in the backyard, poured cement, strung lights from the pines in order to work in the night so as to finish the bomb shelter for the dying old man.

      It may have started then.

      Or