Camilla Lackberg Crime Thrillers 4-6: The Stranger, The Hidden Child, The Drowning. Camilla Lackberg

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Название Camilla Lackberg Crime Thrillers 4-6: The Stranger, The Hidden Child, The Drowning
Автор произведения Camilla Lackberg
Жанр Хобби, Ремесла
Серия
Издательство Хобби, Ремесла
Год выпуска 0
isbn 9780007535132



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broadcasting?’

      ‘Yes indeed, it’s all set,’ said Fredrik, giving Erling a big smile.

      They were sitting in the spacious office of the town council, in the section where some easy chairs were placed around a table. That had been one of the first things on Erling’s list of changes: replacing the boring municipal furniture with something a bit more upmarket. It had been no problem to sneak that invoice into the bookkeeping; they always needed office furniture.

      The leather squeaked a bit as Fredrik shifted position in the easy chair and went on: ‘We’re very pleased with the footage we’ve shot so far. Not so much action, perhaps, but good material to introduce the participants, set the tone, if you know what I mean. Then it’s up to us to make sure that intrigues develop so we get some great lines out of it. I hear there’s some sort of evening entertainment here tomorrow, and that might be a good place to start. If I know my cast members, they’ll certainly liven up the party.’

      ‘Well, we do want Tanum to impress the media at least as much as Åmål and Töreboda did.’ Erling puffed on his cigar and gazed at the producer through the smoke. ‘Sure you won’t have a cigar?’ He nodded towards the box sitting on the table. The ‘humidor’, as he always called it, putting the stress on the ‘o’. That was important. It was only amateurs who kept their cigars in a bloody box. Real connoisseurs had a humidor.

      Fredrik Rehn shook his head. ‘No thanks, I’ll stick with my regular coffin nails.’ He pulled a pack of Marlboros out of his pocket and lit a cigarette. Thick smoke was starting to hover over the table.

      ‘I can’t emphasize enough how important it is that we make a big splash in the coming weeks.’ Erling took another puff. ‘Åmål was in the headlines at least once a week while they were shooting, and Töreboda wasn’t far behind. I’m expecting at least the same coverage for us.’ He was using the cigar as a pointer.

      The producer wasn’t intimidated; he was used to handling self-important TV bosses and wasn’t afraid of some has-been who had set himself up as mini-pope in this Lilliput.

      ‘The headlines will come, trust me. If it’s sluggish to begin with, we’ll just have to heat things up a bit. Believe me, we know exactly which buttons to push when it comes to these people. They aren’t that sophisticated.’ He laughed and Erling joined in. Fredrik went on: ‘It’s dead simple: we put together a group of thick, media-mad youngsters, supply booze on tap, and set up cameras that film non-stop. They get too little sleep, eat poorly, and the whole time feel the pressure to perform and be seen by the TV viewers. If they don’t succeed with that they can cruise local bar tours, go to the head of the queue at night clubs, pick up plenty of babes, or make money posing for centrefolds. Believe me, they’re motivated to create headlines and increase viewer numbers, and we have the tools to help them channel that energy.’

      ‘Well, it certainly seems that you know what you’re doing.’ Erling leaned forward and flicked off a long column of ash into the ashtray. ‘Although I must say, I much prefer the sort of programmes that were done in the old days. Now that was quality television. This Is Your Life, that charades game show, the Hagge Geigert talk show. They just don’t have hosts like Lasse Holmqvist and Hagge Geigert anymore.’

      Fredrik stifled an impulse to roll his eyes. These old farts always had to go on about how much better the old TV shows used to be. But if you sat them down in front of a segment with Hagge what’s-his-name, they’d be nodding off within ten seconds. But he just smiled at the old fart, as if he agreed with him completely. It was important to cultivate Erling’s cooperation.

      ‘But naturally we don’t want anyone to get hurt,’ Erling went on with a frown of concern.

