Joona Linna Crime Series Books 1 and 2: The Hypnotist, The Nightmare. Lars Kepler

understand that.”

      “I’ve hypnotised people suffering from schizophrenia,” Erik goes on, “and they were just as deeply detached from reality under hypnosis as they were in a conscious state.”

      “What is it you’re trying to say?”

      “Josef talked about his sister.”

      “Yes, she wanted him to bite like a dog and so on,” says Joona. He dials a number and puts the phone to his ear.

      “There’s no proof his sister told him to do that,” Erik explains.

      “But she might have,” says Joona, raising a hand to silence Erik. “Anja, my little treasure.”

      A soft voice can be heard at the other end of the phone.

      “Can you check on something for me? … Yes, exactly. Josef Ek has an aunt called Sonja, and she has a house or a cottage somewhere … Yes, that’s—you’re a star.” Joona looks up at Erik. “Sorry. You wanted to say something else?”

      “Just that it’s by no means certain it was Josef who murdered the family.”

      “But is it possible that his wounds are self-inflicted? Could he have cut himself like this in your opinion?”

      “Not likely.”

      “But is it possible?” Joona persists.

      “Theoretically, yes,” Erik replies.

      “Then I think our killer’s lying in there,” says Joona.

      “I think so too.”

      “Is he in any condition to run away from the hospital?”

      “No.” Erik smiles weakly in surprise.

      Joona heads for the door.

      “Are you going to the aunt’s cottage?” asks Erik.

      “Yes.”

      “I could come with you,” says Erik. “The sister could be injured, or she could be in a state of shock.”

       18

       tuesday, december 8: early morning

      Simone is already awake before the telephone on Erik’s bedside table starts to ring.

      Erik mumbles something about balloons and streamers, picks up the phone, and hurries out of the room, closing the door behind him.

      The voice she hears through the door sounds sympathetic, almost tender. After a while, Erik creeps back into the bedroom and she asks who called.

      “Police … a detective … I didn’t catch his name,” he says, and explains that he has to go to Karolinska University Hospital.

      She looks at the alarm clock and closes her eyes.

      “Sleep now, Sixan,” he whispers, and leaves the room.

      Her nightgown has twisted itself awkwardly around her. Unwinding and yanking it into place, she turns onto her side and lies still, listening to Erik’s movements.

      He dresses quickly, then goes rummaging for something in the wardrobe. Next, she hears a metallic ping when he tosses the shoehorn back into the drawer. After a little while she hears the faint sound of the street door closing.

      She tries for a long time to get back to sleep, but without success. She doesn’t think it sounded as if Erik was talking to a police officer. He sounded too relaxed. Maybe, she tells herself, he was just tired.

      She gets up to pee, has a yoghurt drink, and goes back to bed. Then she starts to think about what happened ten years ago, and all chance of sleep is gone. She lies there for half an hour, and then, unable to resist her suspicions, switches on the bedside light, picks up the phone, and thumbs through the display to find the last incoming call. She stares at the number for a moment, knowing she ought to turn off the light and go back to sleep, but finally she calls the number anyway. It rings three times, there is a click, and she hears a woman laughing a short distance away from the phone.

      “Stop it, Erik,” says the woman happily, and then the voice is very close. “Daniella Richards. Hello?”

      Simone says nothing. The woman waits a bit, then says aloha in a wearily sarcastic voice before ending the call. Simone remains sitting there, telephone in hand. She tries to understand why Erik said it was a police officer, a male police officer, who rang. She wants to find a reasonable explanation, but she can’t stop her thoughts from finding their way back to that time ten years ago when she suddenly realised that Erik was deceiving her.

      It just happened to have been the same day Erik informed her that he was finished with hypnosis forever.

      Simone remembers that she hadn’t been at her newly opened gallery that day, a rare occasion; maybe Benjamin wasn’t in school, maybe she’d taken the day off, but at any rate she was sitting at the kitchen table in the terrace house in Järfälla going through the mail when she caught sight of a pale blue envelope addressed to Erik. The sender’s name on the back simply said: Maja.

      There are times when you know with every fibre of your being that something is wrong.

      Simone had been married to Erik for eight years when, fingers trembling, she opened the envelope from Maja. Ten colour photographs fell out onto the kitchen table. The pictures had not been taken by a professional photographer. Blurred close-ups: a woman’s breast, a mouth and a naked throat, pale green underwear, black hair in tight curls. Erik was in one of the pictures. He looked surprised and happy.

      Maja was a pretty, very young woman with dark, strong eyebrows and a large, serious mouth. In the only photo that showed her completely, she was lying on a narrow bed dressed in just her underwear, strands of black hair falling over her broad white breasts. She looked happy, too, a faint blush high on her cheeks.

      It is difficult to recall the feeling of being deceived. For a long time everything was just a sense of sorrow, a strange, empty craving in her stomach, a desire to avoid painful thoughts. And yet she remembers that the first thing she felt was surprise, a gaping, stupid surprise at being so comprehensively taken in by someone she had trusted completely. And then came the embarrassment, followed by a despairing sense of inadequacy, burning rage, and loneliness.

      Simone lies in bed as these thoughts go round and round in her head, spinning off in various painful directions. She remembers the way Erik looked into her eyes and promised he hadn’t had an affair with Maja—that he didn’t even know anyone named Maja. She had asked him three times, and each time he had sworn he didn’t know a Maja. Then she had pulled out the photos and thrown them at him, one by one.

      Slowly the sky grows light above the city. She falls asleep a few minutes before Erik returns. He tries to be quiet, but when he sits on the bed she wakes up. Erik says he’s going for a shower. Looking up at him, she can tell he’s taken a lot of pills again. Heart pounding, she asks him the name of the policeman who called during the night. When he doesn’t answer, she realises that he’s passed out in the middle of the conversation. Simone tells him she called the number, and did a policeman answer? No, it was some giggling woman called Daniella. But Erik just can’t keep awake; it’s infuriating. Then she yells at him, demands to know, accuses him of having destroyed everything, just when she had begun to trust him again.

      She’s sitting up in bed now, staring at him. He doesn’t seem to understand her agitation. She says the words that, no matter how many times she has thought them, seem no less painful, sad, or distant from her hopes.

      “It might be best if we separate.”

      That seems to get his attention momentarily. But Simone is already gathering her pillow and the duvet. Entering the guest room, she lies on the sofa and cries for a long time, then blows her nose. Now it’s really morning. She hasn’t the strength to deal with her family right now. She goes to the bathroom, washes,