Название | In A Dark Wood |
---|---|
Автор произведения | Shaun Whiteside |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007380633 |
Is Marcus, then, for want of erotic amusements, watching a German channel showing some rather risqué dance?
Not that either.
Figure skating, perhaps, the comfort for the eyes of older men who have gone too long without the sight of young women’s full buttocks?
It isn’t the season for that.
No, Marcus Kolpa is on his knees jerking off to the early-evening news, his face close to the screen, his right hand resolutely clutching his legendary dick, jacket open and trousers around his ankles.
The man who knows everything about German literature from between the wars, pre-Renaissance painting and early industrial machinery, the man with a brilliant future behind him, is kneeling here, we might well say devoutly, in front of the television news. The veins swell at his temples. His perspiration (Marcus Kolpa would never say ‘sweat’) trickles along his temples and down the stiff collar of his shirt.
He isn’t the only one perspiring. It’s hot under the lamps of the television studio as well. The lady newsreader’s hair sags slightly and hangs in tired, heavy tendrils around her pancaked face, making her big grey-blue eyes, those weary, sympathetic eyes, look even bigger and more tired and sympathetic and her face even paler, her alabaster cheeks and her lipsticked mouth even more gentle and understanding, and he, knees hurting, brings his face close to her face, so close that he sees her mouth disintegrate into grains, her eyes dissolve in the grey of the picture lines, her skin a haze of electrons, he rests his forehead against the cool screen, where her forehead is, close to her, licks the dust from her face, her whole face, the whole screen, as she finishes off the financial summary, the ailing national budget, the rising interest rates and falling growth figures, the decline in purchasing power, new mass redundancies, and he looks for her pupils, as if he could look through them, through the pupils, behind the pancaked image, and see the woman who wakes up in the morning on smiling sheets the perspiration between her breasts the pillows that kiss her cheeks and … God yes to kiss her there between her breasts to lick her salty cleavage as he is now licking the screen her grainy eyeshadow the wings of her nose God that and that voice originating in her throat so full his name fuck me everywhere Marcus fuckmeeverywhere Jesus-painknees your servant lady or rather in her suit against the wall and her skirt pulled up and notherenotnow oh when long ago at a student party and her looking out of the attic window bending over the town looking the undecided isshethinkingwhatimthinking doesshewantwhatiwant her black skirt her white blouse a lady but young still just like him oh Christ the weather sun and rain and low temperatures and everything on go on yes then tipsy already and no longer entirely master of what raged and stirred and she looked sideways and he looked sideways her dark eyes so big and moist and her hair in a ponytail the short distance between them … ah … a space of unspoken thoughts and will and … suddenly the firework that exploded outside dripping fiery flowers of rockets and firecrackers and his hand doing what he himself didn’t want to do and rested on her neck pulled her roughly to him lips that sought and opened and found each other but didn’t kiss just feverishly touched skin felt other lips but not the kiss no and still that hand on her neck that guided her clasped her turned her to face the windowsill head-first out of the window his other hand on her hip clawing at the fabric of her skirt that tugged her skirt up and the hand on her neck forcing her forward and the other hand pulling her panties down … God … his sword his member his hardasahammer lifted into her … and the fading light of the firework behind the windows which also burst the soap bubble of his imagination and he and she looked at each other faintly smiled hello you here too yes me too … his slight hesitation at the thought of the vision that had seemed so real that he was afraid that she had seen the lust in his eyes.
Think about something else. Just think about something else. No laundry service in this hotel. Not that it matters. If they had one they’d bring your shirts back boiled to bits and ironed till they shone. The Hilton in, what was it … Oh, with those terrific sandwiches with spicy chicken and brie with cranberries. A Chinese wash house that did the laundry. Shirtssocksboxers came back as if they had personally received the attention of a direct descendant of a thousand-year race of Washermen from the Upper Mandarin, washed with Confucian precision in clear spring water from Szechuan, ironed with a silver iron and … There she is again her pancaked face her deep emotional voice her big eyes like pools of desperate desire or desiring desperation, chat with the weatherman, people’s endless obsession with the weather, probably uncertainty about what to wear the following day dungarees or C&A, nother-notshe, in her pastel suits, her chintzily gleaming stockings, her suede shoes which he, provided that they were new and not worn out, so wished to lick just as he, yes, there she is, yearned to my girl lollipop lick from head to toe, tongue in her ear her throat her eyes.
lady no one so
devoted to you no one who in the summary
of today’s news has so kissed your throat
the gently beating pale blue vein thumping
in your throat thumping lifted up and your legs wrapped
around me and locked behind my back
because never before no one who so
understands you so devoted so wants
to vanish inside you dissolve until there’s nothing but your eyes
the electronic haze of grey-blue
in your pancaked face the lipstick lips
opening to receive my lips your tongue
venturing to my tongue,
seekingyouandthearmsmyconsolingarms,
the unexpected moist warmth
of
yourmouthyourgodopenyourmouth
comeinmeMarcuscome
inme
in
me
in
And there, at the moment suprême
(because that’s what it is)
Marcus Kolpa hears his sperm hit the screen.
Splat!
(Yes, he really hears that.)
It splashes in the newsreader’s face, between her eyes, and drips like a sagging blob of paint down her nose, her mouth, down along her throat.
It’s an epiphanic moment.
It’s the end of the news.
It’s what the creator must have felt when he said let there be light and there was too.
And while the liberating emptiness of the orgasm shoots through him,
outofhisbellybackthroughhisspinalcolumn
betweenhishoulderbladesthroughthebackofhishead
tohisbrain,
the frightening post-orgasmic chill fills him up and he sees in a single glance the smeared screen, himself (man, black suit, trousers round his ankles, a putty penis), the carpet with the worn patches where other men have stood, sat, God knows perhaps knelt like him, and the desolation of what he is and what his life has become.
He