Mortal Fear. Greg Iles

Then I cut my way into Valhalla.

       FOUR

      Three hours of hard driving put me over the Louisiana state line with dawn breaking over my left shoulder and New Orleans seventy miles ahead. The last two hundred miles were a slow-motion strobe of darkness and glaring truck-stop light. On any other night I would have taken Highway 61. Not many people do these days. They choose speed over scenery, as I was forced to do tonight.

      I-55 runs straight as a pipeline, and most travelers on it never give a thought to the older, more indirect arteries that lie just to the west: Highway 61, a blacktop track of history lined with scorched chimneys like sentinels guarding unquiet land; and beyond the levee, the aorta of the continent, the mile-wide tide of river that ran before man set foot here and will run long after he is gone.

      But in this breaking dawn I can afford only the straightest distance between two points. On the passenger seat beside me sits a briefcase full of laser-printed paper—transcripts of the killer seducing his victims—and my best hope of absolution in the matter of the six dead women.

      Seven, I think, remembering Karin Wheat.

      At La Place I jump down onto I-10 for the final twenty-minute run into New Orleans. The August sun is fully up now, past eight o’clock, and the shallow soupy water of the Bonnet Carré spillway simmers under its lidless gaze. Cranking down the Explorer’s windows, I catch an airborne wave of decaying water plants and fish from Lake Pontchartrain.

      During the past four hours, I have recalled every step on the mental path that led me to this physical journey. What the police hope to learn from me I am not sure. But the most sensitive question for me is this: why didn’t I report my suspicions sooner? I am not quite sure myself. I can only hope that what I have to say will shock the police sufficiently to divert them from that question, at least for a while.

      Locating the main New Orleans police station is easy. It’s near Drewe’s alma mater, the Tulane Medical School, just behind the Orleans Parish criminal court building. Locating Detective Michael Mayeux is easier still. Homicide is on the third floor. The moment I mention my name to the desk sergeant—who sits behind a window of armored glass—I am whisked through a heavy door, through a squad room, down a corridor, and into a small office. Mayeux is seated at a scarred and cluttered metal desk, speaking urgently into a wire telephone. The office has no windows. It does have a computer, an overcrowded bookshelf, and, enshrined in the single clearing amid the chaos, a coffeemaker. A torn red sack of Community dark roast with chicory sits on top of it.

      “Help you?” Mayeux asks, hanging up the phone and taking a bite from a sugar-dusted beignet I hadn’t noticed.

      “I’m Harper Cole.”

      He freezes in midbite, then sets down the beignet, stands, and begins chewing quickly as he ushers me back into the hall and to another door. He is five eight or so, with good shoulders, noticeable love handles, and a bald spot on the back of his head. At the door he stops and turns back to me, his dark brown eyes reassuring like those of a coach before an important game.

      “Just tell these people what you know, Mr. Cole. Take your time and don’t leave anything out. If you get hungry or you need to take a leak, nod your head at me and we’ll break. It might get pretty intense. All of a sudden there’s a lot riding on what you have to say about these women.”

      “Hold on,” I say, raising my hands. “I thought I was coming down to talk to you. Who’s in there?”

      He gives me a crooked smile. “Don’t worry. I’ll be beside you the whole time. So will my partner, so will the chief.”

      Mayeux meant to reassure me, but he’s accomplished the opposite. “And …?”

      His eyes move off my face. “The other guys will be feds. FBI.”

      “FBI? What for?”

      “These guys are from the Investigative Support Unit. What used to be called Behavioral Science. One special agent and a shrink. Plus two Fibbies from the local office. Remember what I told you. Two of the dead women were killed in California—one in L.A., one in San Francisco. Because their bodies were mutilated in a specific way, and for other reasons, the police out there decided they might be looking at some type of cult murders. They called in the Investigative Support Unit to assist them in coming up with a profile of their UNSUB.”

      “Their what?”

      “UNSUB. Unknown subject. Anyway, soon as I queried the names of those two dead California women, the Unit was on us like you know what. When they heard about you and the other women, they started foaming at the mouth. They think we’re looking at a serial murderer here. Maybe a whole new kind of killer. We got detectives flying in from all over the country right now. This is major-league stuff.”

      “So much for our friendly little chat.”

      Mayeux starts to turn the doorknob, then hesitates. A spark of Cajun mischief twinkles in his eyes. “Don’t take the shitty vibes personally. Chief Tobin officially requested the Unit’s assistance—he knows their chief—but NOPD and the local Bureau office have bad blood from way back. Not your problem. Just tell your story.” Mayeux winks. “Show time, cher.”

       FIVE

      Detective Mayeux’s warning understated the tension level. The bare police conference room reminds me of nothing so much as a room full of lead vocalists. Egos bumping against each other like tethered balloons as their owners strike practiced poses, unaware of any agenda but their own. Four men in business suits sit in a protective phalanx at the far end of a rectangular table. They might as well be wearing lapel tags that read “FBI.” The New Orleans police chief, an enormous black man, sports a starched white duty shirt that strains under his bulk. Four stars adorn the blue boards on each hamlike shoulder.

      To the right of the chief sits a rail of a guy who has to be Mayeux’s partner. He looks like lukewarm hell. Eyes like quarter slots on a Coke machine, hands quivering with the irregular tremor that signals serious sleep deprivation. I know the symptoms well. There is a busty Hispanic secretary beside him. Her left ear is cocked toward the chief, but her eyes stay on the young FBI agents.

      “Gentlemen,” says Detective Mayeux, “Mr. Harper Cole.”

      Mayeux is telling me names, but they don’t find a permanent memory address. Three of the FBI agents wear blue suits, the fourth charcoal gray. Does this mean he’s in charge? He’s clearly the oldest, yet he wears his graying hair longer than the others. Mayeux speaks his name softly, giving it unintended emphasis.

      Arthur Lenz. Doctor Arthur Lenz.

      Of course. Lenz is the shrink.

      Whenever I meet interesting strangers, I find myself casting them as stand-ins for the stars of my memory. Sometimes I meet an Edmond O’Brien or a George Sanders, maybe a Robert Ryan. I remember those guys from when I was a kid staying up late with my dad, watching Channel 4 out of New Orleans. So it’s a habit, trying to slot strangers into the celluloid templates in my head. Some people are just extras, like Mayeux’s partner and the secretary. But every once in a while I meet the genuine article. Someone who doesn’t just remind me of, say, Fredric March, he could be the man.

      Doctor Lenz might be the genuine article. He is physically tall—this is obvious even though he is seated—and yet … he is limited. Like an actor who never made the jump to the big screen. Perpetually middle-aged, WASP or WASP wannabe, expensive suit, heavy on control. His charisma is undeniable, but somehow he finishes out more TV than film.

      In the uncomfortable silence that follows the introductions, one of the blue-suited FBI men—Baxter, I think—gives the police chief an annoyed glance. Then he looks me in the eye and says,