Bad Girls Good Women. Rosie Thomas

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       Bad Girls, Good Women

      BY ROSIE THOMAS

      Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published in the United Kingdom in 1988 by Michael Joseph

      Copyright © Rosie Thomas 1988

      Rosie Thomas asserts the moral right to be identified as the author of this work.

      A catalogue copy of this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Ebook Edition © APR 2014 ISBN: 9780007560561

      Version: 2018-10-25

      Contents

      Title Page

       Copyright

      One

      Two

      Three

      Four

      Five

      Six

      Seven

      Eight

      Nine

      Ten

      Eleven

      Twelve

      Thirteen

      Fourteen

      Fifteen

       Sixteen

       Seventeen

       Eighteen

       Nineteen

       Twenty

       Twenty-one

       Twenty-two

       Twenty-three

       Twenty-four

       Twenty-five

       Twenty-six

      Twenty-seven

       Keep Reading

       About the Author

       Also by Rosie Thomas

       About the Publisher

      The music, very loud music, filled the corners of the old house.

      In the big room where the musicians in their corner were lapped by a sea of dancers, it was as solid as a wall. Overhead, where Julia stood in the shadows at the top of the stairs, it penetrated the thick stone walls and the oak-boarded floors as an insistent bass beat. She stood for a minute to listen to it.

      Beneath her was the blaze of lights and the noise of people, laughter and shouting all knitted together by the throb of the music.

      Julia swayed dreamily, moving her hips inside the silky tube of her dress. She was smiling, because she loved parties and her own parties were always the best of all. She loved this particular moment, when the party was off and running on its own, and she could step back to admire it, her creation.

      Somewhere behind her, in the dimness of the gallery, a door opened. A thin finger of light reached past her. Julia didn’t look round, but she heard a man’s voice and then a woman’s low laugh before the door closed again. The man walked quickly along the gallery and stopped beside her at the head of the stairs. Turning to look now, Julia saw that it was her old friend Johnny Flowers. He had arrived hours ago in one of the packed cars that had raced each other from London to Julia’s party.

      She smiled, and saw the whiteness of his teeth as he smiled back at her.

      ‘Good time, Johnny?’ she whispered.

      He leaned forward to kiss the corner of her mouth and his hand rested lightly on her waist.

      ‘Mmm. The very best time. The party to end all parties, this one.’

      Julia murmured, ‘Good. But it’s early yet.’

      Johnny’s hand slid over her hip as he passed her, and fleetingly she remembered other times. Other places, a long way from this big house beached in its dark gardens.

      She tilted her head backwards at the closed bedroom door.

      ‘Who?’

      ‘Sssh.’ The white smile came again as he put his finger to his lips. ‘You haven’t seen me.’

      ‘I haven’t seen you.’

      Julia watched him run downstairs and disappear into the brightness. A swirl of laughing people poured out into the hallway and the colours of the girls’ dresses blurred exotically against the wood panelling.

      Someone called out, ‘Ju—lia!’ and the faces turned to look up at her. She stood on the top stair for a moment longer, surveying the scene, smiling with satisfaction. Then, with the tips of her fingers just touching the smooth, curving warmth of the banister rail, she floated down to join them.

      In the doorway, someone shouted, ‘Be Bop A Lula!’

      Out of sight, in the room where the dancers surged past the huge Christmas tree, the lead guitarist mopped the sweat out of his eyes and obligingly struck the first chord.

      ‘She’s my baby,’ Julia sang.

      A chain of people formed and swayed in front of her, and arms came round her waist. She could feel the heat of the man, whoever he was, through her thin dress. Julia stumbled forward and steadied herself in the crush by flinging her arms around someone else. Everyone was singing now, ‘Don’t mean maybe.’

      The conga line snaked around the hallway and back into the big room. Before it jerked her away Julia saw Johnny Flowers again. He was slipping back up the stairs, holding a champagne bottle by its gold foil neck. She looked away quickly, thinking, I wanted this, didn’t I? To be able to give parties in a big house for all my friends. To have everyone around me, enjoying themselves …

      Happy New Year, she wished herself. But it didn’t suppress the little beat of loneliness that she had felt, in the middle of all the people.

      The dancers swept her along, into the heat of the drawing room where the carpets had been rolled back and the log fire in the huge stone fireplace crackled unnecessarily. Inside her head, all around her, the music thudded on.

      Julia saw a whisky bottle on a windowsill. As they swooped past she reached for it and titled it to her mouth. They circled the Christmas tree. It was