      ‘Of course not,’ said the producer, also making an effort to look concerned and anxious. ‘We’ll keep a close eye on how the cast members are feeling, and we’ve also arranged for them to have professional counselling during their time here.’

      ‘Who have you hired?’ asked Erling, putting down the stub of his cigar.

      ‘We were fortunate enough to make contact with a psychologist who has just moved here to Tanum. His wife was recently hired at the police station. He has a very solid professional background, so we’re glad we found him. He’s going to talk with the cast members both individually and in group sessions a couple of times a week.’

      ‘Good, good,’ said Erling, nodding. ‘We’re very keen that everyone be in good health.’ He gave Fredrik a fatherly smile.

      ‘On that point we are in total agreement.’ The producer smiled back, though with not quite the same fatherly expression.

      Calle Stjernfelt regarded the scraps of food left on the plates with distaste. At a loss, he stood with his microphone in one hand and a plate in the other. ‘This is disgusting,’ he said, unable to tear his eyes away from the pieces of potato, gravy and meat that were mixed together in an unrecognizable hodgepodge. ‘Hey, Tina, when are we supposed to trade places?’ He glowered at her as she swept past carrying two plates of nicely arranged food from the kitchen.

      ‘Never, if I have anything to say about it,’ she snapped, pushing open the swing door with her hip.

      ‘Shit, I hate this,’ Calle shouted, flinging the plate down into the sink. A voice behind him made him jump.

      ‘Hey, if you break anything it’s coming out of your pay-cheque.’ Günther, the head chef at Tanumshede Gestgifveri restaurant, gave him a sharp look.

      ‘If you think I’m here for the money, you’ve got another think coming,’ Calle snarled. ‘Just so you know, back in Stockholm I make more in one night than you do in a month.’ He demonstratively picked up another plate and dropped it into the sink. The plate shattered, and his defiant look dared Günther to do something about it. For a second the head chef seemed about to open his mouth to yell at him, but then he glanced at the cameras and walked off muttering, deciding instead to stir some of the food simmering in the steam table.

      Calle sneered. Things were the same everywhere. Tanumshede or Stureplan in Stockholm. There was no fucking difference. Money talked. He’d grown up with this world order, and he’d learned to live with it and even appreciate it. Why not? The whole thing was to his advantage, after all. The only time he’d come across a world where money didn’t rule was on the island. A shadow passed over his face at the thought.

      Calle had auditioned for Survivor with high expectations. He was used to winning. And look at the opposition: a bunch of labourers, hairdressers, unemployed tossers. He’d thought it would be a cinch. But the reality had come as a shock. Without being able to pull out his wallet or show off, other things had turned out to be important. When the food ran out and the dirt and sand-fleas took over, he’d quickly been reduced to a zero, a nobody. He’d been the fifth person voted off the island, not even making it to the merger. Suddenly he’d been forced to realize that people didn’t like him. Not that he was the best-liked guy in Stockholm either, but there at least people showed him some respect and admiration. And they liked to suck up to him too, so they could hang with him when the champagne was flowing and the babes flocked around. On the island that world had seemed far away, and some fucking zero from Småland had won. Some stupid carpenter that everybody swooned over because he was so genuine, so honest, so folksy. Fucking idiots. No, the island was an experience he wanted to forget as soon as possible.

      But this was going to be different. Here he was more in his element. Well, not exactly as a dishwasher, but he had a chance to show that he was somebody. His Östermalm dialect and his classic slicked-back hair and expensive designer clothes meant something here. He didn’t need to run about half-naked like a bloody savage and try to rely on some shitty ‘personality’. Here he could dominate. Reluctantly he took a dirty plate from the tray and began rinsing it off. He was going to talk to production about maybe trading with Tina. This job just didn’t fit with his image.

      As if in answer to his thought, Tina came back in through the swing door. She leaned against the wall, took off her shoes, and lit a cigarette.

      ‘You want